Marchand Eckart (47 results)

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Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: new. Paperback. Aby Warburg delivered his Lectures on Leonardo in 1899 to introduce himself as a young art historian and private scholar to the wider public in his hometown Hamburg. One hundred and twenty years later, the Warburg Institute in London publishes these texts for the first time to mark the 500th anniversary of Leonardos death. Fully illustrated and translated into English, the lectures give an insight into Warburg as a public speaker, concerned to convey a complex visual argument to a non-specialist audience. Using state-of-the-art projection technologies and drawing on recent publications, Warburg discussed Leonardos artistic development in three steps: his training and early years in Florence, work at the Sforza court in Milan, and final years in Florence and France. Within this overview Warburg persistently turns to research questions that are recognisably his own, especially the afterlife of antiquity in the representation of animated life in religious and courtly festivals.The cover image shows Aby Warburg as a young man of about 32, at his desk in Florence in 1898. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

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Broschur. Condition: Wie neu. 1. Auflage. 192 Seiten : 20 Illustrationen, 62 Illustrationen ; 28 cm x 22 cm, 935 g Tadelloses Exemplar. - INHALT -- VORWORTE -- PAUL HOFMANN -- MIGUEL HELFRICH -- NEVILLE ROWLEY VERONIKA TOCHA EINLEITUNG -- Fotoessay Teil I: ERFASSEN UND SORTIEREN -- Der Abformungsvertrag -- RICARDO MENDONÇA -- PREUSSENS ABFORMUNGSKAMPAGNEN IM ITALIEN DER 1870ER UND 1880ER JAHRE IM KONTEXT -- Fotoessay Teil II: REINIGEN UND KONSERVIEREN -- VERONIKA TOCHA -- MULTIPLIZIERTE OBJEKTBIOGRAFIE -- Abgüsse des Taufbeckens von Siena in Berlin, Dresden, London, Pittsburgh und Budapest -- Fotoessay Teil III: NACHGIESSEN UND ERGÄNZEN -- Das Taufbecken von Siena: Schema der Einzelteile -- AURELIA BADDE -- ZWISCHEN ORIGINAL-, MONTAGE- UND FORMMODELL Zur Restaurierung des Taufbeckenmodells -- Fotoessay Teil IV: AUFBAUEN UND MONTIEREN -- Das Taufbecken im Verkaufskatalog: Reliefs und Figuren -- NEVILLE ROWLEY -- BODES PUTTO -- Fotoessay Teil V: AUSSTELLEN UND PRÄSENTIEREN -- ECKART MARCHAND -- GIPSABGÜSSE IM WERK DONATELLOS -- BIBLIOGRAFIE -- BILDNACHWEISE -- IMPRESSUM -- CONTENTS -- PREFACES -- PAUL HOFMANN MIGUEL HELFRICH -- NEVILLE ROWLEY VERONIKA TOCHA -- INTRODUCTION -- Photo essay part I: DOCUMENTING AND SORTING -- The moulding contract -- RICARDO MENDONÇA -- PRUSSIA'S MOULDING CAMPAIGNS IN ITALY IN THE 1870S AND 1880S IN CONTEXT -- Photo essay part II: CLEANING AND CONSERVATION -- VERONIKA TOCHA -- MULTIPLIED OBJECT BIOGRAPHY -- Casts after the Baptismal Font from Siena in Berlin, Dresden, London, Pittsburgh and Budapest -- Photo essay part III: RE-CASTING AND RECONSTRUCTION -- The Baptismal Font from Siena: diagram of its components -- AURELIA BADDE -- BETWEEN ORIGINAL, ASSEMBLY AND MOULDING MODEL On the conservation of the Baptismal Font model -- Photo essay part IV: ASSEMBLY AND INSTALLATION -- The Baptismal Font in the sales catalogue: reliefs and figures -- NEVILLE ROWLEY BODE'S PUTTO -- Photo essay part V: EXHIBITING AND DISPLAY -- CHART MARCHAND -- PLASTER CASTS IN THE WORK OF DONATELLO -- LITERATURE -- PHOTO CREDITS -- IMPRINT. ISBN 9783795439750 Sprache: Englisch Gewicht in Gramm: 923.

Paperback. Condition: new. Paperback. Aby Warburg delivered his Lectures on Leonardo in 1899 to introduce himself as a young art historian and private scholar to the wider public in his hometown Hamburg. One hundred and twenty years later, the Warburg Institute in London publishes these texts for the first time to mark the 500th anniversary of Leonardos death. Fully illustrated and translated into English, the lectures give an insight into Warburg as a public speaker, concerned to convey a complex visual argument to a non-specialist audience. Using state-of-the-art projection technologies and drawing on recent publications, Warburg discussed Leonardos artistic development in three steps: his training and early years in Florence, work at the Sforza court in Milan, and final years in Florence and France. Within this overview Warburg persistently turns to research questions that are recognisably his own, especially the afterlife of antiquity in the representation of animated life in religious and courtly festivals.The cover image shows Aby Warburg as a young man of about 32, at his desk in Florence in 1898. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First Edition. Fine in a fine dust wrapper, a fresh unmarked copy, free of remainder or any former owner marking. Full-time booksellers since 1987, prompt shipping and careful packing assured.

Hardcover. Condition: VG. Blue boards. 624 pp. Well illustrated with bw plates. The Walpole Society was founded in April, 1911, to promote the study of British art history. Issued only to subscribers. Contents as follows: Refocusing the grand tour : John Flaxman and the reappraisal of early Italian painting and sculpture, 1787-94 / by Hugh Brigstocke -- John Flaxman's drawings after Italian antique, medieval and Renaissance sculpture / by Eckart Marchand -- Flaxman's taste for the antique : some themes in the early months of Flaxman's grand tour / by A.E. Wright -- Flaxman : the British Library journal. Journal and sketchbook used by John Flaxman on his journey to Italy covering the first part of the itinerary from Brighton to Bologna, dated 1787 (British Library) / transcribed, edited and catalogued by Eckart Marchand -- Flaxman : the Fitzwilliam journal. John Flaxman : an Italian journal (Florence and Rome) from the library of Charles Fairfax Murray & presented to the Fitzwilliam Museum, Cambridge 1916 (Inv. no. 832.5) / transcribed and edited by Hugh Brigstocke -- Flaxman : the Yale sketchbook. Sketchbook used by John Flaxman during his stay in Italy (1787-94) containing sketches from Florence and Rome, dated 4 November 1787 (Yale Center for British Art, Yale University, New Haven, Connecticut, USA. Printroom inv. no. B1975.3.468 (a-aaa) / catalogued by Erkart Marchand -- Flaxman : the UCL journal. Journal and sketchbook used by John Flaxman during a visit to Naples and its environs, dated 20 January 1788 (University College London) / transcribed, edited and catalogued by A.E. Wright -- Flaxman : V & A sketchbook E 442-1937. A sketchbook used by John Flaxman during his stay in Italy (Victoria & Albert Museum) / catalogued by Eckart Marchand -- Flaxman : V & A sketchbook 2790. Oblong sketchbook used by John Flaxman during his stay in Italy and his return journey up to Innsbruck (Victoria & Albert Museum) / edited and catalogued by Eckart Marchand -- William Young Ottley in Italy / by Hugh Brigstocke -- A catalogue of drawings after early Florentine paintings and sculpture made by or for William Young Ottley in Italy. Part I : Ottley Collection. Part II : Séroux d'Agincourt Collection. Part III : Humbert de Superville Collection / catalogued by Hugh Brigstocke -- A series of plates engraved after the paintings and sculptures of the most eminent masters of the Florentine School . by William Young Ottley, 1826 / edited and catalogued by Hugh Brigstocke -- William Young Ottley's album of prints and drawings after the antique compiled at Rome c. 1791-92 (Ottley: British Museum GR 2006.0515) / catalogued by Hugh Brigstocke. .

Hardback. Condition: New. 1.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st edn. ~No ownership marks. Dustwrapper unfaded, unclipped, and protected in removable clear plastic sleeve. ~Robust packaging. Tracking can be added to overseas orders. Size: xii, 187pp. illus. Binding sound, text unmarked.

Taschenbuch. Condition: Neu. Neuware - Aby Warburg delivered his Lectures on Leonardo in 1899 to introduce himself as a young art historian and private scholar to the wider public in his hometown Hamburg. One hundred and twenty years later, the Warburg Institute in London publishes these texts for the first time to mark the 500th anniversary of Leonardo's death. Fully illustrated and translated into English, the lectures give an insight into Warburg as a public speaker, concerned to convey a complex visual argument to a non-specialist audience. Using state-of-the-art projection technologies and drawing on recent publications, Warburg discussed Leonardo's artistic development in three steps: his training and early years in Florence, work at the Sforza court in Milan, and final years in Florence and France. Within this overview Warburg persistently turns to research questions that are recognisably his own, especially the afterlife of antiquity in the representation of animated life in religious and courtly festivals.

Paperback. Condition: New.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: Brand New. 128 pages. In Stock.

Paperback. Condition: New. Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base and is Britain's foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field.

Condition: New. 2021. Paperback. . . . . .

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Paperback. Condition: new. Paperback. Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base and is Britains foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field. Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base and is Britains foremost scholarly journal devoted to sculpture in all its aspects. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: New.

Condition: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Wie neu. XII, 752 p. : Ill., graphs. As new and in foil. - Contents: Preface -- RUNE FREDERIKSEN AND ECKART MARCHAND: Introduction -- Antiquity -- RUNE FREDERIKSEN: Plaster Casts in Antiquity -- CHRISTA LANDWEHR: The Baiae Casts and the Uniqueness of Roman Copies -- The Renaissance -- ECKART MARCHAND: Plaster and Plaster Casts in Renaissance Italy -- WALTER CUPPERI: "Giving away the moulds will cause no damage to his Majesty's casts" - New Documents on the Vienna Jüngling and the Sixteenth-Century Dissemination of Casts after the Antique in the Holy Roman Empire -- MARTIN BIDDLE: "Makinge of moldes for the walles" - The Stuccoes of Nonsuch: materials, methods and origins -- Making and Distribution from the Eighteenth to the Twentieth Century -- CHARLOTTE SCHREITER: "Moulded from the best originals of Rome" - Eighteenth-Century Production and Trade of Plaster Casts after Antique Sculpture in Germany -- JAN ZAHLE: Laocoön in Scandinavia - Uses and Workshops 1587 onwards -- Informationen -- PETER MALONE: How the Smiths Made a Living -- Artists' Academies -- TOMAS MACSOTAY: Plaster Casts and Memory Technique: Nicolas Vleughels' display of cast collections after the antique in the French Academy in Rome (1725-1793) -- CLAUDIA SEDLARZ: Incorporating Antiquity - The Berlin Academy of Arts' Plaster Cast Collection from 1786 until 1815: acquisition, use and interpretation -- ELIZABETH FUENTES ROJAS: Art and Pedagogy in the Plaster Cast Collection of the Academia de San Carlos in Mexico City -- Artists' Workshops -- LÉON E. LOCK: Picturing the Use, Collecting and Display of Plaster Casts in Seventeenth- and Eighteenth-Century Artists' Studios in Antwerp and Brussels -- JOHANNES MYSSOK: Modern Sculpture in the Making: Antonio Canova and plaster casts -- MATTHEW GREG SULLIVAN: Chantrey and the Original Models -- JEAN-FRANÇOIS CORPATAUX: Live Body Moulding and Maternal Devotion in Marcello's Studio -- SHARON HECKER: Shattering the Mould: Medardo Rosso and the poetics of plaster -- MARIA ELENA VERSARI: "Impressionism Solidified" - Umberto Boccioni's Works in Plaster and the Definition of Modernity in Sculpture -- SUE MALVERN: Outside In: the after-life of the plaster cast in contemporary culture -- JANE MCADAM FREUD: Inside Out: a process for production Conservation -- DANIELA ARNOLD, TORSTEN ARNOLD AND ELISABETH RÜBER-SCHÜTTE: The Plaster Decoration of the Choir Screens in the Church of Our Lady in Halberstadt: a current conservation project -- ÁNGELES SOLÍS PARRA, JUDIT GASCA MlRAMÓN, SILVIA VlANA, SÁNCHEZ AND JOSÉ MARÍA LUZON NOGUÉ: The Restoration of Two Plaster Casts Acquired by Velazquez in the Seventeenth Century: the Hercules and Flora Farnese -- MARIA KLIAFA AND MICHAEL DOULGERIDIS: The Contribution of Plaster Sculptures and Casts to Successful Conservation Interventions at the National Gallery of Greece, Athens -- Architectural Models and Collections after Gems -- VALENTIN KOCKEL: Plaster Models and Plaster Casts of Classical Architecture and its Decoration -- DANIEL GRAEPLER: A Dactyliotheca by James Tassie and Other Collections of Gem Impressions at the University of Göttingen -- CLAUDIA WAGNER AND GERTRUD SEIDMANN: A Munificent Gift: cast collections of gem impressions from the Sir Henry Wellcome Trust -- Casting Nations: The National Museum -- DIANE BILBEY AND MARJORIE TRUSTED: "The Question of Casts" - Collecting and Later Reassessment of the Cast Collections at South Kensington -- MALCOLM BAKER: The Reproductive Continuum: plaster casts, paper mosaics and photographs as complementary modes of reproduction in the nineteenth-century museum -- AXEL GAMPP: Plaster Casts and Postcards: the postcard edition of the Musée de Sculpture Comparée at Paris -- DANA STEHLIKOVÁ: More Valuable than Originals? The Plaster Cast Collection in the National Museum of Prague (1818-2008): its history and predecessors -- TOBIAS BURG: Building a Small Albertinum in Moscow: the correspondence between Georg Treu and Ivan Tsvetaev -- STEPHEN L. DYSON: Cast Coll.

Paperback. Condition: New. Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base and is Britain's foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field.

Paperback. Condition: new. Paperback. Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base and is Britains foremost scholarly journal devoted to sculpture in all its aspects. Periods covered extend to public and private commissions for present-day sculptors. While being academic and traditional, the journal encourages contributions of fresh research from new names in the field. Sculpture Journal provides an international forum for writers and scholars in the field of post-classical sculpture and public commemorative monuments in the Western tradition. Sculpture Journal offers a keen critical overview and a sound historical base and is Britains foremost scholarly journal devoted to sculpture in all its aspects. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New.