Maria Stepanova (524 results)

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Paperback. Condition: Very Good. An exploration of life at the margins of history from one of Russias most exciting contemporary writers Shortlisted for the 2021 International Booker Prize Winner of the MLA Lois Roth Translation Award.

Paperback. Condition: Good. An exploration of life at the margins of history from one of Russias most exciting contemporary writers Shortlisted for the 2021 International Booker Prize Winner of the MLA Lois Roth Translation Award.

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Paperback. Condition: Very Good. The outbreak of Covid-19 cut short Maria Stepanovas stay in Cambridge. Back in Russia, she spent the ensuing months in a state of torpor the world had withdrawn from her, time had gone numb. When she awoke from this state, she began to read Ovid, and the shock of the pandemic dissolved into the voices and metaphors of an epochal experience. Her book-length poem Holy Winter 20/21, written in a frenzy of poetic inspiration, speaks of winter and war, of banishment and exile, of social isolation and existential abandonment. Stepanova finds sublime imagery for the process of falling silent, interweaving love letters and travelogues, Chinese verse and Danish fairy tales into a polyphonic evocation of frozen and slowly thawing time. Following her previous book of poetry, War of the Beasts and the Animals in part a response to the Donbas conflict her books title is even more prophetic now, echoing a famous patriotic Soviet song from 1941, a holy war is underway. Born in 1972, Maria Stepanova as poet and essayist was a highly influential figure for many years in Moscows cosmopolitan literary scene until its suppression along with civil liberties and dissent under Putins latter-day reign of terror. Her first prose work In Memory of Memory established her internationally as one of the most important intellectual voices of contemporary Russia. Her poetry, which here echoes verses by Pushkin and Lermontov, Mandelstam and Tsvetaeva, is not hermetic. She takes in the confusing signals from social networks and the media, opening herself up to the voices of kindred poets like Sylvia Plath, Inger Christensen and Anne Carson. She has moreover mastered modern poetrys rich repertoire of forms and moves effortlessly between the linguistic and traditional spaces of Russian, European and transatlantic literature. In her prose, Stepanova searches for the essence of the moment in the maelstrom of historical time. As an essayist, she traces the reactions of her critical consciousness; taken together, her politically alert commentaries form a chronicle of the troubled present. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condition: Very Good. With the death of her aunt, Maria Stepanova is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms - essay, fiction, memoir, travelogue and historical documents - Stepanova assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. …

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Paperback. Condition: New. The outbreak of Covid-19 cut short Maria Stepanova's 2020 stay in Cambridge. Back in Russia, she spent the ensuing months in a state of torpor-the world had withdrawn from her, time had "gone numb." When she awoke from this state, she began to read Ovid, and the shock of the pandemic dissolved into the voices and metaphors of a transformative, epochal experience. Her book-length poem Holy Winter, written in a frenzy of poetic inspiration, speaks of winter and war, of banishment and exile, of social isolation and existential abandonment. Stepanova finds sublime imagery for the process of falling silent, interweaving love letters and travelogues, Chinese verse and Danish fairy tales into a polyphonic evocation of frozen time and its slow thawing.As a poet and essayist, Stepanova was a highly influential figure for many years in Moscow's cosmopolitan literary scene until it was strangled by Putin, along with civil liberties and dissent. Like Joseph Brodsky before her, she has mastered modern poetry's rich repertoire of forms and moves effortlessly between the languages and traditions of Russian, European, and transatlantic literature, potently yet subtly creating a voice like no other.Her poetry, which here echoes verses by Pushkin and Lermontov, Mandelstam and Tsvetaeva, is not hermetic. She takes in and incorporates the confusing signals from social networks and the media, opening herself up to the voices of kindred poets like Sylvia Plath, Inger Christensen, and Anne Carson.…