Mael Bellec (35 results)

Paperback. Condition: Near Fine. First Edition. Color Photgraphs; Small 4to 9" - 11" tall; 264 pages; 2018 Acc Art Books. Oversized square format paperback. Tightly bound and fresh in crisp edged pictorial french fold covers. Contents clean, bright, and unmarked. Profusely illustrated with color photographs. Looks and feels unread and about as new. NF . Oversize book may require additional charges for expedited or international shipping.…

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condition: New.

Hardcover. Condition: new. Hardcover. Shin Sung Hy s oeuvre stands at the crossroads of Korea and France, tradition and revolution, surface and body. Published to coincide with his Paris museum solo exhibition, this volume traces the artist s relentless effort to liberate painting from the flatness of the canvas. From early color and surface explorations to the structural interventions of his final Nouage works, Shin systematically challenged the limitations of the painted plane. Situating his practice within Korean postwar abstraction and global trajectories of expanded painting, Shin Sung Hy s Paintings maps the evolution of an artist whose innovations redefined the relationship between pigment, material, and space. Across the decades Shin used textured jute and vibrantly knotted canvases to push color into motion, surface into structure, and gesture into space. This first monograph offers a long-overdue recognition of an artist whose legacy has reshaped the global history of abstraction. First definitive monograph of Korean-French artist Shin Sung Hy whose legacy has reshaped the global history of abstraction. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: Brand New. 1st edition. 160 pages. French language. 12.13x9.84x0.79 inches. In Stock.

Hardcover. Condition: Brand New. 01 edition. 160 pages. 11.02x9.45x0.87 inches. In Stock.

Soft cover. Condition: Near Fine. 1st Edition. Pictorial cover [8]+9-175p,pl,cp,illus French Text.

Condition: New.

Hardback. Condition: New. Shin Sung Hy s oeuvre stands at the crossroads of Korea and France, tradition and revolution, surface and body. Published to coincide with his Paris museum solo exhibition, this volume traces the artist s relentless effort to liberate painting from the flatness of the canvas. From early color and surface explorations to the structural interventions of his final Nouage works, Shin systematically challenged the limitations of the painted plane. Situating his practice within Korean postwar abstraction and global trajectories of expanded painting, Shin Sung Hy s Paintings maps the evolution of an artist whose innovations redefined the relationship between pigment, material, and space. Across the decades Shin used textured jute and vibrantly knotted canvases to push color into motion, surface into structure, and gesture into space. This first monograph offers a long-overdue recognition of an artist whose legacy has reshaped the global history of abstraction.…

Condition: Neuf.

Hardcover. Condition: New.

Condition: New.

Hardback. Condition: New. Shin Sung Hy s oeuvre stands at the crossroads of Korea and France, tradition and revolution, surface and body. Published to coincide with his Paris museum solo exhibition, this volume traces the artist s relentless effort to liberate painting from the flatness of the canvas. From early color and surface explorations to the structural interventions of his final Nouage works, Shin systematically challenged the limitations of the painted plane. Situating his practice within Korean postwar abstraction and global trajectories of expanded painting, Shin Sung Hy s Paintings maps the evolution of an artist whose innovations redefined the relationship between pigment, material, and space. Across the decades Shin used textured jute and vibrantly knotted canvases to push color into motion, surface into structure, and gesture into space. This first monograph offers a long-overdue recognition of an artist whose legacy has reshaped the global history of abstraction.…

Condition: Neuf.

Buch. Condition: Neu. Neuware - 'The portrait is a process of distillation of the essence of the being whose only purpose is to preserve the aura of the individual.' Born in 1968 in Jiangsu, China, LiFang lives and works in Paris. Her figurative work, on the border of abstraction, deals with all the subjects of our daily universe: antonymous crowds in megalopolises, portraits of her entourage, scenes of idleness at the water's edge, current events (Chinese censorship, migrants). Her singular technique proceeds in large strokes: the bodies appear as sculpted blocks, right in the colored material. LiFang works in the same way on facial features, bodies and clothes. This unity of treatment and this refusal to individualize the characters transform the subjects into beings who, having no other consistency than that of the paint, send us back the image of our shared solitudes. Behind their apparent banality, his paintings express universal feelings: loneliness in crowds, the joy of bodies at rest connected to nature. By revisiting the subjects of classical painting, LiFang invents new codes to propose a contemporary vision of the beauty of the world. Timeless, light and deep, joyful and dramatic, LiFang's work is an open work. It offers the viewer the freedom to realize his or her own imagination while feeling part of the community of the living. This first monograph invites the reader to explore all aspects of her work. LiFang is represented by several galleries, including Galerie Boulakia, Red Zone Arts, SpArts Paris. The Cernushi Museum acquired three of her works in 2013.…

Condition: Neuf.

Hardback. Condition: New. Shin Sung Hy s oeuvre stands at the crossroads of Korea and France, tradition and revolution, surface and body. Published to coincide with his Paris museum solo exhibition, this volume traces the artist s relentless effort to liberate painting from the flatness of the canvas. From early color and surface explorations to the structural interventions of his final Nouage works, Shin systematically challenged the limitations of the painted plane. Situating his practice within Korean postwar abstraction and global trajectories of expanded painting, Shin Sung Hy s Paintings maps the evolution of an artist whose innovations redefined the relationship between pigment, material, and space. Across the decades Shin used textured jute and vibrantly knotted canvases to push color into motion, surface into structure, and gesture into space. This first monograph offers a long-overdue recognition of an artist whose legacy has reshaped the global history of abstraction.…

Hardcover. Condition: new. Hardcover. Shin Sung Hy s oeuvre stands at the crossroads of Korea and France, tradition and revolution, surface and body. Published to coincide with his Paris museum solo exhibition, this volume traces the artist s relentless effort to liberate painting from the flatness of the canvas. From early color and surface explorations to the structural interventions of his final Nouage works, Shin systematically challenged the limitations of the painted plane. Situating his practice within Korean postwar abstraction and global trajectories of expanded painting, Shin Sung Hy s Paintings maps the evolution of an artist whose innovations redefined the relationship between pigment, material, and space. Across the decades Shin used textured jute and vibrantly knotted canvases to push color into motion, surface into structure, and gesture into space. This first monograph offers a long-overdue recognition of an artist whose legacy has reshaped the global history of abstraction. First definitive monograph of Korean-French artist Shin Sung Hy whose legacy has reshaped the global history of abstraction. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condition: New.

Couverture souple. Condition: Comme neuf. Edition originale. Paris 2015. 1 Volume/1. -- Comme Neuf -- Broché cousu , couverture illustrée. Format in-4°( 30 x 21,4 cm )( 796 gr ). -------- 175 pages avec 80 illustrations. ********************** "" Ce catalogue se veut à la fois une introduction accessible et un ouvrage de référence sur l école de Lingnan, qui fut en Chine à la fois la dernière école traditionnelle de peinture et le premier mouvement artistique moderne. Représentants de cette école, Gao Jianfu, Gao Qifeng et Chen Shuren se situent à la jonction entre un monde ancien et un monde moderne, entre une culture lettrée chinoise et une vie intellectuelle ouverte aux influences japonaises et occidentales, qu ils mettent en uvre dans leur pratique artistique mais aussi en témoignant d un fort militantisme politique. À travers les essais écrits par d éminents spécialistes et les commentaires d uvres, c est ainsi l histoire de la Chine, de la fin de l empire des Qing à la fondation de la République populaire, qui est évoquée à travers le parcours de ces peintres, de leurs maîtres et de leurs disciples. Le catalogue enrichit la compréhension des uvres de l exposition en en dévoilant le contexte politique et historique, mais aussi en analysant les sources plastiques de chaque uvre. La qualité des uvres reproduites en fait avant tout un véritable livre d art "" ************************ réf 506.…

Softcover, 176 pages; in French; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Excellent. 175 pages : illustrations en couleurs ; 21,4 x 30,0 x 1,9 cm || Texte français || Impression 2015 || Sans aucune inscription.

Hardback. Condition: New. Shin Sung Hy s oeuvre stands at the crossroads of Korea and France, tradition and revolution, surface and body. Published to coincide with his Paris museum solo exhibition, this volume traces the artist s relentless effort to liberate painting from the flatness of the canvas. From early color and surface explorations to the structural interventions of his final Nouage works, Shin systematically challenged the limitations of the painted plane. Situating his practice within Korean postwar abstraction and global trajectories of expanded painting, Shin Sung Hy s Paintings maps the evolution of an artist whose innovations redefined the relationship between pigment, material, and space. Across the decades Shin used textured jute and vibrantly knotted canvases to push color into motion, surface into structure, and gesture into space. This first monograph offers a long-overdue recognition of an artist whose legacy has reshaped the global history of abstraction.…

Soft cover. Condition: Very Good. No Jacket. 1st Edition. French text; Paperback; 22.5 x 28.2 cm, 1.2 kg; 240 pages with various colour illustrations; Used with signs of wear on the exterior and interior. The exterior shows edge wear, scuffs and scratches. Interior with minor signs of wear.; Catalogue for the exhibition held at the Guimet Museum in Paris from the 24th of April to the 4th of September 2006, showing, for the first time, an exceptional collection of painted scrolls. The collection of Chinese paintings in the Musée Guimet houses an exceptional set of scrolls, imperial commissions that were destined to celebrate the important events of the reigns of the three great Qing emperors - Kangxi (1662-1723), Yongzheng (1723-1736) and Qianlong (1736-1795). The originality of this exhibition catalogue is that it intends to situate these imperial commissions in the wider context of the history of Chinese painting and other decorative arts that inherited the pictorial tradition. As such, nine painting scrolls from Musée Guimet are exhibited along with more than a hundred Ming and Qing dynasty artworks, including monochrome scrolls and album sheets, fans, prints, porcelain, imperial seal albums, as well as books relating to issues of perspective. Among the imperial scrolls, the readers will find a brightly painted artwork, in which the picturesque details abound. Building on a deep Chinese tradition, this painting exerted a strong attraction on Western artists in this period, which were called to collaborate on several imperial orders, such as the Jesuit painter Giuseppe Castiglione (1688-1766). Testimonies of his work with Chinese artists serve as a point of reference for the comparison between the two fascinating painting traditions, the Chinese and European. …

Si le XXe siècle correspond pour la Chine à une période de ruptures historique, sociale et culturelle, il lui offre aussi l'occasion de renouveler son vocabulaire artistique. L'école de Lingnan est l'un des mouvements majeurs à affronter ces nouveaux enjeux. Ses trois fondateurs, Gao Jianfu (1879-1951), Chen Shuren (1884-1948) et Gao Qifeng (1889-1933), sont à la fois des militants politiques et des peintres novateurs : ils mènent de front activités clandestines destinées à renverser la dynastie des Qing (1644-1911) et diffusion de leurs productions. Après la proclamation de la République, ils se consacrent presque exclusivement à leur art et participent aux débats sur l'élaboration d'une « nouvelle peinture nationale , amplement inspirée des courants contemporains du Japon. Ils fondent également des ateliers où se formera la génération suivante. En faisant connaître les modèles de leurs maîtres en Chine continentale, à Taïwan, à Hong Kong et jusqu'au Canada, ces artistes permettront à l'école de Lingnan de devenir le premier courant artistique chinois de renommée mondiale, qui survit aujourd'hui encore. Issues pour la plupart du musée d'Art de Hong Kong, les oeuvres, reproduites avec soin et largement commentées, retracent, au fil de chaque partie enrichie d'un essai inédit, l'histoire de ce mouvement.…

Couverture souple. Condition: Neuf. Edition originale. Paris 2015. 1 Volume/1. -- Comme Neuf -- Broché cousu. Couverture illustrée . Format in-4°( 30 x 21,2 cm )( 730 gr ). ------ 160 pages . **************************** 4ème de Couverture : La Corée dispose aujourd hui de l une des scènes artistiques les plus dynamiques d Asie. Brillante de jeunesse et d inventivité, elle conquiert peu à peu sa place sur le plan international. Ces nouveaux succès occultent les difficultés qu ont dû surmonter des générations de créateurs coréens. Dès 195o, la France a été pour une large fraction d entre eux une aide et un soutien bienvenus. Elle leur a fourni des modèles dont s inspirer et a accueilli nombre de pionniers de l art contemporain, qui ont dialogué avec les artistes présents à Paris, ont diffusé la culture de leur pays d origine et ont profité d un environnement stimulant pour créer. Revenir sur la présence des artistes coréens en France, c est ainsi, plus largement, découvrir l histoire ; de coréen du XXe siècle, mais aussi u npan méconnu de la création plastique en France. "" ************************ réf 80.…