Language: English
Published by Coach House, Toronto, 2010
ISBN 10: 155245231X ISBN 13: 9781552452318
Seller: Laurel Reed Books, Stratford, ON, Canada
Soft cover. Condition: Near Fine. 1st. Clean solid copy, visual/concrete poetry, fine but for ragged cut at bottom edge -likely happened during production.
Language: English
Published by Coach House Books, CA, 2010
ISBN 10: 155245231X ISBN 13: 9781552452318
Seller: Rarewaves USA, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Reading is slow, and writing is slower. Words are old-fashioned. Why not consider the communication of the future? In 1837, Sir Isaac Pitman began a sixty-year obsession with producing a system of Shorthand that accurately and swiftly captures voice as evidence of the mind's movements. In the 1950s, John Malone developed Unifon, a forty-character phonetic alphabet intended for international communication by the airline industry. Both projects reached for artful utility, and both have largely been forgotten. In Rhapsodomancy, kevin mcpherson eckhoff remembers them. Exploring these two phonic alphabets as image, these poems playfully interrogate the relationship between voice and visual poetry. Can pictures represent voice? Can unutterable writing express thought? Rhapsodomancy offers an imaginative response to such questions via empty suits reciting onomatopoeia, letters defying the laws of reality, and drawings divining the future.
Language: English
Published by Coach House Books, CA, 2010
ISBN 10: 155245231X ISBN 13: 9781552452318
Seller: Rarewaves USA United, OSWEGO, IL, U.S.A.
Paperback. Condition: New. Reading is slow, and writing is slower. Words are old-fashioned. Why not consider the communication of the future? In 1837, Sir Isaac Pitman began a sixty-year obsession with producing a system of Shorthand that accurately and swiftly captures voice as evidence of the mind's movements. In the 1950s, John Malone developed Unifon, a forty-character phonetic alphabet intended for international communication by the airline industry. Both projects reached for artful utility, and both have largely been forgotten. In Rhapsodomancy, kevin mcpherson eckhoff remembers them. Exploring these two phonic alphabets as image, these poems playfully interrogate the relationship between voice and visual poetry. Can pictures represent voice? Can unutterable writing express thought? Rhapsodomancy offers an imaginative response to such questions via empty suits reciting onomatopoeia, letters defying the laws of reality, and drawings divining the future.