Mailer Normal (15 results)

Hard Cover with Dust Jacket. Condition: Very Good. Dust Jacket Condition: Fair. First Edition.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. This is a clean copy of "BARBARY SHORE" by Norman Mailer (author of "The Naked and the Dead") with its original dust jacket. 1951; Rinehart & Company; New York. The dust jacket is un-clipped with the original $3.00 price intact on the front flap. From the dust jacket: "Only the author of The Naked and the Dead could have written this remarkable novel about our post-war world. There are only six principal characters in Barbary Shore - two women, three men, and a child. Yet out of their extraordinary relationships - to each other, to the world around them - Norman Mailer has extracted the dilemma of our times. A novel of action, it is also a novel of ideas, and the interplay evokes a gamut of comedy, of horror, of excitement, of tragedy whose bearing on our world is inescapable. To some, Barbary Shore will read like a fascinating mystery story, filled with the echoes, the whispers, the ghosts of a world on the brink of disaster. to others - in the vividness of its characters and their struggles - it will be frighteningly real. As The Naked and the Dead was the most important novel of World War II, so, we believe, Barbary Shore will be on of the most memorable of its aftermath." Condition: Clean covers and spine; sharp corners; some light chipping at the top and bottom edges of the spine. Tight binding with no cracks and no loose pages. Clean interior with no issues found - the inside of the book nearly appears unread. The dust jacket is un-clipped with the $3.00 price intact on the front flap; there are tears at the edges of the spine that have been repaired on the back-side with clear tape.

224p. Clean and tight throughout. Creased spine and covers though not excessively so.

Tapa blanda. Condition: Bueno. coleccion LLIBRES A L ABAST numero 92, primera edicion julio 1972, 157 paginas, texto en catalan, tapa blanda, en estado aceptable.

Tapa blanda. Condition: Bueno. coleccion MILLENIUM, LAS 100 JOYAS DEL MILENIO, 80, edicion 1999, 275 paginas, tapa dura.

Tapa blanda. Condition: Bueno. edicion 1971, 314 paginas, tapa blanda, edicion en frances.

Tapa blanda. Condition: Bueno. coleccion MILLENIUM, edicion 1999, traduccion de Francesc Roca, prologo de Suso del Toro, 275 paginas, tapa dura sin sobrecubierta, en buen estado.

Condition: Good. 8vo. [30 pp] photocopies of printer's proof with hand corrections. Very Good. Envelope present, addressed to Herb Yellin.From the estate of Herb Yellin (1935 - 2014), the publisher of the Lord John Press.

audioCD. Condition: Molto buono (Very Good). Minimi segni del tempo. Interni e legatura in ottimo stato. Book.

Hardcover. Condition: Fine. Dust Jacket Condition: Slipcase. 1st Edition. Yellow Cloth, Lettered In Gilt On Black, In Slipcase. The De Luxe Edition Signed By Hockney And Spender (Only), Printed On Exhibition Fine Art Cartridge. Fine In Fine Slipcase. With A Special "Compliments" Card From Peter Scott At Benjamin Rota. Signed by Author(s).

1999, Madrid, Unidad Editorial, El Mundo, Coleccion Millenium 80, Las 100 joyas, 275 paginas, 21x13, cubierta en tapa dura, buen estado.

Paperback. Condition: Used: Very Good. In - 16, brossura, pp. 640. Pagine leggermente ingiallite. In buono stato. Edizione anno 1976 Ottimo (Fine) . In - 16, brossura, pp. 640. Pagine leggermente ingiallite. In buono stato. Edizione anno 1976 Ottimo (Fine) .

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition.

Brossura. Condition: ottimo. Dust Jacket Condition: ottimo. prima edizione. BUONE/OTTIME CONDIZIONI GENERALI: GRAFFIETTI E LIEVE USURA ALLA COPERTINA. MOLTO RARO SE NON INTROVABILE! The Graffiti Scene in the Seventies. a new global Phenomenon! La scena dei graffiti negli anni Settanta. un nuovo fenomeno globale! Featuring interviews with CAY 161; JUNIOR 161; LI'L FLAME; LURK; and the art of Rome 150; Sky 3; Jay 135; X-Ray; Star 3; Tee 333; The Fly; Eddie 135; Shorty 135; Lollypop 135; The Ice Man; Frank 136; Rube; Fats; Stitch 1; Sky 3 among many others. Full color photo reproductions of street art in New York accompanied by an essay by Norman Mailer. First published in New York with the title The Faith of Graffiti. First British edition (first printing). A fine copy in a dust jacket with minor wear to the corners and spine head. Riproduzioni fotografiche a colori della Street Art Newyorkese, accompagnate dai testi/saggi di Norman Mailer. Pubblicato per la prima volta a New York con il titolo The Faith of Graffiti. Prima edizione britannica (prima stampa). Descrizione bibliografica Title/Titolo: The Faith of Graffiti: Watching my name go by Author/Autore: text by Norman Mailer Fotografie/Photographies by: Mervyn Kurlansky & Jon Naar Editore/Publisher: London: Mathews Miller Dunbar Ltd, c1974 (Prima edizione/First Edition) Lunghezza: 92 pagine; 35×28 cm Lingua/Language: Inglese/English Soggetti: Fotografia, Grafica, Graffitismo, Graffiti metropolitani, Anni Settanta, Fotografi newyorkesi, Artisti, Arte di Strada, Pittura murale, Scritte sui muri, Murales, Photographers from New York City, Exhibitions, Fine Arts, Les Graffitis, Wooster Collective, Old school, Grande mela, Bronx, Writing, Creatività, Interventi pittorici sul tessuto urbano, Graffitisti, Bomboletta, Spray-can art, Collezionismo, Libri illustrati da collezione, Rarità, Chicche librarie, Raccolte fotografiche, Tecniche di riproduzione, Stili, Wild Style, Bomb-style, Throw up, Metropolitana, Firme, Contorno, Cartoni animati, Puppets, Logo, Aerosol-art, Design, Cultura alternativa, Underground, Giovani, Sottoculture, Treni, Vagoni, Spazio urbano, Linguaggio giovanile, Poetica della rivolta, Autobus, Camion, Edifici, Sottopassaggi, Elenco di nomi, Reportage fotografici, Giornalismo, Cay form 161 Street, Rammellzee, TAKI 183, JUNIOR 161, Pastels, Robert Rauschenberg, JAPAN I, Socono, Tang, Tag, Super Kool 223, Julio 204, Alter ego, Pop, Flame, Lurk, Ribellione giovanile, Rabbia, Pensiero controcorrente, Moda, Disegni urbani, Vandalismo, Copyright, Photography, Graphics, Metropolitan Graffiti, Seventies, American Photographers, Artists, Street Art, Mural Painting, Wall Lettering, Murals, Big Apple, Creativity, Painting on urban fabric, Graffiti artists, Collectibles, Books illustrated by Collection, Rarities, Book goodies, Photographic collections, Reproduction techniques, Styles, Underground, Signatures, Outline, Cartoons, Alternative culture, Youths, Subcultures, Trains, Wagons, Urban space, Youth language, Poetics of revolt, Buses, Trucks, Buildings, Underpasses, List of names, Photo reports, Journalism, Youth rebellion, Anger, Counter-current thinking, Fashion, Urban drawings, Vandalism, LI'L, Interviste Jon Naar è stato un artista autore e fotografo inglese-americano celebratissimo per le sue fotografie pionieristiche dei graffiti di New York City negli anni '70 e per i ritratti di Andy Warhol e di altre celebrità, tra cui il Primo Ministro britannico. Attivo fino alla fine degli anni novanta, Naar ha avuto una carriera multiforme ed eclettica che andava dall'incarico di ufficiale dei servizi segreti nella seconda guerra mondiale, a dirigente di marketing globetrotter/giramondo negli anni del dopoguerra o ancora da impegnato ambientalista, con 12 libri pubblicati al suo attivo. Jon Naar (May 5, 1920, November 30, 2017) was an English-American author and photographer celebrated for his pioneering images of New York City graffiti in the 1970s, and for portraits of Andy Warhol and other celebrities, including the British Prime Minister. Active through his late nineties, Naar had a multifaceted career as an intelligence officer in World War II; a globe-trotting marketing executive during the postwar years; and an environmentalist, with 12 published books to his credit. Mervin Kurlansky, è nato a Johannesburg, in Sudafrica, nel 1936. Ha studiato a Londra presso la Central School of Arts and Crafts (ora noto come Central St. Martins). Successivamente ha trascorso tre anni nella pratica freelance, seguito da cinque anni come direttore grafico di Planning Unit, il servizio di consulenza di design di Knoll International. Nel 1969 è entrato in Crosby/Fletcher/Forbes e nel 1972 è stato cofondatore di Pentagramma dal quale si è dimesso nel 1993 per vivere e lavorare in Danimarca. È anche a suo agio nella progettazione di programmi di identità di marca, sistemi di segnaletica, relazioni annuali, giornali, riviste, opuscoli, cataloghi, libri, copertine di libri, poster e imballaggi. Tra i suoi clienti: l'Associazione degli architetti, l'Aga Kahn, la Barclays Bank, Boosey e Hawkes, la British Library, la British Telecom, il Copenhagen Post, la Danmarks Designskole, la Dartington Hall Trust, Dow Corning, Eureka (il museo per bambini), Export Promotion Copenhagen, the Glass Museo, Golden Days a Copenhagen Festival, Glyndebourne Festival Opera, IBM, ICI, Image Bank. Il suo lavoro è nella collezione permanente del Museum of Modern Art di New York ed è stato esposto in diverse pubblicazioni e mostre. È membro di AGI (Alliance Graphique Internationale) e DD (the Association of Danish Designers). Mervyn Kurlansky was born in Johannesburg, South Africa in 1936. He studied in London at the Central School of Arts and Crafts (now known as Central St. Martins). He then spent three years in freelance practice followed by five years as graphics Director of Planning Unit, the design consultancy service of Knoll International. In 1969 he joined Crosby/Fletcher/Forbes and in 1972 co-founded Pentagram from which he resigned in 1993 t.