Lukavic John P (86 results)

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

hardcover. Condition: Very Good.

Hardback. Condition: Good. A citizen of the Mississippi Choctaw Nation and part Cherokee, Jeffrey Gibson spent time in Germany, England, and Korea in his youth. This mix of cultures informs much of his work, which combines elements from historical and contemporary Native arts and traditions, such as powwow regalia and the use of animal skins, with those from the artistic traditions of Modernism, Geometric Abstraction, and Minimalism. As a gay Native artist, Gibson explores in his work issues of oppression and civil rights in America, as well as universal ideas of love, community, strength, vulnerability, and survival. This magnificent volume focuses on nearly 60 works completed in the last decade, including culturally adorned punching bags, three-dimensional figurative works, text-based wall hangings, painted works on rawhide and canvas, and light and video works.…

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardback. Condition: Good. A citizen of the Mississippi Choctaw Nation and part Cherokee, Jeffrey Gibson spent time in Germany, England, and Korea in his youth. This mix of cultures informs much of his work, which combines elements from historical and contemporary Native arts and traditions, such as powwow regalia and the use of animal skins, with those from the artistic traditions of Modernism, Geometric Abstraction, and Minimalism. As a gay Native artist, Gibson explores in his work issues of oppression and civil rights in America, as well as universal ideas of love, community, strength, vulnerability, and survival. This magnificent volume focuses on nearly 60 works completed in the last decade, including culturally adorned punching bags, three-dimensional figurative works, text-based wall hangings, painted works on rawhide and canvas, and light and video works.…

Condition: As New. Unread book in perfect condition.

Oversized Hardcover. Condition: Very Good. No Jacket. Flat-signed by Marie Watt and Cannupa Hanska Luger at title page; Tight binding; Clean, sturdy boards; Pages free of markings; An exceptional copy.

Hardcover. Condition: Good. It's a preowned item in good condition and includes all the pages. It may have some general signs of wear and tear, such as markings, highlighting, slight damage to the cover, minimal wear to the binding, etc., but they will not affect the overall reading experience. Ex-Library. …

Oversize Hardback. Condition: Fine. No Jacket. A clean, unmarked book with a tight binding. 100 pages. The catalog of the first joint exhibition of two Indigenous contemporary artists, covering mixed-media sculptures, installations, and wall hangings in wood, ceramic, wool blankets, and found materials, with essays by Jami Powell and curator John P. Lukavic and an interview with the artists by Namita Gupta Wiggers. Keywords: Seneca Nation Artist, Mandan Hidatsa Artist, Reclaimed Wool Blankets, Ceramic Sculpture, Collaborative Artmaking, Iroquois Proto Feminism, Social Collaboration, This Is Not A Snake, Blanket Stories, 21st Century Indigeneity, Jami Powell Essay, Namita Wiggers Interview 2.…

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: good. This book is in good condition, with minimal signs of wear and tear.

hardcover. Condition: Very Good. 2022 Hirmer Publishers. Clean tight and bright; appears unread. Cover is clean bright and strong.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardback or Cased Book. Condition: New. Kent Monkman: History Is Painted by the Victors. Book.

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Hardcover. Condition: new. Hardcover. The renowned Cree artist unmasks a whitewashed, Eurocentric history through provocative paintings full of sexuality and dramaPublished with Denver Art Museum and Montreal Museum of Fine Arts.One of Canadas most renowned artists, interdisciplinary Cree artist Kent Monkman challenges the art historical narrative of settler cultures that colonized First Peoples from North America. He incorporates influences from the canon of European and Euro-American painting, reframing historical, contemporary and speculative future Indigenous experiences. Taking inspiration from Western artists such as George Catlin, as well as from the Old Masters, Monkmans monumental history paintings feature white colonizers in violent conflict with Indigenous people. The depictions range from early colonial encounters to modern and contemporary clashes between Indigenous communities and uniformed police or clergy. In borrowing the visual language of his oppressors, Monkman reclaims the narrative written by Western art history about the brutalization and cultural genocide carried out against Indigenous North American communities.History is Painted by the Victors accompanies the artists first major exhibition in the United States. The catalog gathers rich analysis of Monkmans art from prominent scholars, expanding our understanding of his oeuvre and offering new insight via queer theory, historical and contemporary contexts, visual analysis and lived experience.Kent Monkman was born in 1965 in Ontario, Canada and is a member of Fisher River Cree First Nation in Treaty 5 Territory. Monkmans works have been exhibited at the Metropolitan Museum of Art, Montreal Museum of Fine Arts, Hayward Gallery, Philbrook Museum of Art, Palais de Tokyo and many more. He is the author of two bestselling novels, The Memoirs of Miss Chief Eagle Testickle, Volumes 1 and 2, which are based on his gender-fluid alter ego who often appears in Monkmans work as a time-traveling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. He lives and works in New York City and Toronto. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Trade Paperback. Condition: Very Good. Dust Jacket Condition: no jacket (trade paperback). This trade paperback edition is in excellent condition. The cover is vibrant, with no visible creases or wear. The spine is intact and the binding is firm, ensuring durability for frequent use or display. There are no inscriptions or signatures, and the pages are clean and free from markings. …

Hardback. Condition: New. The renowned Cree artist unmasks a whitewashed, Eurocentric history through provocative paintings full of sexuality and dramaPublished with Denver Art Museum and Montreal Museum of Fine Arts.One of Canada's most renowned artists, interdisciplinary Cree artist Kent Monkman challenges the art historical narrative of settler cultures that colonized First Peoples from North America. He incorporates influences from the canon of European and Euro-American painting, reframing historical, contemporary and speculative future Indigenous experiences. Taking inspiration from Western artists such as George Catlin, as well as from the Old Masters, Monkman's monumental history paintings feature white colonizers in violent conflict with Indigenous people. The depictions range from early colonial encounters to modern and contemporary clashes between Indigenous communities and uniformed police or clergy. In borrowing the visual language of his oppressors, Monkman reclaims the narrative written by Western art history about the brutalization and cultural genocide carried out against Indigenous North American communities.History is Painted by the Victors accompanies the artist's first major exhibition in the United States. The catalog gathers rich analysis of Monkman's art from prominent scholars, expanding our understanding of his oeuvre and offering new insight via queer theory, historical and contemporary contexts, visual analysis and lived experience.Kent Monkman was born in 1965 in Ontario, Canada and is a member of Fisher River Cree First Nation in Treaty 5 Territory. Monkman's works have been exhibited at the Metropolitan Museum of Art, Montreal Museum of Fine Arts, Hayward Gallery, Philbrook Museum of Art, Palais de Tokyo and many more. He is the author of two bestselling novels, The Memoirs of Miss Chief Eagle Testickle, Volumes 1 and 2, which are based on his gender-fluid alter ego who often appears in Monkman's work as a time-traveling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. He lives and works in New York City and Toronto.…

Condition: new.

Condition: New.