Maranda Michael (32 results)

Softcover. Condition: Near Fine. Crisp, stiff wraps with immaculate interior. Texts in English & Porteguese. Illustrated in color throughout. Art Monographs; 8vo - over 7¾" - 9¾" tall.

Condition: New.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New.

Paperback. Condition: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Hardback. Condition: New. First Edition.

Softcover, 112 pages; in English and Portuguese; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: New. In English.

PF. Condition: New.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Fine. Very faint wear to covers. Otherwise an as-new paperback copy. Appears unread. s40.

Hardcover. Condition: Very Good. No Jacket. 232 pp. with B/W and full-colour plates. Lower corners lightly bumped and cover lightly rubbed. Catalogue of an exhibition held at the Art Gallery of York University, Toronto, Ontario from January 26 to March 26, 2006. ". a quasi-fictional correspondence with the artist Fiona Tan. It departs from interpretations of post-colonial identity issues in her work to trace the implications of the archival housing of photographs and moving images. By way of a detour through Siegfried Kracauer`s writing on photography and Jacques Derrida`s writing on the Freudian impression, we witness - right before our eyes - the disintegrative and destructive effect of photography on the archive.".…

Hardcover. Condition: New, still in shrinkwrap. BW-illustrated boards with black, white and gray lettering. Unpaginated. BW and color illustrations. Catalogue of an exhibition from January 26 to March 26, 2007. Includes bibliographical references.

Softcover. Condition: Gut. 295 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. L14807 9780921972686 Sprache: Englisch Gewicht in Gramm: 900.

Hardcover. Condition: Wie neu. 1. Auflage.

ill. OPappband. / Hardcover. 1st ed. On occasion of the exhibition 2006. / Disassembling the Archive is a quasi-fictional correspondence with the artist Fiona Tan. It departs from interpretations of post-colonial identity issues in her work to trace the implications of the archival housing of photographs and moving images. By way of a detour through Siegfried Kracauer`s writing on photography and Jacques Derrida`s writing on the Freudian impression, we witness - right before our eyes - the disintegrative and destructive effect of photography on the archive. (Sehr gut erhalten - NEU, ungelesen / in very good condition- as new) Sprache: Englisch Gewicht in Gramm: 1100.…

Hardback. Condition: New. First Edition.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: New.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condition: New. A series of essays and conversations between artists, curators and programmers on the complicated path from the white cube to the black box.

Paperback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: As New. Neuf. 13 9x17 1x1 6cm. 2020. blu_ray. As New.

Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book (a novel, really), tells the story of Robert and Ethel Scull. While Robert came from an impoverished immigrant background, he married Ethel Redner, whose father ran a small taxi company (not rich, but certainly comfortable enough that their marriage was announced in the New York Times). They met while Robert was a struggling freelance illustrator and Ethel was taking classes at Parsons. Gifted a third of his father-in-law's company, Robert build the enterprise into a multi-million dollar venture under the name of Scull's Angels.As aggressive collectors of Pop Art in the sixties (and, in a less social-status driven mode, as patrons of the land art movement), they became integral to the social life of contemporary art in New York at the time. Of more importance, it was the auction of fifty works through Sotheby Parke Bernet in 1973 which solidified their place in contemporary art history. This benchmark auction brought post-abstract-expressionist art into the secondary market as a full player, and ushered in the upward spiral of inflationary pricing to which we have now become accustomed as by-standers. In this novel, which reproduces all their appearances in the New York Times, we follow their rise in social status through the visual arts, fashion, and society events, as well as the their tumultuous marriage (ending in a messy divorce that itself set precedence in Ethel's unprecedented alimony agreement), finishing with a consideration of their legacy in the recovery of the art market following Wall Street's infamous Black Friday. …