Mack Angela D (55 results)

Condition: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Oversize Paperback. Condition: Near Fine. No Jacket.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Fine. No Jacket. Soft cover in like new condition except for light shelf wear to cover and author's inscription inside. Signed by Author(s).

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Very Good. Used with some reading wear but is still in great reading condition. No markings in text. Creasing to top corners.

paperback. Condition: Very Good. First Edition. 40 pp.; b/w & color ill.; 4to. Touch of buckling; no ownership markings; rubbing along spine-edge. Well packaged in a box; ships with tracking.

Hardcover. Condition: Very Good+. Dust Jacket Condition: Very Good+. Black dot on bottom edge, otherwise text clean and tight; NOTE: additional postage may be necessary for international shipping; Non Series; 8vo 8" - 9" tall; 189 pages.

Soft cover. Condition: Near Fine. 1st Edition. A lovely First Edition copy! Fine condition in oversize softcover -- clean, bright, and tight -- with no markings of any kind. First edition. Published in association with the Carolina Art Association and the Gibbes Museum of Art. (Just a hint of a turn starting at the bottom corner with an intimation of age spotting there.) Suitable condition for adding to a library collection. Ships from NC. All paperbacks are sealed in recycled plastic, packaged securely with recycled cardboard backing, and shipped promptly with tracking information. (A-1.).…

Condition: New.

Trade Paperback. Condition: New. Alfred Hutty (1877-1954) was a master painter and printmaker whose evocative landscapes and realistic studies of the human condition represent the best aspects of the Woodstock and Charleston art traditions of his era. Edited by Sara C. Arnold and Stephen G. Hoffius, this illustrated survey of Hutty's career offers the first comprehensive examination of his impact on American art in the South and beyond. The text and catalogue of prints offer authoritative documentation of more than 250 of Hutty's works. Among the first artists to settle in the Art Students League colony at Woodstock, New York, in the early 1900s, Hutty established himself as a leading painter of the town's natural environs. For more than a decade, he honed his skills in oil and watercolor, producing intimate portrayals of Woodstock's mountains, lakes, and streams before his career took him to South Carolina. Hutty first visited Charleston in 1920 and, according to one of the staple legends of the Charleston Renaissance, he excitedly wired his wife back in Woodstock: 'Come quickly, have found heaven.' Hutty began dividing his time seasonally between homes and studios in Charleston and Woodstock, teaching art classes for the Carolina Art Association at what is now the Gibbes Museum of Art--a relationship that eventually led to the Gibbes's status as the largest public repository of Hutty's work. In Charleston, Hutty was inspired to try his hand at printmaking for the first time, and it is this artistic medium for which he is best known. His skillful prints depicting the city's surviving colonial and antebellum architecture, its rural environs, and its African American population drew unprecedented national attention both to Hutty and to Charleston. Published in cooperation with the Gibbes Museum of Art, The Life and Art of Alfred Hutty features essays by Sara C. Arnold, Alexis L. Boylan, Harlan Greene, Edith Howle, a foreword by Gibbes executive director Angela D. Mack, and a catalogue of known prints by Hutty. Issued in connection with an exhibition held at the Gibbes Museum of Art, Charleston, S.C., the Greenville County Museum of Art, Greenville, S.C., and the Morris Museum of Art, Augusta, Georgia. …

Softcover. Condition: VG. Color illus. wraps; 166 pp.; 93 color figures. Published in conjunction with the traveling exhibition of the same name, which appeared at the University of Virginia Art Museum, Charlottesville, Virginia; the Gibbes Museum of Art, Charleston, South Carolina; and the Morris Museum of Art, Augusta, Georgia. Includes six essays and features works by Charles Heyward, Carrie Mae Weems, Johnnie Lee Gray, William Gilpin, Junius Brutus, Winslow Homer, Alice Ravenel Huger Smith, Edward Harleston, and many others.…

Soft cover. Condition: As New. Fine copy No additions.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

First edition, first printing (with latter indicated by publisher's number line upon copyright page). xxxii, [2], color plates 1-194, [3 pages. Hardcover: H 31.25cm x L 27cm. Dust jacket lightly rubbed with slight bumping at edges. Dark blue cloth with vibrant gilt stamping to spine and front board. Interior pages are bright and clean. Binding retains some crispness. A fine copy in a near fine dust jacket. Please note that this large book has an approximate shipping weight of 4.75 pounds (2.15 kg) and may require additional postage for any postal class other than domestic Media Mail. ISBN 1570033927. …

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As New. Inscription Sticker on the Inside Cover to the SC Bankers Assoc.

Paperback. Condition: New. An exhibition catalog for a traveling exhibit to be debuted in January 2008, ""Landscape of Slavery"" marries art history with social history in an original study of plantation images from the eighteenth century through the present in an effort to unravel the realities and fictions inherent in this subject matter. Through eighty-nine color plates and six thematic essays, the collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on U.S. race relations.A genre predominantly tied to the American South, the plantation view has traditionally received marginal attention in the study of American landscape art. Viewed primarily as a derivative of the early-eighteenth-century British estate view, the plantation image straddles the aesthetic boundary between topographical depiction and landscape painting. In recent years, plantation views have attracted the attention of several social historians who have identified the genre as a rich source for exploring issues of wealth, power, race, memory, nostalgia, and resentment. With each field of study operating independently, the various conclusions drawn suggest only a partial understanding of the issues that surround plantation images and related images of slavery in art. This exhibition and corresponding catalog, therefore, will provide an opportunity for a comprehensive and interdisciplinary examination of plantation imagery in the American South.…

Hardcover. Condition: VG+. Dust Jacket Condition: VG. Covers/contents crisp, clean, unmarked. DJ lightly rubbed/scratched. .

Hardcover. Condition: As New. Brand new hardcover w/ dustjacket, 77 color plates, 16 B/W plates, 166 pages still in glassine protective covering.

Condition: New. Through eighty-nine color plates and six thematic essays, this collection examines depictions of plantations, plantation views, and related slave imagery in the context of the history of landscape painting in America, while addressing the impact of these images on US race relations. Editor(s): Mack, Angela D.; Hoffius, Stephen G. Num Pages: 240 pages, 89 colour plates. BIC Classification: 1KBB; ACQ; ACV; ACX; AFC; AGC; AGN. Category: (G) General (US: Trade). Dimension: 267 x 241 x 11. Weight in Grams: 767. . 2008. Paperback. . . . . …

Paperback. Condition: Brand New. 166 pages. 10.75x9.50x0.50 inches. In Stock.

Condition: New.

xxiipp. + 194 pp. plates + unpaginated index Illustrated in color Inscribed and SIGNED on title page by West Fraser Nice clean tight bright copy: Near Fine/Near Fine dj.