Lurcat Andre (53 results)

Couverture souple. Condition: Bon. Paris, Éditions Vincent, Fréal & Cie, 1955, couverture souple, environ 27 X 22 cm, 364 pages, imprimé sur papier glacé, abondamment illustré en N&B. La couverture est en bon état, seulement très légèrement défraîchie ici et là. L'intérieur est sans reproche. (AVERTISSEMENT ; Les frais d'envoi internationaux donnés par Abebooks sont souvent erronés veuillez obligatoirement m'écrire pour connaître les frais d'envoi réels pour l'extérieur du Canada AVANT de passer votre commande sinon vous pourriez avoir de mauvaises surprises. Paiement de préférence par Paypal).

[11344].

Softcover, 264 pages; in French; very good condition; except crease down length of rear cover and a couple light but long creases to front cover and top edge of first few pages; no internal marks. Foreign shipping may be extra.

[15342].

[19462].

Couverture souple. Condition: Bon. Edition originale.

Couverture souple. Condition: Bon. Edition originale.

Couverture souple. Condition: Bon. Edition originale.

Couverture souple. Condition: Bon état. Tome 3 seul. Assez rare. In-4, broché, 364pp. ill. en noir et blanc. Corps du livre en parfait état. couverture déchirée avec manque de parier en pied de couverture n'entravant pas la lecture du titre. En l'état. Ce volume 3 est intégralement consacré aux moyens plastiques employés dans l'architecture : Matière, Couleur, Modénature, Ornement, Lumière, Peinture, Sculpture et la Nature. in-4°.

Villeneuve-lès-Avignon, directeur: Pierre Seghers. Un volume 13,2x21,4cm broché de 96 pages avec quatre planches hors texte. Exemplaire en bon état. Au sommaire de ce numéro un texte sur Jean Lurçat par Louis Aragon sous pseudonyme et première publication d?un texte d?André Frénaud. Créateur en 1939 de la collection Poètes casqués, puis éditeur de la poésie de la résistance pendant la seconde guerre mondiale avec Poésie 40 à 47, Pierre Seghers (1906-1987) sera un des plus importants éditeurs français de poésie au XXème siècle. Livres.

[5989].

Condition: good. Taschenbuch. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. Ecken und Kanten bestoßen. Altersgemäßer Zustand. 288 Seiten. In französischer Sprache. Einband mit deutlichen Gebrauchsspuren sowie mit Stempel. Seiten nachgedunkelt, jedoch ohne Anstreichungen / Anmerkungen o.ä.

Soft Flex Covers w Cloth Spine. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Fully Illustrated (illustrator). Modern reprint, no edition stated. Firmly readable and collectible. 44 pages, text is in English. Soft cover w/ glossy card covers with cloth binding. Clean and Unmarked Text. Very good, like new condition, a sturdy modern book ~ Suitable for GIFT GIVING. No defects, other than slight wear from being stored or moved around the bookshop. ~ Reprinted directly from the original vintage/antique "design exhibition catalogue" advertisement brochure. Same as the original issue, meant as a representation styles of work possible by leading architects around the world. Includes: Industrial arts. All sorts of samples of architectural elements, building designs, interiors and exteriors, noted architects + designers. Generously illustrated showing buildings, designs, achitectural elements, styles, modern art, etc. Shows the boldness that ushered in the the Mid-Century Modern 20th century style, its historcical importance in urban landscapes. Ideal reference for architects, builders, enthusiasts, collectors, designers, restorers, period prop departments. Many building examples featured. ~ Overall a wonderful copy and informative resource. About the Exhibibion: Machine-Age Exposition was held on 16-28 May 1927 at 119 West 57th Street in New York, being advertised as the first event bringing together "architecture, engineering, industrial arts and modern art." ~ The exhibition was initiated by Jane Heap of The Little Review, a New York literary magazine, and organised along with Société des urbanistes, Brussels; U.S.S.R. Society of Cultural Relations with Foreign Countries; Kunstgewerbeschule, Vienna; Czlonkowie Group Praesens, Warsaw; Architects D.P.L.G, Paris; and Advisory American Section. ~ The artists committee of the exhibition included Alexander Archipenko, Robert Chanler, Andrew Dasberg, Charles Demuth, Muriel Draper, Marcel Duchamp, Josef Frank, Hugh Ferriss, Louis Lozowick, André Lurçat, Elie Nadleman, Man Ray, Boardman Robinson, Charles Sheeler, Ralph Steiner, Szymon Syrkus and L. Van der Swallmen. ~ Represented countries: United States, Austria, Belgium, France, Germany, Poland and Soviet Union. ~ The catalogue contains a panorama of European and American architecture and art, with photo documentation, and following articles: "Foreword: Architecture of this Age" by Hugh Ferriss, "The Aesthetic of the Machine and Mechanical Introspection in Art" by Enrico Prampolini, "Machine and Art" by Alexander Archipenko, "The Americanization of Art" by Louis Lozowick, "French Architecture" by André Lurçat, "Architecture Opens Up Volume" by Szymon Syrkus, "Machine-Age Exposition" by Jane Heap, "The Poetry of Forces" by Mark Turbyfill, and "Modern Glass Construction" by Frederick L. Keppler. . It would make a great gift for the fan in your life, even if that's you. ~ We appreciate your consideration of one of our books, art prints or novelty items. We strive to offer fast, courteous and professional service to all our patrons. Reading is one of life's great pleasures. ~ Please inquire for further details, our items arrive shrink wrapped and well packed. ~ Thank you for stopping by. 44 p. Book.

Lyon, directeur Jacques Aubenque. Un volume 14,2x22,5cm, 126 pages. Bon état sinon quelques rousseurs sur la couverture. Créée à Lyon en juillet 1941 par deux camarades de lycée, l?éditeur et imprimeur Marc Barbezat et le philosophe Marc Beigbeder, Confluences offre un très large panorama de littératures française et étrangère. «Je ne crois pas qu?il existe à l?heure actuelle une revue qui fasse aux jeunes une place plus large, qui nous ait révélé plus de noms nouveaux», écrivait un rédacteur des Cahiers du Sud en 1944. Confluences comptera 58 numéros jusqu?en 1947. La mention de nouvelle série était un stratagème imaginé par les directeurs pour faire croire à l?administration de Vichy que la revue paraissait avant-guerre. Car la censure frappait indistinctement tous les nouveaux titres. Livres.

Couverture souple. Condition: Bon. Germaine Krull, André Kertesz, Eli Lotar, Moholy-Nagy, M. Tabard (illustrator). 1ère Édition. Editions du Carrefour, 1929 - Petit in-4° broché, couv. cart., reproductions photographiques (Germaine Krull, André Kertesz, Eli Lotar, Moholy-Nagy, M. Tabard) en noir en planches, 191 pages, petite trace de pli à l'angle inférieur du premier plat de couverture sinon bon exemplaire, frais. Edition originale, tirage limité à 3200 exemplaires, un des 3000 sur papier Alfa de Lafuma-Navarre (n°2467).

Couverture souple. Condition: . Jean Lurçat (illustrator). In 8 en feuilles, édition illustrée de deux lithographies et d'une eau forte signées de Jean Lurçat. Tirage limité à 170 exemplaires, celui-ci un des 150 sur BFK.

Paperback. Condition: Good. Paperback Quarto. wraps, 362 pp text in French covers lightly worn Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

163 (+1) Seiten, durchgehend mit SW-Illustrationen [Mit einer handschriftlichen,mehrzeiligen, persönl. Widmung des Architekten] - Schutzumschlag fleckig und (rand)rissig, mit kleinen Fehlstellen, Einband eckbestossen. Kopfschnitt etwas angestaubt. Vorsatz und Vortitel mit leichtem Knickschatten, sonst innen tadelloses Exemplar mit der Widmung gegenüber des Titels unter dem Porträt-Frontispiz. *** André Lurçat (* 27. August 1894 in Bruyères; 11. Juli 1970 in Sceaux) war ein französischer Architekt. (Quelle: Wiki). ****An unsere Kunden in Deutschland: Versand nach Deutschland einmal in der Woche ab Freilassing mit der Deutschen Post.*** - Sprache: Französisch Gewicht in Gramm: 1010 quer-8° (22 x 27,5 cm), Original-Leinen mit beschädigtem Original-Schutzumschlag.

Hardcover. Condition: Fair. No Jacket. Fair condition hardcover book, no dust jacket. No date given. X-Lib with usual stamps and markings, many repairs to boards. ALL plates present. Very slight toning and spotting to edges and margins of plates, otherwise plates are unmarked on front. Rear of plates each have library stamp and slightest offsetting from next plate. Slightest creasing to few plate corners. Plate 50 has seven small tears to bottom edge, none more than 1/2 inch. Boards are worn, smudged, and toned. Spine is taped. See attached Photos. All books are individually inspected and described. Never X-Library unless specifically described as such.

Hardcover. Condition: VG+. Illustrated (illustrator). 1st Edition. There is a seam split to the edge of the spine and light wear to both it's ends, minor spotting and soiling to the covers, with one of the ties loose , with a bit of corner wear; one of the 51 plates has some edge damage, otherwise this rare Art Deco portfolio of designs for gardens and terraces is in very nice condition. Josef Frank, Le Corbusier et P. Jeanneret, Frank Lloyd Wright, Ernst May, André Lurcat, Tony Garnier, Mies van der Rohe, Robert Mallet-Stevens are among the architects represented. Lettering by Cassandre .Extra Postage.

Hardcover. Condition: Very Good. A scarce portfolio that captures the industrial aesthetic defining early twentieth-century modernist furniture design, when metal emerged as a symbol of modernity, minimalism, and functionality. The portfolio contains twenty-four loose sheets with richly printed images of furniture attributed to influential designers including Le Corbusier, Charlotte Perriand, René Herbst, André Lurçat, Pierre Legrain, Louis Sognot, Marcel Breuer, Germain Debré, Boivinet, R.C. Coquery, Robert Mallet-Stevens, and R. Boyer. Each design exemplifies the modernist union of form and function, with metal employed as the defining material and an emphasis on streamlined, utilitarian construction. The portfolio offers a concise survey of avant-garde French decorative arts and the evolving language of machine-age design in the years around 1930. Condition: the twenty-four loose sheets are all in very good condition - no foxing or staining. The portfolio case shows some wear consistent with age. The top corner of the cover has worn down and the the cloth spine has been professionally repaired using archival methods.

First Edition. Good paperback copy; edges somewhat dust-dulled and nicked. Spine starting. Remains quite well-preserved overall. Physical description : 189 pages : illustrations ; 23 cm. Subject : Architecture, Modern 20th century. Photography ; architecture. Architectural works. 3 Kg.

8°. 93 (1) S. OKart. Einbd. leicht staubfleckig. Gewicht in Gramm: 500.

Soft cover. Condition: Very Good. 1st Edition. 4° - 309pp - Color & B/w reproductions. Self-criticism of a Modern:André Lurçat (1894-1970) French modernist architect, landscape architect, furniture designer, city planner, and founding member of CIAM. He was active in the rebuilding in French cities after World War II. First edition, text in French language. Original boards. In Very good condition.

First Edition. Good paperback copy; edges somewhat dust-dulled and nicked. Spine starting. Remains quite well-preserved overall. Physical description : 189 pages : illustrations ; 23 cm. Subject : Architecture, Modern 20th century. Photography ; architecture. Architectural works. 1 Kg.

Couverture souple. Condition: Bon. Edition originale. Paris, Librairie José Corti, 1989-1990. 4 volumes in-8 brochés, 170pp., 161pp., 193pp., 222pp. Collection complète de cette revue placée sous le signe de sa prestigieuse ainée Mesures (1935-1940). Le 4ème et dernier n° est accompagné de 6 photocopies (verso) qui relatent les circonstances de la fin de la revue décidée par Bertrand Fillaudeau suite à l'article de Dominique Millet-Gérard (Le "respect de Dieu" : quelques réflexions à propos de Scorsese, Claudel, Renan, P.31) ; elles sont introduites par Vital Rambaud, puis reproduisent un article de B. Fillaudeau et la réponse de D. Millet-Gérard, pièces qui n'ont finalement pas été publiées. Couvertures très légèrement défraichies, infimes rousseurs sur les tranches du dernier n°.

Couverture souple. Condition: Bon état. In-8 broché 22,5 cm sur 16. 185 pages. 72 illustrations en noir et blanc. Dos restauré. Couverture défraîchie. Bon état d'occasion.

Condition: Near fine. First Edition. Signed limited first edition of these privately printed poems by artist, poet, and French Resistance fighter Verdet, illustrated with three fine prints by Jean Lurçat, issued in the year of the artist's death and dedicated to him by the poet. 8.5'' x 5''. Original printed wrappers, laid in to green leather folio with gilt-lettered spine, leaves loose as issued portfolio-style. Edition of 150 numbered copies printed on BFK de Rives paper, with one original etching and two prints by Lurçat printed by l'Atelier Baviera à Saint-Paul. This copy no. 52, signed by Verdet at colophon. Text in French. Leather folio spine lightly sunned. Very slight foxing. Signed.

Couverture souple. Condition: Satisfaisant. Edition originale. Un volume - le tome 3, parmi les 5 de l'ensemble culte de théorie architecturale moderne d'André Lurçat. Dans le volume 3 vous trouverez "les moyens plastiques employés dans l'architecture - la matière, la couleur, la modénature, l'ornement, la munmière, la peinture, la sculpture, la nature." Il s'agit d'une oeuvre encore très valide, par ses classements, ses illustrations très pertinentes, ses méthodologies. Etat satisfaisant.

Softcover with dustjacket. Schutzumschlag. Au sans pareil, Paris. Les Manifestations de l'esprit contemporain. Pages 190. Size: 22.8 x 15.6 cm With additional dustjacket. In nice condition.