Manuel G Prada (45 results)

Paperback. Condition: Good. Solid retired library book with usual library markings; else VG. Text free of underlining, writing and highlighting. Overall, a very nice clean copy.

Paperback or Softback. Condition: New. Presbiterianas. Book.

Paperback or Softback. Condition: New. Minusculas. Book.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Tapa blanda. Condition: Nuevo.

16x11. 362 pgs. (N10933).

Condition: New.

19x12. 300 pgs. Intonso. Roturas y falta borde de la tapa. 625342.

Taschenbuch. Condition: Neu. Neuware - 'Presbiterianas' is a provocative and biting collection of satirical poetry by Manuel G. Prada, a pivotal figure in Peruvian literature and radical social thought. This work serves as a fierce critique of the religious and social structures of the early 20th century, specifically targeting the perceived hypocrisy and moral contradictions within the clergy and established church. Through the use of sharp wit and caustic irony, Prada challenges the influence of religious dogma on the political and intellectual life of Latin America, advocating for rationalism and personal freedom.…

Taschenbuch. Condition: Neu. Neuware - 'Minusculas' is a seminal collection of poetry by Manuel González Prada, a towering figure in Peruvian literature and a key precursor to the Modernismo movement. This work represents a significant departure from the grandiloquence of 19th-century romanticism, showcasing the author's mastery of poetic form and his introduction of innovative strophic structures to the Spanish-speaking world.The poems within 'Minusculas' are characterized by their technical precision, musicality, and a blend of Parnassian elegance with deep philosophical skepticism. González Prada moves toward a more intimate and concise mode of expression, exploring themes of nature, human existence, and subtle social critique. His rigorous attention to meter and rhyme serves as a bridge between classical traditions and the emerging avant-garde sensibilities that would later define 20th-century Latin American letters.As a vital contribution to the Hispanic literary canon, 'Minusculas' reflects the intellectual depth and aesthetic refinement of an author who reshaped the landscape of Peruvian poetry. This collection is essential for scholars and enthusiasts of Latin American literature, offering a profound look at the artistic evolution of one of the continent's most influential and radical thinkers.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

230 páginas. 8vo., media tela.

Buch. Condition: Neu. Neuware - 'Presbiterianas' is a provocative and biting collection of satirical poetry by Manuel G. Prada, a pivotal figure in Peruvian literature and radical social thought. This work serves as a fierce critique of the religious and social structures of the early 20th century, specifically targeting the perceived hypocrisy and moral contradictions within the clergy and established church. Through the use of sharp wit and caustic irony, Prada challenges the influence of religious dogma on the political and intellectual life of Latin America, advocating for rationalism and personal freedom.As a leading voice of the Realist movement, Prada utilizes the verses in 'Presbiterianas' to dismantle the sanctity of traditional institutions, making the work both a significant literary achievement and a radical political statement. The poems are characterized by their directness and their uncompromising stance on social justice and secularism. This collection is an essential read for those interested in the history of freethought, the evolution of social critique in the Andes, and the development of modern Latin American poetry. 'Presbiterianas' remains a powerful testament to the author's rebellious spirit and his lifelong commitment to exposing injustice through the power of the written word.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

Buch. Condition: Neu. Neuware - 'Minusculas' is a seminal collection of poetry by Manuel González Prada, a towering figure in Peruvian literature and a key precursor to the Modernismo movement. This work represents a significant departure from the grandiloquence of 19th-century romanticism, showcasing the author's mastery of poetic form and his introduction of innovative strophic structures to the Spanish-speaking world.The poems within 'Minusculas' are characterized by their technical precision, musicality, and a blend of Parnassian elegance with deep philosophical skepticism. González Prada moves toward a more intimate and concise mode of expression, exploring themes of nature, human existence, and subtle social critique. His rigorous attention to meter and rhyme serves as a bridge between classical traditions and the emerging avant-garde sensibilities that would later define 20th-century Latin American letters.As a vital contribution to the Hispanic literary canon, 'Minusculas' reflects the intellectual depth and aesthetic refinement of an author who reshaped the landscape of Peruvian poetry. This collection is essential for scholars and enthusiasts of Latin American literature, offering a profound look at the artistic evolution of one of the continent's most influential and radical thinkers.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

Condition: New. Illa Gómez, Aarón; Moreno Arrastio, Félix; Pedrosa Pérez, José Manuel; Collado, Fran; Colera Cañas, Ramón; Aguado, Jesús; Fernández Prímola, Nicolás; Mosquera Arancibia, Luis; Muñoz Tenllado, Antonio; Gómez Castro, David; Jurado, Pablo; De Arce Borda, Ricardo; Burdío Román, Diego; Rodríguez Montoro, Jacinto; Montiel Rodríguez, Juan Manuel; Conte Peralta, Diego; Alberto Moralejo, Santiago; Gubianas Escudé, Jaume; García Marquet, Alicia; Gómez, Ariel Alejandro; Cobos, Juan Francisco; Chicote Juiz, Marta; Martí Saurí, Lluís; Rocafort, Juan Antonio; Istock,; Shutterstock,; Archivo SM,; Marquet, Myriam G. (illustrator). …

Condition: New. Illa Gómez, Aarón; Moreno Arrastio, Félix; Pedrosa Pérez, José Manuel; Collado, Fran; Colera Cañas, Ramón; Aguado, Jesús; Fernández Prímola, Nicolás; Mosquera Arancibia, Luis; Muñoz Tenllado, Antonio; Gómez Castro, David; Jurado, Pablo; De Arce Borda, Ricardo; Burdío Román, Diego; Rodríguez Montoro, Jacinto; Montiel Rodríguez, Juan Manuel; Conte Peralta, Diego; Alberto Moralejo, Santiago; Gubianas Escudé, Jaume; García Marquet, Alicia; Gómez, Ariel Alejandro; Cobos, Juan Francisco; Chicote Juiz, Marta; Martí Saurí, Lluís; Rocafort, Juan Antonio; Istock,; Shutterstock,; Archivo SM,; Marquet, Myriam G. (illustrator). …

Condition: New. Illa Gómez, Aarón; Moreno Arrastio, Félix; Pedrosa Pérez, José Manuel; Collado, Fran; Colera Cañas, Ramón; Aguado, Jesús; Fernández Prímola, Nicolás; Mosquera Arancibia, Luis; Muñoz Tenllado, Antonio; Gómez Castro, David; Jurado, Pablo; De Arce Borda, Ricardo; Burdío Román, Diego; Rodríguez Montoro, Jacinto; Montiel Rodríguez, Juan Manuel; Conte Peralta, Diego; Alberto Moralejo, Santiago; Gubianas Escudé, Jaume; García Marquet, Alicia; Gómez, Ariel Alejandro; Cobos, Juan Francisco; Chicote Juiz, Marta; Martí Saurí, Lluís; Rocafort, Juan Antonio; Istock,; Shutterstock,; Archivo SM,; Marquet, Myriam G. (illustrator). …

. 19,5 cm. 149 pág., 1 h. Enc. en media piel reciente, nervios, tejuelos, conserva las cubiertas originales. Literatura castellana.

Rústica. Condition: New. Dust Jacket Condition: Nuevo. 01. Una vez establecida la reconstrucción de los problemas y de los materiales claves desde donde se organiza el dibujo, realizada en el primer texto, Las lecciones del Dibujo , y establecidos los discursos desde los que el artista establece su proyecto, Estrategias del Dibujo en el arte contemporáneo ; se abordó en El Manual de Dibujo: estrategia de su enseñanza en el siglo XX , la manera que ambos inciden en la definición de los métodos de aprendizaje, al mismo tiempo que se organizó un modelo de Manual como síntesis de todos ellos. Este nuevo volumen aborda un tema inicial del que hasta el momento no hay precedentes y que muestra con una visión clara y completa los problemas que están surgiendo con la incorporación masiva al mundo del diseño asistido por ordenador. Las nuevas generaciones se incorporan al dibujo directamente desde los programas de 2D y 3D obsesionados por la eficacia y la fascinación del nuevo mundo virtual que ellos proporcionan, pero los tópicos que se han desarrollado ocultan los verdaderos problemas que se generan y en la mayoría de los casos no ayudan a comprender el verdadero cambio producido en la estructura del pensamiento gráfico. Es pues el momento de reconstruir la historia de ese pensamiento y definir los límites y las posibilidades del dibujante contemporáneo, estableciendo el hilo conductor de sus problemas y los cambios que ellos producen en la manera de comprender la nueva realidad del dibujo. Una vez establecida la reconstrucción de los problemas y de los materiales claves desde donde se organiza el dibujo, realizada en el primer texto, Las lecciones del Dibujo , y establecidos los discursos desde los que el artista establece su proyecto, Es. LIBRO.…

Encuadernación de tapa blanda. Condition: Aceptable. 1ª Edición. Santiago de Chile. 254 p.Tapas originales. Falto de 2 trocitos en extremo superior e inferior del lomo. Tapas con roce por el paso del tiempo. Texto en perfecto estado. 13x18.