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  • Words and Music by John Schonberger, Richard Coburn and Vincent Rose; scored by Marke Winsten

    Published by Miller Music Corp, NY, 1948

    Seller: Ed Buryn Books, Nevada City, CA, U.S.A.

    Seller rating 3 out of 5 stars 3-star rating, Learn more about seller ratings

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    US$ 20.00

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    Condition: Near Fine unmarked. Musical scores for different instruments for the song Whispering: Pianos, Violins, Bass, Trumpets, Trombones, Drums, Saxophones, and Guitar. 7 x 10-3/4, 15 folded sheets in cover wraps. Musical scores in b/w illustrated wraps, unbound.

  • [?MARKE, John]

    Seller: Daniel Crouch Rare Books Ltd, London, United Kingdom

    Association Member: ABA ILAB PBFA

    Seller rating 5 out of 5 stars 5-star rating, Learn more about seller ratings

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    Manuscript / Paper Collectible

    US$ 692,132.43

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    The "Panchronologia" Brass astrolabe, the front of the plate engraved for a universal astrolabe with De Rojas projection, graduated regula and cursor, below the throne a table of 24 stars and a perpetual calendar for Leap Years and Epact, dated 1678; the reverse of the plate with scales for a circular slide rule with scales for tangents, sines and numbers, two rotating index arms. One of the largest and grandest computational devices made in the seventeenth century. The so styled "Panchronologia" combines one of the most ancient of scientific instruments, the astrolabe, with one of its most modern (for the time) the slide rule. At 26 inches (66 cm) in diameter and weighing 23 lbs (10.4kg) it is not only one of the largest astrolabes ever produced but arguably the largest computational device to have survived from the seventeenth century, and thus a hugely important work in the history of computing. The Astrolabe The astrolabe some times called the slide rule of the heavens, can trace its history back to Hellenistic times. The smart phone of it's day it could perform numerous functions including calculating the time day or night, determine your position, show the movement and identify heavenly bodies, cast horoscopes, help you navigate the oceans, and survey your land. The astrolabe is on a De Rojas or orthographic projection. The De Rojas is a form of universal projection, i.e. one that can be used at any northern latitude, unlike their traditional cousins which were bound to a particular latitude. Such universal astrolabes had been pioneered by Islamic instrument makers in the Twelfth century, but were made popular in the Europe in the Sixteenth century when De Rojas published his 'Commentariorum in astrolabium', in Paris, in 1551. To the upper part below the throne is a list of 24 stars marked a-z: a - Aliot; b -Cin: Andr c - Spica [Virgo] d - Cap [Aries] e - Arctu f - Os: Ceti g - Corona h - Cor [Scorpio] i - Ocul. [Taurus] k - Hircus l - Pes: Ori S. m - Cin Orio. n - Auriga o - Lyra p - Can. ma: q - Can: mi: Aquila r - Aquila s - Corn: VS. t - Cignus u - Cor: hy: w - Cor: [Leo] x - Fomaha y - Caud [Leo] z - Ala peg. Below this a perpetual calendar for Leap Years, and Epact (age of the moon at the beginning of the year), dated 1678. The instrument is bisected by a graduated regula and cursor. The Slide Rule A Brief History The slide rule was central to the practice of mathematics, from its invention at the beginning of the seventeenth century, to its hasty demise at the hands of the pocket calculator some 340 years later. It's invention by William Oughtred (1574-1660), in 1632, would revolutionises the area of computing, allowing the user to perform quickly complex computations; its use was not only mathematical but practical, with rules designed for engineers, brewers, printers, customs officers, shipwrights, and astronomers among many others. They were even used during the cold war to calculate radiation exposure over time, and Buzz Aldrin is said to have used one for last minute calculations before landing on the moon. Though suggestions, that his failed attempts to put it back in his pocket was the reason he was second out of the lander have not been verified. In its purest form, two logarithmic scales are placed next to each other on two rules, enabling calculations to be made when sliding the rules past each other, hence slide rule. The earliest extant example of such an instrument (though not the instrument itself - which is now lost) is housed the in Macclesfield collection at the University of Cambridge Library, where a counter proof print of Elias Allen's (1588-1653) instrument is attached to a letter from Oughtred to Allen, dated 1638. Oughtred laments to Allen that he is yet to have one made. However, the very first slide rules were circular, as here. The earliest extant example of such an instrument was produced by Elias Allen - him again - and although not dated, is believed to have been produced in around 1634. It currently resides in the History of Science Museum, Oxford (HSM 40847). The earliest dated circular slide rule, marked 1635 (though lacking the rule) and signed by the Oxford instrument maker Johannes Hulett, is in the British Museum (BM 2002,0708.1). Slide Rules on Astrolabes It would seem from our research that it took a while before slide rules were added to astrolabes (though further study is required). The earliest example we were able to trace is housed in the National Maritime Museum (NMM AST0567). The astrolabe was originally made for Edward VI around 1552 by the instrument maker Thomas Gemini. Over one hundred years later, Henry Sutton (c1635-65), the pre-eminent instrument maker of his day (and John Marke's master) engraved inside the mater - which was originally blank - a circular slide rule, signed and dated 1655. A rather stylish Seventeenth century retrofit. The circular slide rule on the present instrument is clearly the largest ever produced in the seventeenth century, and certainly the largest ever on an astrolabe. The two rotating index arms are marked for tangents, sines, and numbers i.e. in order to perform complex trigonometrical calculations. One assumes this was in order to calculate the accurate positioning of celestial bodies where triangulation was essential. Its sheer size allowed for an unprecedented number of gradations, making the most accurate slide rule of the time, and allowing the user of the instrument unmatched precision. Attribution, Association, and Date One of the most curious aspects of the instrument is that it's neither signed nor dated. However, documents in the Archer-Houlbon Archive at Welford Park, do shed some light on to both aspects. They reveal that the object was sent on a four year loan to Professor Karl Pearson F.R.S. (1857-1936) at University College London, alongside a now lost manuscript which bore the title 'Panchronologia' and was dated 1672/3. The letters confirm that the 'Panchronologia' was first cle.