Maike Steinkamp (114 results)

Condition: New.

Paperback. Condition: New. Beginning in the 1950s, Judit Reigl (b. Kapuvár, Hungary, 1923; d. Marcoussis, France, 2020) builds a singular creative oeuvre between abstraction and figuration, between Surrealism and gestural painting. After studying art in Budapest, Reigl flees Hungary in 1950; arriving in Paris, she is introduced to André Breton, who organizes her first exhibition in 1954. Under the influence of the École de Paris, she branches out into écriture automatique, then shifts toward free expression.Like her contemporaries Jackson Pollock and Helen Frankenthaler in New York, she lays out ever larger unprimed canvases on the floor and works them with a brush, her fingers, or other instruments. After 1966, bodily shapes emerge from her abstractions, and figures reappear in the pictures.On occasion of Reigl's centenary and the gift of three major works, the Neue Nationalgalerie mounts the artist's first solo exhibition at a museum in Germany. The book surveys the oeuvre of one of the most important protagonists of European art in the second half of the twentieth century. …

Condition: As New. Unread book in perfect condition.

Paperback. Condition: New. Beginning in the 1950s, Judit Reigl (b. Kapuvár, Hungary, 1923; d. Marcoussis, France, 2020) builds a singular creative oeuvre between abstraction and figuration, between Surrealism and gestural painting. After studying art in Budapest, Reigl flees Hungary in 1950; arriving in Paris, she is introduced to André Breton, who organizes her first exhibition in 1954. Under the influence of the École de Paris, she branches out into écriture automatique, then shifts toward free expression.Like her contemporaries Jackson Pollock and Helen Frankenthaler in New York, she lays out ever larger unprimed canvases on the floor and works them with a brush, her fingers, or other instruments. After 1966, bodily shapes emerge from her abstractions, and figures reappear in the pictures.On occasion of Reigl's centenary and the gift of three major works, the Neue Nationalgalerie mounts the artist's first solo exhibition at a museum in Germany. The book surveys the oeuvre of one of the most important protagonists of European art in the second half of the twentieth century. …

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Softcover, 206 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New.

Condition: New.

Hardcover. Condition: Brand New. 88 pages. 10.76x9.01x0.32 inches. In Stock.

Condition: New.

Hardcover. Condition: new. Hardcover. In Search of the Ideal ShapeConstantin Brancusi (b. Hobita, Romania, 1876; d. Paris, 1957) ranks among the pre-eminent modernist sculptors and has exercised a defining influence over generations of contemporary artists. Having completed his academic training in Romania, he set out at the age of twenty-eight for a tour of Europe before settling in Paris. Organic and stripped down to the essential, his works establish him as a pioneer of sculptural abstraction in the early twentieth century. Brancusis persistent pursuit of a creative ideal is manifest in the formal variations of a few motifs and his playful exploration of diverse materials and surfaces. He deftly used specific pedestals, lighting, and movement as well as photography and film to dramatize his sculptures.The retrospective at the Neue Nationalgalerie, Berlinproduced in cooperation with the Centre Pompidou, Parisis accompanied by this comprehensive catalogue, which sheds light on the manifold facets of Brancusis oeuvre: it features major works from international collections as well as views of his studio. Photographs of the artist from his personal collection round out the extensive plate section. With an introduction by Ariane Coulondre; and other essays by Nina Schallenberg on Brancusis staging of his works, and Maike Steinkamp on the reception of his art in Europe Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Taschenbuch. Condition: Neu. Neuware -Nach ihrem Kunststudium in Budapest flieht Reigl 1950 nach Paris, wo sie André Breton kennenlernt, der 1954 ihre erste Ausstellung organisiert. Unter Einfluss der École de Paris kommt sie über die Écriture automatique zur freien Expression. Wie ihre Zeitgenoss:innen Jackson Pollock und Helen Frankenthaler in New York legt sie immer größere ungrundierte Leinwände auf den Boden und bearbeitet sie mit einem Pinsel, ihren Fingern oder anderen Instrumenten. Ab 1966 entstehen Körperformen aus der Abstraktion und in den Bildern erscheinen wieder Figuren.Anlässlich Reigls 100. Geburtstag und einer Schenkung von drei Hauptwerken richtet die Neue Nationalgalerie die erste museale Einzelausstellung der Künstlerin in Deutschland aus. Das Buch gibt einen Überblick über das ¿uvre einer der wichtigsten Protagonistinnen der europäischen Kunst der zweiten Hälfte des 20. Jahrhunderts.…

Paperback. Condition: Brand New. 287 pages. 10.50x7.75x1.00 inches. In Stock.

Condition: New.

Condition: New. 2026. hardcover. . . . . .

Hardback. Condition: New. 1.

Soft cover. Condition: New. Octavo, 207 pages, illustrated. A New copy.

Paperback. Condition: Fine. Octavo, 205 pages, illustrated. Unused, a Fine copy.

Hardback. Condition: New. 1.

280 S., 4°, recihhaltig bebildert, Obrosch., Einband hat vorn einen sehr kleinen Knick, sonst gutes Exemplar, über 1000g.

Condition: As New. Unread book in perfect condition.

Condition: Good. Text in German. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, and may have sticker on cover, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

softcover. Condition: Sehr gut. 205 p. ISBN: 9783927473201 Sprache: Englisch Gewicht in Gramm: 622.

Condition: New. Brand New.

Condition: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Buch. Condition: Neu. Neuware -Constantin Brancusi (geb. 1876 in Hobi_a, Rumänien; gest. 1957 in Paris) zählt zu den bedeutendsten Bildhauern der Moderne und ist bis heute prägend für Generationen von Künstler\*innen. Nach einer akademischen Kunstausbildung in Rumänien reiste er mit 28 Jahren quer durch Europa, um sich in Paris niederzulassen. Seine organischen, bis auf das Wesentliche reduzierten Werke machen ihn zum Vorreiter der skulpturalen Abstraktion im frühen 20. Jahrhundert. Brancusis stetige Suche nach einem künstlerischen Ideal manifestiert sich in den formalen Variationen weniger Motive und dem Spiel mit wechselnden Materialien und Oberflächen. Gekonnt nutzte er spezifische Sockel, Licht, Bewegung sowie Fotografie und Film, um seine Skulpturen in Szene zu setzen. Anlässlich der Retrospektive in der Neuen Nationalgalerie in Berlin - in Kooperation mit dem Centre Pompidou in Paris - erscheint der umfassende Katalog, der die vielfältigen Facetten von Brancusis _uvre beleuchtet: Zahlreiche seiner Hauptwerke aus internationalen Sammlungen werden darin ebenso dargestellt wie Einblicke in sein Atelier. Fotografien des Künstlers aus seinem Nachlass ergänzen den umfangreichen Bildteil. Mit einer Einführung von Ariane Coulondre sowie weiteren Essays von Nina Schallenberg zur zeitgenössischen Inszenierung seiner Werke und Maike Steinkamp zur Rezeption von Brancusi in Europa. In Search of the Ideal Shape Constantin Brancusi (b. Hobi_a, Romania, 1876; d. Paris, 1957) ranks among the pre-eminent modernist sculptors and has exercised a defining influence over generations of contemporary artists. Having completed his academic training in Romania, he set out at the age of twenty-eight for a tour of Europe before settling in Paris. Organic and stripped down to the essential, his works establish him as a pioneer of sculptural abstraction in the early twentieth century. Brancusi's persistent pursuit of a creative ideal is manifest in the formal variations of a few motifs and his playful exploration of diverse materials and surfaces. He deftly used specific pedestals, lighting, and movement as well as photography and film to dramatize his sculptures. The retrospective at the Neue Nationalgalerie, Berlin-produced in cooperation with the Centre Pompidou, Paris-is accompanied by this comprehensive catalogue, which sheds light on the manifold facets of Brancusi's oeuvre: it features major works from international collections as well as views of his studio. Photographs of the artist from his personal collection round out the extensive plate section. With an introduction by Ariane Coulondre; and other essays by Nina Schallenberg on Brancusi's staging of his works, and Maike Steinkamp on the reception of his art in Europe. 240 pp. Englisch.…