Marta Straznicky (56 results)

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Hardcover. Condition: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Condition: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

Condition: New. Demonstrates the importance of textual production to understanding the place of drama in the early modern public sphere. This collection of essays examines early modern drama in the context of book history, and focuses on the readership of plays that opens different perspectives on the relationship between the cultures of print and performance. Editor(s): Straznicky, Marta. Series: Massachusetts Studies in Early Modern Culture. Num Pages: 256 pages, 11 illustrations. BIC Classification: 2AB; DSBD; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 142 x 18. Weight in Grams: 370. . 2006. paperback. Not a first edition copy. . . . Books ship from the US and Ireland.…

Condition: New. Demonstrates the importance of textual production to understanding the place of drama in the early modern public sphere. This collection of essays examines early modern drama in the context of book history, and focuses on the readership of plays that opens different perspectives on the relationship between the cultures of print and performance. Editor(s): Straznicky, Marta. Series: Massachusetts Studies in Early Modern Culture. Num Pages: 256 pages, 11 illustrations. BIC Classification: 2AB; DSBD; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 142 x 18. Weight in Grams: 370. . 2006. paperback. Not a first edition copy. . . .…

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: New.

hardcover. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. A clean unmarked copy with lightly worn dust jacket in very good condition. 374 pages.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

First Edition. Very good hardcover in jacket. Book.

Condition: New.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. This study investigates the tradition of closet drama written and read by women in early modern England. Num Pages: 200 pages, 7 b/w illus. BIC Classification: 2AB; DSBD; DSG. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 12. Weight in Grams: 316. . 2009. 1st Edition. paperback. . . . . …

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0521841240. …

Condition: New. In English.

Condition: New. 2018. paperback. . . . . .

Taschenbuch. Condition: Neu. Neuware - The Book of the Play is a collection of essays that examines early modern drama in the context of book history. Focusing on the publication, marketing, and readership of plays opens fresh perspectives on the relationship between the cultures of print and performance, and more broadly between drama and the public sphere. Marta Straznicky's introduction offers a survey of approaches to the history of play reading in this period, and the collection as a whole consolidates recent work in textual, bibliographic, and cultural studies of printed drama. Individually, the essays advance our understanding of play reading as a practice with distinct material forms, discourses, social settings, and institutional affiliation. Part One, ''Real and Imagined Communities,'' includes four essays on play-reading communities and the terms in which they are distinguished from the reading public at large. Cyndia Clegg surveys the construction of readers in prefaces to published plays; Lucy Munro traces three separate readings of a single play, Edward Sharpham's The Fleer; Marta Straznicky studies women as readers of printed drama; and Elizabeth Sauer describes how play reading was mobilized for political purposes in the period of the civil war. In Part Two, ''Play Reading and the Book Trade,'' five essays consider the impact of play reading on the public sphere through the lens of publishing practices. Zachary Lesser offers a revisionist account of black-letter typeface and the extent to which it may be understood as an index of popular culture; Alan Farmer examines how the emerging news trade of the 1620s and 1630s affected the marketing of printed drama; Peter Berek traces the use of generic terms on title pages of plays to reveal their intersection with the broader culture of reading; Lauren Shohet demonstrates that the Stuart masque had a parallel existence in the culture of print; and Douglas Brooks traces the impact print had on eclipsing performance as the medium in which the dramatist could legitimately lay claim to having authored his text. The individual essays focus on selected communities of readers, publication histories, and ideologies and practices of reading; the collection as a whole demonstrates the importance of textual production and reception to understanding the place of drama in the early modern public sphere.…

Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: New.

Condition: New. Demonstrates the importance of textual production to understanding the place of drama in the early modern public sphere. This collection of essays examines early modern drama in the context of book history, and focuses on the readership of plays that opens .

Condition: New. pp. 200.

Condition: New. This study investigates the tradition of closet drama written and read by women in early modern England. Num Pages: 200 pages, 7 b/w illus. BIC Classification: 2AB; DSBD; DSG. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 12. Weight in Grams: 316. . 2009. 1st Edition. paperback. . . . . Books ship from the US and Ireland. …