Lyle Gomes (18 results)

Hard cover. Condition: Very good. Dust Jacket Condition: Good. First edition. Jacket is lightly rubbed. Jacket spine is sunned, but text is legible. Binding is tight. Pages are slightly yellowed around margins, but otherwise clean and unmarked.

Exhibition Announcement Cards. This is not a book. The original announcement card for five concurrent exhibitions of photography held at the Edward Carter Gallery in New York and in California. In NYC, September 4 - November 20, 1999: Christopher Burkett, "Intimations of Paradise;" Lyle Gomes, "Hand-made Landscapes;" and Ansel Adams, "The Measure of an Artist." In Gualala, CA, September 16 - November 6, 1999: Michael Lardizabal, "Timeless Country" and Ansel Adams, "A Closer Look." The image to the front is "North Hampton County, Pennsylvania" by Lardizabal. Stiff card, machine-folded once to 4 pages; 7 x 5 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted. …

Hard cover. Condition: Very good. Dust Jacket Condition: Very good. The spine is sunned, not affecting any legibility, otherwise both the jacket and the book are in great condition with no other visible flaws. Binding is tight and inside is clean and unmarked.

Paperback. First edition. Fine pamphlet with a hint of tanning to the vellum. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. Presents the panoramic landscape photos of Gomes. An elegant and handsome production. Photographs by Lyle Gomes. Staple-bound large pamphlet with printed vellum cover and 8 stiff pages; 10 duo-toned images; 8.5 x 11 inches. LAID-IN are two 4-page illustrated announcement cards for exhibitions of Gomes' work from 2000 and 2003.…

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. [200 x 290mm]. 82pp. Includes dustjacket. Spine ends and corners of book have been very lightly bumped. Autographed by Lyle Gomes. Good provenance, available on request. Signed by Author(s).

Hardcover. Condition: Fine. Near Fine. First Edition. A Fine copy in oblong medium grey cloth covered boards, in a Fine glossy pale lilac illustrated dustwrapper--with fading to front and spine panel to grey. 82pp. A black and white photographic monograph. Panoramic moody studies of gardens, parks and forests, many in hazy, foggy light. Q04534.…

Hardcover. Condition: Fine. 1st Edition. Univ of Virginia Pr, 2005. Hardcover. First edition edition. xiv 82 pages full of b/w photos, INSCRIBED BY THE AUTHOR "For Anne and Mike with warmest regards and fond memories Lyle", with covers and inside in EXCELLENT CLEAN TIGHT READING ORDER AS NEW. Full refund if not satisfied. 24 hour despatch. If not pictured in this listing, a scan of the actual book is available on request. Inscribed by Author(s).…

Hardcover. Condition: Fine. Dust Jacket Included. 1st Edition. Fine first edition hardcover, dark mauve cloth boards. Jacket fine but for slight sunning at spine. Introduction by Denis Cosgrove. Interview with the photographer by Karen Sinsheimer. Delicate black and white photos of fabricated Arcadias, paired with historical quotes. Gomes is Professor of Photography at the College of San Mateo. 82 pages. M06386.…

Hardcover. Condition: new. Hardcover. What did Eden look like? In ""Imagining Eden"" the photographer Lyle Gomes observes landscapes that represent the idea of locus amoenus - the pleasant place. The tradition of locus amoenus goes back to the idyllic descriptions of fictional locations, often called Arcadia, in the writings of Sappho, Apollonius, and Virgil, in the imagined period of the Golden Age. We also recognize this concept in Eden, of course, where it suggests a loss that still haunts our imaginations. It is an idea distinctly different from that of wilderness, for we feel protected in these places - even provided for, though there is no sign of toil. The chance that this Eden might somehow be regained gives the concept its consolatory power. For fifteen years, Gomes has traveled across America and Europe to find examples of this enduring ideal of place in parks, English gardens, even golf courses. Gomes's search took him to Mount Auburn cemetery, Central Park, Monticello, the San Francisco Presidio, villa gardens near Italy's Lake Como, Melbourne Hall in Derbyshire, and private gardens such as Biltmore and Dumbarton Oaks. ""Imagining Eden"" includes an eloquent introductory essay in which the landcape historian Denis Cosgrove explores how the concept of the locus amoenus relates to Gomes's work, and the photographs are accompanied by an evocative selection of quotes by the various settings' designers and by inspired observers. The book concludes with an extensive interview in which Gomes discusses he balances craft and inspiration, the role of research in preparing a shoot, preference for black-and-white over color (""I was completely, and immediately enamored with the silver image""), and a sense of discovery as a chief motivation in all his work. What did Eden look like? The photographer Lyle Gomes observes landscapes that represent the idea of locus amoenus - the pleasant place. The tradition of locus amoenus goes back to the idyllic descriptions of fictional locations, often called Arcadia, in the writings of Sappho, Apollonius, and Virgil, in the imagined period of the Golden Age. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condition: New. What did Eden look like? The photographer Lyle Gomes observes landscapes that represent the idea of locus amoenus - the pleasant place. The tradition of locus amoenus goes back to the idyllic descriptions of fictional locations, often called Arcadia, in the writings of Sappho, Apollonius, and Virgil, in the imagined period of the Golden Age. Num Pages: 96 pages, 60 duotone photographs. BIC Classification: AGN; AJB; AJC. Category: (G) General (US: Trade). Dimension: 191 x 279 x 15. Weight in Grams: 640. . 2005. Illustrated. hardcover. . . . . …

Hardcover. Condition: Brand New. 96 pages. 7.50x11.00x0.50 inches. In Stock.

Condition: New. What did Eden look like? The photographer Lyle Gomes observes landscapes that represent the idea of locus amoenus - the pleasant place. The tradition of locus amoenus goes back to the idyllic descriptions of fictional locations, often called Arcadia, in the writings of Sappho, Apollonius, and Virgil, in the imagined period of the Golden Age. Num Pages: 96 pages, 60 duotone photographs. BIC Classification: AGN; AJB; AJC. Category: (G) General (US: Trade). Dimension: 191 x 279 x 15. Weight in Grams: 640. . 2005. Illustrated. hardcover. . . . . Books ship from the US and Ireland. …

Gebunden. Condition: New. What did Eden look like? The photographer Lyle Gomes observes landscapes that represent the idea of locus amoenus - the pleasant place. The tradition of locus amoenus goes back to the idyllic descriptions of fictional locations, often called Arcadia, in the.

Buch. Condition: Neu. Neuware - What did Eden look like The photographer Lyle Gomes observes landscapes that represent the idea of locus amoenus - the pleasant place. The tradition of locus amoenus goes back to the idyllic descriptions of fictional locations, often called Arcadia, in the writings of Sappho, Apollonius, and Virgil, in the imagined period of the Golden Age.…

First Edition. Presumed first edition. Attractive and elaborate calendar that features 12 black and white images by Gomes. A fine copy in spiral bound wrappers with wraparound band and in a near fine cardboard box. Scarce, with no copies listed in OCLC.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. A Fine copy in oblong medium grey cloth covered boards, in a Fine glossy pale lilac illustrated dustwrapper. SIGNED by the photographer on the half title leaf (no inscription). 82pp. A black and white photographic monograph. Panoramic moody studies of gardens, parks and forests, many in hazy, foggy light. Q04533. …

Softcover. Condition: Fine. No jacket. 12 mounted boards with four photos each of the English countryside. Housed in a clamshell box. Not really officially published, though it was made possible by a Fulbright scholarship award. this item not even mentioned in the photographer's own bio.