Maile Hutterer (25 results)

Condition: New.

Condition: New. Brand New.

Hardcover. Condition: Near Fine. Dust Jacket Condition: As New. 1st Edition. Quarto. Pp. xiii, 207. Some ink marginalia, else as new. Dust jacket as new.

Condition: new.

Condition: New. 2020. Hardcover. . . . . .

Hardback. Condition: New. Framing the Church takes a nontraditional approach to the study of the hallmark of French Gothic architecture: the buttress. In a series of case studies spanning approximately five hundred years and incorporating some of Gothic France's most significant monuments, Maile S. Hutterer examines the aesthetics, social processes, and iconography of flying buttresses and buttress piers to explain how they supported the church both symbolically and structurally.Surrounding all or part of a building with periodically spaced massive piers, the buttressing frame defines an edge that simultaneously maintains permeability, creating an intermediary space around the structure. Making extensive use of archival sources, Hutterer argues that the areas between the buttresses distinguished the consecrated, sacred ground of the church interior from its unconsecrated, nonsacred surroundings, a division that was of increasing concern to theologians in the High Middle Ages. She traces how, over the course of the twelfth and thirteenth centuries, artists and patrons increasingly associated buttressing frames with sacred places through the incorporation of sculptural programs related to theology, processions, and protection. In this way, buttressing frames mediated the interaction between visitor and building and participated in the liturgical and ritual purpose of the church's structure. Original and persuasive, this book illuminates the buttresses' social and religious meaning for medieval viewers by introducing architectural iconography to a form that is primarily understood in terms of its structural utility. It will be welcomed by students and scholars of medieval architecture and medieval French history.

Condition: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: new. Hardcover. Framing the Church takes a nontraditional approach to the study of the hallmark of French Gothic architecture: the buttress. In a series of case studies spanning approximately five hundred years and incorporating some of Gothic Frances most significant monuments, Maile S. Hutterer examines the aesthetics, social processes, and iconography of flying buttresses and buttress piers to explain how they supported the church both symbolically and structurally.Surrounding all or part of a building with periodically spaced massive piers, the buttressing frame defines an edge that simultaneously maintains permeability, creating an intermediary space around the structure. Making extensive use of archival sources, Hutterer argues that the areas between the buttresses distinguished the consecrated, sacred ground of the church interior from its unconsecrated, nonsacred surroundings, a division that was of increasing concern to theologians in the High Middle Ages. She traces how, over the course of the twelfth and thirteenth centuries, artists and patrons increasingly associated buttressing frames with sacred places through the incorporation of sculptural programs related to theology, processions, and protection. In this way, buttressing frames mediated the interaction between visitor and building and participated in the liturgical and ritual purpose of the churchs structure. Original and persuasive, this book illuminates the buttresses social and religious meaning for medieval viewers by introducing architectural iconography to a form that is primarily understood in terms of its structural utility. It will be welcomed by students and scholars of medieval architecture and medieval French history. Examines Gothic architecture and the visual and cultural significance of the adoption of externalized buttressing systems in twelfth-century France. Demonstrates how buttressing frames operated as sites of display, points of transition, and mechanisms of demarcation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As New. Dust Jacket Included. xii, 2017 pp., 105 black-and-white illus. Hardcover with DJ. Unread, as new. New list price: $107.00.

Condition: New.

Hardcover. Condition: Brand New. sew edition. 224 pages. 10.00x9.00x0.87 inches. In Stock.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Brand New. sew edition. 224 pages. 10.00x9.00x0.87 inches. In Stock.

Condition: New. Examines Gothic architecture and the visual and cultural significance of the adoption of externalized buttressing systems in twelfth-century France. Demonstrates how buttressing frames operated as sites of display, points of transition, and mechanisms of de.

Condition: As New. Unread book in perfect condition.

Hardback. Condition: New. Framing the Church takes a nontraditional approach to the study of the hallmark of French Gothic architecture: the buttress. In a series of case studies spanning approximately five hundred years and incorporating some of Gothic France's most significant monuments, Maile S. Hutterer examines the aesthetics, social processes, and iconography of flying buttresses and buttress piers to explain how they supported the church both symbolically and structurally.Surrounding all or part of a building with periodically spaced massive piers, the buttressing frame defines an edge that simultaneously maintains permeability, creating an intermediary space around the structure. Making extensive use of archival sources, Hutterer argues that the areas between the buttresses distinguished the consecrated, sacred ground of the church interior from its unconsecrated, nonsacred surroundings, a division that was of increasing concern to theologians in the High Middle Ages. She traces how, over the course of the twelfth and thirteenth centuries, artists and patrons increasingly associated buttressing frames with sacred places through the incorporation of sculptural programs related to theology, processions, and protection. In this way, buttressing frames mediated the interaction between visitor and building and participated in the liturgical and ritual purpose of the church's structure. Original and persuasive, this book illuminates the buttresses' social and religious meaning for medieval viewers by introducing architectural iconography to a form that is primarily understood in terms of its structural utility. It will be welcomed by students and scholars of medieval architecture and medieval French history.

Buch. Condition: Neu. Neuware - Examines Gothic architecture and the visual and cultural significance of the adoption of externalized buttressing systems in twelfth-century France. Demonstrates how buttressing frames operated as sites of display, points of transition, and mechanisms of demarcation.

hardcover. Condition: As New. Never read, no marks or highlighting in the book. Our copy is hardback with printed covers, showing light shelf-wear.

Condition: New. KlappentextA sweeping collection of essays that explores medieval science, art, and technology in the thirteenth century and points toward new scholarly directions for the study of medieval craft.

Buch. Condition: Neu. Neuware - This book charts the past, present, and future of studies on medieval technology, art, and craft practices. Inspired by Villard's enigmatic portfolio of artistic and engineering drawings, this collection explores the multiple facets of medieval building represented in this manuscript (Paris, Bibliothèque nationale de France, MS Fr 19093). The book's eighteen essays and two introductions showcase traditional and emergent methods for the study of medieval craft, demonstrating how these diverse approaches collectively amplify our understanding about how medieval people built, engineered, and represented their world. Contributions range from the analysis of words and images in Villard's portfolio, to the close analysis of masonry, technological marvels, and gothic architecture, pointing the way toward new avenues for future scholarship to explore. Contributors are: Mickey Abel, Carl F. Barnes Jr., Robert Bork, George Brooks, Michael T. Davis, Amy Gillette, Erik Gustafson, Maile S. Hutterer, John James, William Sayers, Ellen Shortell, Alice Isabella Sullivan, Richard Alfred Sundt, Sarah Thompson, Steven A. Walton, Maggie M. Williams, Kathleen Wilson Ruffo, and Nancy Wu.

Condition: new. Questo è un articolo print on demand.

Hardcover. Condition: Brand New. 588 pages. 9.50x6.25x1.50 inches. In Stock. This item is printed on demand.

HRD. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.