Published by No place: privately published, 1974., 1974
Seller: Skyline Books, Forest Knolls, CA, U.S.A.
Manuscript / Paper Collectible
4to. Original photocopied sheet with rubber stamp. The handbill lettering and small bunny drawing was done by Mancusi (in the style of Ray Johnson) and rubber stamped "copyright Ray Johnson" (the stamp was made by Bay Area Dada). Fine.
Published by Bay Area Daddaists, 1974
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple-bound, 30 pages; very good condition; clean and crisp; no internal marks.
Published by Bay Area Daddaists, 1973
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, staple-bound, 32 pages; very good condition; clean and crisp; no internal marks.
Published by Frederick R. Weisman Art Foundation Santa Monica, CA, 1990
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Stċhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.
Published by Beau Geste Press, 1974
Seller: Aeon Bookstore, New York, NY, U.S.A.
First Edition
Soft cover. Condition: Very Good. 1st Edition. Stunning publication featuring a wide variety of contributors with varying methods of color printing and inserts, which are all present. Some indenting to the wraps from the card inserts in front and back. Some minor rubbing to covers and some corner wear, as well as a crease to the bottom of one page towards the back but otherwise a lovely copy, now in mylar.
Published by Trinity Press, San Francisco, California, 1975
Seller: Kayo Books, San Francisco, CA, U.S.A.
First Edition
Staplebound Wrappers. Condition: All issues in fine condition. Scarce Dadaist zine published between 1973 and 1975. Each issue has contributions mailed in from various artists.
Soft cover. Condition: Very Good. 1st Edition. Bill Gaglione / Fake Picabia Bros (Editor). Artiststampzine #1. San Francisco: Stamp Art Editions, 2000. Loose sheets in folder. 11 pages, 4 printed and 7 full sheets of perforated artists' stamps. 9.5" x 11". Edition of 30. Very good, minor edge wear to folder. Featuring Charles Chickadel, Dadaland (Bill Gaglione), Darling Darlene, John Held, Jr., Indian Ralph, Tim Mancusi, and Seth Mason. Signed by Author(s).