Markus Rath (51 results)

Paperback. Condition: New. Francis Bacon's portrait of his first partner Peter Lacy is somehow simultaneously attractive and repulsive. The monumental portrait dating from 1962 was unknown to the public for a long time. Shortly after it was painted, Italian film director Michelangelo Antonioni acquired the work and it remained in private hands for decades. This is a key work, created at a turning point in Bacon's oeuvre. Markus Rath embeds the painting into Bacon's visual world for the first time. The English painter reveals a biographical figuration in the portrait, concentrating his compositional arrangement on the stage-like interior and forcing a contrast between the two-dimensional ground and the colour-saturated figure - these are pioneering approaches to composition that shaped his late work decisively.…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Francis Bacon's portrait of his first partner Peter Lacy is somehow simultaneously attractive and repulsive. The monumental portrait dating from 1962 was unknown to the public for a long time. Shortly after it was painted, Italian film director Michelangelo Antonioni acquired the work and it remained in private hands for decades. This is a key work, created at a turning point in Bacon's oeuvre. Markus Rath embeds the painting into Bacon's visual world for the first time. The English painter reveals a biographical figuration in the portrait, concentrating his compositional arrangement on the stage-like interior and forcing a contrast between the two-dimensional ground and the colour-saturated figure - these are pioneering approaches to composition that shaped his late work decisively.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: Brand New. 23 pages. German language. 10.00x7.00x0.00 inches. In Stock.

Paperback. Condition: new. Paperback. Francis Bacons portrait of his first partner Peter Lacy is somehow simultaneously attractive and repulsive. The monumental portrait dating from 1962 was unknown to the public for a long time. Shortly after it was painted, Italian film director Michelangelo Antonioni acquired the work and it remained in private hands for decades. This is a key work, created at a turning point in Bacons oeuvre. Markus Rath embeds the painting into Bacons visual world for the first time. The English painter reveals a biographical figuration in the portrait, concentrating his compositional arrangement on the stage-like interior and forcing a contrast between the two-dimensional ground and the colour-saturated figure these are pioneering approaches to composition that shaped his late work decisively. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: Brand New. 130 pages. German language. 7.87x5.12x0.47 inches. In Stock.

Hardback. Condition: New.

Taschenbuch. Condition: Neu. Neuware - Artistic production is always associated with repetition, whether in imitation of nature or in imitation of art itself. The spectrum of the phenomenon 'repetition' in the visual arts varies from the (im-)possibility of reproducing of a work to its direct thematization, for instance in printed reproductions, or as prolific repetitions in terms of varying, appropriating, adapting or converting.The essays in this volume examine repetitions that are characterized by evocations of memory, changes in form, reproduction methods and avant-garde breaks with repetitive aesthetics.; Künstlerisches Schaffen ist stets mit dem Repetitiven verknüpft, sei es in der Imitation der Natur oder in der Nachahmung der Kunst selbst. Das Spektrum des Phänomens »Wiederholung « in den bildenden Künsten reicht von der (Un-)Möglichkeit der Reproduzierbarkeit eines Werks über seine unmittelbare Thematisierung, etwa in Reproduktionsstichen, bis hin zur fruchtbaren Repetition im Sinne des Variierens, Appropriierens, Adaptierens und Übersetzens. Die Beiträge dieses Bandes beleuchten Wiederholungen in Gestalt von Erinnerungsevokationen, Formenwanderungen, Reproduktionsverfahren oder avantgardistischen Brechungen einer repetitiven Ästhetik. Dabei stellen sie immer auch die Frage nach Entwicklungen und Renaissancen, nach Aktualität und Historizität. So erweist sich die »Wiederholung« als eine stetig wiederkehrende, besondere Herausforderung der Kunst und ihrer Geschichte.…

Condition: New.

Paperback. Condition: Brand New. 24 pages. German language. 10.00x7.01x0.16 inches. In Stock.

Condition: Neu. Neu -Anziehend und abstoßend zugleich ist Francis Bacons Bildnis seines ersten Lebenspartners Peter Lacy. Das monumentale »Portrait« aus dem Jahr 1962 war lange Zeit vor der Öffentlichkeit verborgen. Kurz nach seiner Entstehung erwarb es der italienische Regisseur Michelangelo Antonioni und es blieb jahrzehntelang in Privatbesitz. Dabei entpuppt es sich als ein Schlüsselwerk, das an einem Wendepunkt entstand. Markus Rath führt erstmals diese Stränge zusammen und bettet das Gemälde in Bacons Bildwelt ein. Der englische Maler bekennt sich darin zu einer biografisch orientierten Gegenständlichkeit, konzentriert sein kompositorisches Schema auf den bühnenartigen Innenraum und forciert den Kontrast zwischen flächigem Grund und farbgesättigter Figur - wegweisende kompositorische Verfahren, die sein Spätwerk entscheidend prägen sollten. Anziehend und abstoßend zugleich ist Francis Bacons Bildnis seines ersten Lebenspartners Peter Lacy. Das monumentale »Portrait« aus dem Jahr 1962 war lange Zeit vor der Öffentlichkeit verborgen. Kurz nach seiner Entstehung erwarb es der italienische Regisseur Michelangelo Antonioni und es blieb jahrzehntelang in Privatbesitz. Dabei entpuppt es sich als ein Schlüsselwerk, das an einem Wendepunkt entstand. Markus Rath führt erstmals diese Stränge zusammen und bettet das Gemälde in Bacons Bildwelt ein. Der englische Maler bekennt sich darin zu einer biografisch orientierten Gegenständlichkeit, konzentriert sein kompositorisches Schema auf den bühnenartigen Innenraum und forciert den Kontrast zwischen flächigem Grund und farbgesättigter Figur - wegweisende kompositorische Verfahren, die sein Spätwerk entscheidend prägen sollten. (Text dt., engl.) 130 pp. Deutsch, Englisch.…

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. Wiederholung. Répétition | Wiederkehr, Variation und Übersetzung in der Kunst | Andreas Beyer (u. a.) | Taschenbuch | Großformatiges Paperback. Klappenbroschur | XIII | Deutsch | 2018 | Deutscher Kunstverlag | EAN 9783422074002 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.…

Hardcover. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hardcover. Condition: As New. Never read, no marks or highlighting in the book. Our copy is hardback with printed covers, showing light shelf-wear.

Condition: New. KlappentextThe present volume explores for the first time the concept of synagonism (from &#963&#973&#957 , together and &#7936&#947&#974&#957 , struggle ) for an analysis of the productive exchanges between early modern pain.

Buch. Condition: Neu. Neuware - This book explores for the first time the concept of synagonism (from 's??', 'together' and '????', 'struggle') for an analysis of the productive exchanges between early modern painting, sculpture, architecture, and other art forms in theory and practice. In doing so, it builds on current insights regarding the so-called paragone debate, seeing this, however, as only one, too narrow perspective on early modern artistic production. Synagonism, rather, implies a breaking up of the schematic connections between art forms and individual senses, drawing attention to the multimediality and intersensoriality of art, as well as the relationship between image and body. …

Paperback. Condition: New. Francis Bacon's portrait of his first partner Peter Lacy is somehow simultaneously attractive and repulsive. The monumental portrait dating from 1962 was unknown to the public for a long time. Shortly after it was painted, Italian film director Michelangelo Antonioni acquired the work and it remained in private hands for decades. This is a key work, created at a turning point in Bacon's oeuvre. Markus Rath embeds the painting into Bacon's visual world for the first time. The English painter reveals a biographical figuration in the portrait, concentrating his compositional arrangement on the stage-like interior and forcing a contrast between the two-dimensional ground and the colour-saturated figure - these are pioneering approaches to composition that shaped his late work decisively.…

Softcover. Condition: Wie neu. (Passagen / Passages, Bd 56); Orig.-Kartoniert, 240 S. mit sehr zahlreichen, teils ganzseitigen Abbildungen; tadelloses Exemplar; - Beiträge überwiegend in französisch und englisch; - 680 g.

Paperback. Condition: new. Paperback. Francis Bacons portrait of his first partner Peter Lacy is somehow simultaneously attractive and repulsive. The monumental portrait dating from 1962 was unknown to the public for a long time. Shortly after it was painted, Italian film director Michelangelo Antonioni acquired the work and it remained in private hands for decades. This is a key work, created at a turning point in Bacons oeuvre. Markus Rath embeds the painting into Bacons visual world for the first time. The English painter reveals a biographical figuration in the portrait, concentrating his compositional arrangement on the stage-like interior and forcing a contrast between the two-dimensional ground and the colour-saturated figure these are pioneering approaches to composition that shaped his late work decisively. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condition: Good. Original boards, (full page) illustrations in colour and b/w, 8vo.; Spine slightly skew.

Taschenbuch. Condition: Neu. Francis Bacon | Portrait, 1962 | Markus Rath | Taschenbuch | Großformatiges Paperback. Klappenbroschur | 130 S. | Deutsch | 2024 | Deutscher Kunstverlag | EAN 9783422801813 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. …

perfect. Condition: Gut. 130 Seiten; 9783422801813.3 Gewicht in Gramm: 500.

Paperback. Condition: New. Francis Bacon's portrait of his first partner Peter Lacy is somehow simultaneously attractive and repulsive. The monumental portrait dating from 1962 was unknown to the public for a long time. Shortly after it was painted, Italian film director Michelangelo Antonioni acquired the work and it remained in private hands for decades. This is a key work, created at a turning point in Bacon's oeuvre. Markus Rath embeds the painting into Bacon's visual world for the first time. The English painter reveals a biographical figuration in the portrait, concentrating his compositional arrangement on the stage-like interior and forcing a contrast between the two-dimensional ground and the colour-saturated figure - these are pioneering approaches to composition that shaped his late work decisively.…

Hardback. Condition: New.

Buch. Condition: Neu. Neuware - Der Band eröffnet einen neuen Zugang zur Paragone-Debatte der Frühen Neuzeit im Sinne eines produktiven Mitstreitens. Dies betrifft im Speziellen die Rolle zwischen Malerei und Skulptur, im Allgemeinen das Verhältnis zwischen Natur und Kunst. Deren Beziehung soll als eine osmotische verstanden werden, wie sie sich etwa in der Kunstkammer verkörpert. Wenn sich in visuellen Bildformen körperlich-haptische Eigenschaften einschreiben, Farbe als bildhauerisches Mittel verwendet oder Skulptur zum Bild wird, ikonographische und stilistische Zitate eingesetzt oder künstlerische Stile weiterentwickelt werden, beschreibt dies immer auch ein Ringen um die adäquate Ausdrucksform. Die Ergänzungserscheinungen der Gattungen verweisen auf eine Praxis, die Bilder stets plurimedial versteht.…

Buch. Condition: Neu. Neuware - Die körperlich-plastische Wirkung von Artefakten stellt eine maßgebliche Grundlage ihrer bildaktiven Kompetenz dar. Im Gegensatz zur Auffassung, dass Bilder als virtuelle Medien allein dem Visus verpflichtet seien, steht die Erkenntnis einer Bildwahrnehmung, die stets auf mehrere Sinne ausgerichtet ist. In diesem Band sind Beiträge versammelt, die exemplarisch den Status von Bild und Rezipient im Bezug auf taktile und haptische Reize und Sinneswahrnehmungen von der Neuzeit bis zur Moderne analysieren. In drei kategorialen Hauptfeldern - Sujet, Material und Wahrnehmung - wird das körperlich aktivierende Potential sowohl zwei- als auch dreidimensionaler Bilder erörtert, welches diese als formbare Modelle, kreative Bildschöpfungen oder raumgreifende Werke entfalten.…