Liss Michael (51 results)

Condition: Very Good. Alison Edgson (illustrator). Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. Alison Edgson (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Good. No Jacket. Paolo, Jefte; Martinbrough, Shawn; Oeming, Michael Avon (illustrator). Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. Paolo, Jefte; Martinbrough, Shawn; Oeming, Michael Avon (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condition: New. By the end of John Cecil Stephenson's art school training - first a scholarship to Leeds Art School then to The Royal College of Art - he was in a position to produce still lives, landscapes and portraits in a professional capacity. Like many painters of his generation, who had received similarly conventional instruction, he became a competent teacher, appointed in 1922, as Head of Art at The Northern Polytechnic. In this mould Stephenson might have remained a largely undistinguished painter - but in the early 1930s he found himself at the centre of a group of artists with avant-garde credentials, and his own art underwent a remarkable transformation.  By 1934 he was exhibiting groundbreaking works such as Mask (CAT. 7), at the 7 and 5 Society, and in 1937 was a key contributor to the watershed publication and exhibition Circle, where his work was showcased alongside that of luminaries such as Kazimir Malevich, Le Corbusier, Fernand Léger, Alberto Giacometti and Pablo Picasso. What led Stephenson to become, in the words of the celebrated art critic Herbert Read, 'one of the earliest artists in the country to develop a completely abstract style'?  Between March 1919 and November 1965, John Cecil Stephenson lived in London at No. 6 Mall Studios, off Tasker Road, Hampstead. As the father figure of what Read christened 'a nest of gentle artists', his next door neighbours included, during the course of the decade leading up to World War II, Barbara Hepworth, John Skeaping, Ben Nicholson and Henry Moore. Such fertile ground was further enriched by visits from artists fleeing persecution - including Piet, László Moholy-Nagy and Alexander Calder - just a few of the many internationally acclaimed artists who, whilst passing through London, formed part of the art set who congregated around Read's house at No. 3 Mall Studios.

Paperback. Condition: New. By the end of John Cecil Stephenson's art school training - first a scholarship to Leeds Art School then to The Royal College of Art - he was in a position to produce still lives, landscapes and portraits in a professional capacity. Like many painters of his generation, who had received similarly conventional instruction, he became a competent teacher, appointed in 1922, as Head of Art at The Northern Polytechnic. In this mould Stephenson might have remained a largely undistinguished painter - but in the early 1930s he found himself at the centre of a group of artists with avant-garde credentials, and his own art underwent a remarkable transformation.  By 1934 he was exhibiting groundbreaking works such as Mask (CAT. 7), at the 7 and 5 Society, and in 1937 was a key contributor to the watershed publication and exhibition Circle, where his work was showcased alongside that of luminaries such as Kazimir Malevich, Le Corbusier, Fernand Léger, Alberto Giacometti and Pablo Picasso. What led Stephenson to become, in the words of the celebrated art critic Herbert Read, 'one of the earliest artists in the country to develop a completely abstract style'?  Between March 1919 and November 1965, John Cecil Stephenson lived in London at No. 6 Mall Studios, off Tasker Road, Hampstead. As the father figure of what Read christened 'a nest of gentle artists', his next door neighbours included, during the course of the decade leading up to World War II, Barbara Hepworth, John Skeaping, Ben Nicholson and Henry Moore. Such fertile ground was further enriched by visits from artists fleeing persecution - including Piet, László Moholy-Nagy and Alexander Calder - just a few of the many internationally acclaimed artists who, whilst passing through London, formed part of the art set who congregated around Read's house at No. 3 Mall Studios.

Condition: Muy bueno. : En una noche fría y estrellada, las estrellas brillan con intensidad. Un cachorro husky sueńa con ser un perro de trineo, un joven ganso aprende a navegar el cielo nocturno, un zorro ártico descubre que le teme a la oscuridad y un narval perdido atrapa una estrella fugaz mágica en su colmillo en espiral. Esta colección de cuentos cortos, bellamente ilustrada por Alison Edgson, presenta historias de autores como Michael Broad, Holly Webb, Lucy Courtenay, Elizabeth Baguley, Liss Norton, Karen Wallace, Malachy Doyle, Caroline Pitcher, Caroline Juskus y Penny Dolan. EAN: 9781847152589 Tipo: Libros Categoría: Infantil y Juvenil Título: On a Starry Night Autor: Penny Dolan| Michael Broad| Holly Webb| Lucy Courtenay| Elizabeth Baguley| Liss Norton| Karen Wallace| Malachy Doyle| Caroline Pitcher| Caroline Juskus Editorial: Stripes Publishing Idioma: en Páginas: 208 Formato: tapa blanda.

Softcover. Condition: Good. Exhibition catalogue. No ownership markings; rubbing/scrapes, corner bumps.

Paperback. Condition: New. *NEW* paperback. Fresh from a distributor with no price tags and no remainder marks.

Paperback. Condition: Brand New. 96 pages. 10.67x8.46x0.47 inches. In Stock.

Paperback. Condition: Very Good. Full colour paperback in very good condition. This catalogue was published on the occasion of the exhibition 'Charles Cundall: A Working Method' at Young Gallery, Salisbury from 12 March - 21 April 2016, and Sotheran's from 28 April - 7 May 2016. Light shelf wear only to the covers. Binding is sound, pages are clear and colours vivid. LW. Used.

paperback. Condition: New.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condition: Fine. Qto., 96 pages, colour illustrated. Unused, a Fine copy.

Condition: Fine. New/unused. Light scratches to cover & scuffs to edges. Content as new.

Paperback. Condition: Brand New. 96 pages. 10.67x8.46x0.47 inches. In Stock.

Soft cover. Condition: Very Good. No Jacket. Softcover. Condition: Very good, with just a hint of shelfwear to covers. This catalogue was previously in the library of the Offer Waterman Gallery, London and bears their small circular stamp to the lower right corner of the title page with the reference number discreetly written in the centre. 158pp. Many colour illustrations. This catalogue was published to accompany the exhibition about the life and work of the British artist Charles Cundall (1890-1971) held at the Young Gallery, Salisbury from 12 March to 21 April 2016 and then toured to Sotheran's, London from 28 April to 7 May the same year. The catalogue includes an essay on Cundall by the artist's daughter as well as an essay by the art critic Andrew Lambirth.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Perfect, Chris (illustrator). First Edition. Copy in green cloth on boards in clipped D/J. Slight rubbing to head/foot of spine. Free of inscriptions. Clean text with b/w plates and illustrations.

Hardcover. Condition: As New. Meyer, Anne (illustrator). Leichte Kratzer / Abnutzungen / Druckstellen. ,Knackwurst, Kummelschnaps und Kusse" ist mehr als ein aussergewohnlicher Titel; diese Begriffe reflektieren 135 Jahre Konsum Leipzig. Die Genossenschaft hat sich in das Gedachtnis von uber funf Generationen eingepragt. Die Chronik wurdigt diese Bestandigkeit mit 142 Berichten, 578 Bildern, Grafiken und Illustrationen sowie 70 personlichen Anekdoten. Erganzt werden diese Inhalte durch 82 Statements von Politikern, Prominenten, Kunstlern, Medienschaffenden und Sportlern sowie 141 Fakten zum Zeitgeschehen in Leipzig, Sachsen und Deutschland. Das Buch ist den Kunden, Mitgliedern, Mitarbeitern und Unterstutzern gewidmet, die zur Konsumgeschichte beigetragen haben. Mustafa Haikal dokumentierte bereits 2009 die Entwicklung der Genossenschaft in ,Gute Geschafte". Zehn Jahre spater erweitern Dirk Tharichen und Michael Faupel dieses Werk um unterhaltsame Anekdoten, historische Einblicke und personliche Erinnerungen. Sie verdichten die Geschichte und wagen einen Blick in die Zukunft. Dabei wird klar, dass nicht die Gewinnmaximierung im Vordergrund steht, sondern das Wohl der Genossenschaft und ihrer Mitglieder. Erleben Sie Geschichten aus 135 Jahren Konsum Leipzig und reisen Sie durch die Zeit.

Soft cover. Condition: Fine. 1st Edition. First edition, first printing of this collection of short stories. SIGNED by 12 of the contributing authors on the title page including Melissa Yi, S.J. Rozan, Kenneth Wishnia, Reed Farrel Coleman (Moe), Jonathan Santlofer, Charles Ardai, Alan Gordon, S.A. Solomon. In fine condition. Signed by Author.

SOFTCOVER. Condition: New. 1st Edition. Large 4to. in colour printed stiff card covers, 95pp on glossy art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Querf.-8° , Gewebe. Condition: Sehr gut. Meyer, Anne (illustrator). 180 S., Ill. Gebraucht: ohne Schuber, ansonsten sehr guter Zustand. Sprache: Deutsch Gewicht in Gramm: 823.

Paperback. Condition: New. By the end of John Cecil Stephenson's art school training - first a scholarship to Leeds Art School then to The Royal College of Art - he was in a position to produce still lives, landscapes and portraits in a professional capacity. Like many painters of his generation, who had received similarly conventional instruction, he became a competent teacher, appointed in 1922, as Head of Art at The Northern Polytechnic. In this mould Stephenson might have remained a largely undistinguished painter - but in the early 1930s he found himself at the centre of a group of artists with avant-garde credentials, and his own art underwent a remarkable transformation.  By 1934 he was exhibiting groundbreaking works such as Mask (CAT. 7), at the 7 and 5 Society, and in 1937 was a key contributor to the watershed publication and exhibition Circle, where his work was showcased alongside that of luminaries such as Kazimir Malevich, Le Corbusier, Fernand Léger, Alberto Giacometti and Pablo Picasso. What led Stephenson to become, in the words of the celebrated art critic Herbert Read, 'one of the earliest artists in the country to develop a completely abstract style'?  Between March 1919 and November 1965, John Cecil Stephenson lived in London at No. 6 Mall Studios, off Tasker Road, Hampstead. As the father figure of what Read christened 'a nest of gentle artists', his next door neighbours included, during the course of the decade leading up to World War II, Barbara Hepworth, John Skeaping, Ben Nicholson and Henry Moore. Such fertile ground was further enriched by visits from artists fleeing persecution - including Piet, László Moholy-Nagy and Alexander Calder - just a few of the many internationally acclaimed artists who, whilst passing through London, formed part of the art set who congregated around Read's house at No. 3 Mall Studios.

Condition: New. Beautifully illustrated catalogue on the life and work of 20th century British abstract artist, John Cecil Stephenson, which accompanies an exhibition at Burgh House, UK.KlappentextrnrnBeautifully illustrated catalogue on the life and work o.