Mark Peploe (19 results)

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. 1st Printing. Solid with a crease on the front cover and otherwise the covers show light wear. The previous owner's address label is on the top of the first inside page.

Condition: Good. Sceneggiatura di Mark Peploe con Bernardo Bertolucci dal romanzo omonimo di Paul Bowles. Brossura originale con bandelle, copertina illustrata a colori, 155 pp. Copia in ottime condizioni, spedizione in 24 ore dalla conferma dell'ordine. Book.

Vintage borderless reference photograph from the 1975 film, showing director Michelangelo Antonioni behind the camera. With manuscript pencil layout annotations on the verso. A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer, following "Blowup" (1966) and "Zabriskie Point" (1970). Set in Chad, shot on location in Germany, Spain, and England. 10 x 8 inches. Very Good plus, lightly edgeworn and faintly toned. Rosenbaum 1000.

Vintage oversize double weight reference photograph for the 1975 film, as known as "Scar Tissue." With the label of the Paul Kohner agency on the verso. Maria Schneider stars as a young woman who must protect the son of her ex-lover when they are kidnapped while she is babysitting him. The final directorial effort of René Clément's long, illustrious career. 9.25 x 11.75 inches. Near Fine.

VHS. Condition: Good. 99 minutes in original paper slipcase. Based on the novel by Joseph Conrad, VICTORY stars Willem Dafoe as Axel Heyst, an American recluse with a dubious past living in the Dutch East Indies port of Surabaya circa 1913. Staying in a German hotel there, Heyst becomes entranced with a member of the hotel's all-female orchestra. When the owner of a hotel offers the girl, Alma, to him for a price, Heyst agrees. Soon, Alma has convinced Heyst to take her away from the villainous Germans, and the two run to a nearly deserted island where their passionate affair blooms into a romance. However, their idyll is shattered when the German hotel owner directs a treasure seeking bandit named Mr. Jones and his assistant, Martin Ricardo (Sewell) to their hideaway, insinuating that Heyst possesses a large fortune. Remainder.

Script Format, reprint. Condition: As New. / I HAVE MORE TITLES, LET ME KNOW IF YOU ARE LOOKING FOR OTHER TITLES /THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS /.

Script Format, reprint. Condition: As New. / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS/.

Near Fine. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Vintage reference photograph from the 1970 film, showing actors Mark Frechette and Daria Halprin talking with director Michelangelo Antonioni while on location in the desert. Annotations in manuscript pencil on the verso, identifying subjects and crediting photographer Bruce Davidson with Magnum Photos. Antonioni's great American experiment, and the only film the director ever made in the United States, written for the screen by a young Sam Shepard. Though made from an Italian's perspective, the film stands today as a great visual statement on the American West in the late 1960s, rampant consumerism, and the hippie zeitgeist. 8 x 10 inches, with wide top and bottom margins. Fine. Godard, Histoire(s) du cinema. Rosenbaum 1000.

Vintage borderless reference photograph of actors Maria Schneider and Jack Nicholson on the set of the 1975 film. A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a loose trilogy (as well as a three-picture contract with Metro-Goldwyn-Mayer), following "Blowup" (1966) and "Zabriskie Point" (1970). Set in Chad, shot on location in Germany, Spain, and England. 8 x 10 inches. Near Fine. Rosenbaum 1000.

Vintage studio still photograph, of Daria Halprin, seemingly trapped in the middle of a mid-century modern glass vestibule, from the 1970 film. Mimeo snipe on the verso. Antonioni's great American experiment, and the only film the director ever made in the United States, written for the screen by a young Sam Shepard. Though made from an Italian's perspective, the film stands today as a great visual statement on the American West in the late 1960s, rampant consumerism, and the hippie zeitgeist. 8 x 10 inches, with wide horizontal margins. Near Fine. Rosenbaum 1000. Godard, Histoire(s) du cinema.

Vintage borderless double weight reference photograph of director Michelangelo Antonioni talking with actors Jack Nicholson and Maria Schneider on the set of the 1975 Italian film. Annotations in manuscript ink on the verso relating to cropping, as well as the stamp of Cinema International in London. A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer, following "Blowup" (1966) and "Zabriskie Point" (1970). Set in Chad, shot on location in Germany, Spain, and England. 10 x 8 inches. Near Fine. Rosenbaum 1000.

Vintage borderless reference photograph from the 1975 Italian film, showing actors Jack Nicholson and Maria Schneider. A cynical war correspondent in northern Africa assumes the identity of a deceased arms dealer to gain information for his documentary. Antonioni's final film in a three picture contract with Metro-Goldwyn-Mayer, following "Blowup" (1966) and "Zabriskie Point" (1970). Set in Chad, shot on location in Germany, Spain, and England. 10 x 8 inches. Near Fine. Rosenbaum 1000.

Two vintage borderless reference photographs from of the 1972 film, one showing actor Donovan in costume as the Piper, the other showing actors John Hurt and Donald Pleasance with director Jacques Demy on the set. One with mimeo snipe and provenance stamp of film scholar and author Jean-Pierre Berthome on the verso, the other with layout annotations in manuscript pencil on both recto and verso. Demy's take on the classic medieval German legend, set in 1349 Germany during the spread of the Black Death, and featuring Donovan, who also composed music for the film. 6.75 x 10 inches, and 7 x 10 inches. One Near Fine, the other Very Good plus, both with light rippling.

Condition: Good. Grade: Good. Est. Dimension: Approximately (12" x 9" (inches)) Year Printed: 1991 Director: Mark Peploe Original: Yes Shipped: Flat Product & Description Synopsis: A little boy, obsessed with blindness and violence, slowly gets trapped in his own delusions. (Drama) Condition Specifics: Press kit in good condition. There may be small scuffs to edges, scuffing more damage than would be expected in specific areas, see photos. But overall the press kit is in good condition for age. Please carefully inspect images before purchasing whilst remembering all items are original and therefore used. Includes: Card sleeve/cover 12" x 9" = this is in good condition. 5 photos 10" x 8", matt, with caption sheet = these are in good condition. Production notes 27 pages 11 x 8.5 includes cast list, synopsis and biographies = scuffing more damage than would be expected in specific areas, a rusty staple, these are in fair condition. Shipping: All items are professionally packaged to ensure zero damage, in the unlikely case that your items arrive damaged please do get in touch so we can help resolve the matter.