Martignoni Ignazio (19 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Copertina rigida. Condition: buone. Cm.19x12. Pg.XXI, (3), 114, (4). Legatura in mz.pergamena con piatti marmorizzati. Piatti originali applicati alla coperta. Esemplare in barbe. Seconda edizione di uno studio di estetica dell'aristocratico lombardo Ignazio Martinenghi (Como, 1757- 1814). "Del bello e del sublime" uscì a Milano nel 1810 e successivamente a Como nel 1826. Nel riprendere le linee della discussione settecentesca sugli omonimi temi, questo breve trattato le innesta nel dibattito sulle arti sviluppatosi in Italia nei primi decenni dell?Ottocento. Può essere affiancato, per alcuni contenuti e per il suo stile discorsivo, ad altri esempi più o meno coevi, come quello del ferrarese L. Cicognara ("Del bello. Ragionamenti", 1808, dedicato a Napoleone) o di G. Talia ("Saggio di estetica", 1822). Similmente, il suo successo può essere fatto corrispondere al bisogno di erudizione in campo artistico che contrassegnava il nuovo pubblico borghese in numerose regioni della penisola. Il principio della bellezza è individuato dal M. nell?armonia, concepita in base al criterio classicista della varietà ricondotta all?unità. Tale criterio è assunto a partire da un?ottica empiristica: la curiosità, il bisogno di fuggire la noia e la limitazione delle facoltà dell?uomo rendono piacevoli i rapporti percepiti nell?oggetto. Allineandosi alle tesi di F. Soave, il Martignoni riconosce il bello negli oggetti capaci di produrre non solo sensazioni piacevoli, ma piacevoli rappresentazioni (riservate alla vista e all?udito). Il gusto ha un ruolo centrale nella selezione dei tratti e delle forme presenti in natura, nel perseguimento di uno stile sia bello sia sublime" (Alessandro Arbo in "D.B.T.", vol.71). 200 gr.

Paperback. Condition: New. Print on Demand. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

In 16°,br., pp. 114. Sciolto. Opera che costituì un importante punto di riferimento per il Neoclassicismo.

bross. ed. Condition: Manca 1 carta bianca. In barbe. pp. 2)-XXII-(2)-114-(6) 16°.

Cm. 19, pp. 330 + (2) d'errata. Bel frontespizio interamente inciso (Cagnoni inc.). Legatura coeva in piena pelle, dorso (ben rifatto recentemente) con nervi e titoli in oro. Bell'esemplare, fresco e marginoso, stampato su carta pesante. Contiene i saggi sulle Belle Arti, sulla Poesia, sulla Musica e sul Disegno; poi i pensieri sulla Felicità, sul Clima ed infine raccoglie i Versi sciolti. Rara raccolta originale delle opere del letterato comasco (1757-1814).

Cm. 18,5, pp. 330 + (2) d'errata. Bel frontespizio interamente inciso (Cagnoni inc.). Graziosa legatura coeva in cart. rigido ricoperto in carta marmorizzata. Titoli ms. su tassello al dorso. Bell'esemplare, fresco e genuino, stampato su carta pesante. Contiene i saggi sulle Belle Arti, sulla Poesia, sulla Musica e sul Disegno; poi i pensieri sulla Felicità, sul Clima ed infine raccoglie i Versi sciolti. Rara raccolta originale delle opere del letterato comasco (1757-1814).

Como, nella stamperia Ostinelli, 1793, Fra i trattati dell'erudito e musicologo di Gornate questo è uno dei più rari e meno noti. Si tratta di edizione originale con prefazione dell'autore datata 6.11.1792 e dedicata all'amico Saverio Bettinelli. in 8°, brossura muta colorata del tempo, pp. [2] 208, esemplare marginoso, bel fronte con illustrazione allegorica del Cagnoni. brossura muta colorata del tempo,

Condition: Very Good. First edition. Octavo (23 cm); 142, [2] pages. Bound in nineteenth-century green straight-grain morocco, ruled in gilt on both boards within a surround of gilt-tooled scallop shells; spine highly decorated in gilt with delicate interlocking circles set off by Greek key horizontal borders. GIlt turn-ins; marbled endleaves. Binder's ticket of Lodigliani. All edges gilt. Spine faded to brown, not affecting gilding. Five globular water spots, some with satellites, on upper board. Upper joint tender. Ownership inscription on front blank dated 1922. Few stray underlines in pencil. Intellectuals in the 18th century rediscovered the classical treatise, On the Sublime, attributed to Longinus, and made it a central text in their discussion of aesthetics. Edmund Burke's "Enquiry" (1757) and Kant's "Critique of Judgment" (1790) became the primary texts in an international discussion on categorizing "the beautiful," "the picturesque," and "the sublime." (The question remained vivid for English Romantics such as Coleridge, Wordsworth, and Shelley.) The text offered here is a sort of summary of the history of aesthetics, rather less dense than those of Kant and Schelling, with an ear toward aesthetics in the Italian literary tradition of Pindemonte, Alfieri, and Foscolo. The printer, Luigi Mussi, had worked as a typecutter in Bodoni's shop in Parma. He established his own business first in Parma, and later in Milan, disseminating the aesthetics of Bodoni designs in this and other works.

Encuadernación de tapa dura. Condition: Muy bien. In-8º. pp. 330 + (2) errata. Beautiful engraved frontispiece representing a nice view of lake of Como (by Cagnoni). Bound in old full marbled calf, rede edges, nice binding. Fine specimen, fresh and genuine, printed on heavy paper. It contains essays on Fine Arts, Poetry, Music and Design; then the thoughts on Happiness, on the Climate and finally collects the loose Verses. MARTIGNONI, Ignazio, was born in Como on 15 June 1757, from the noble Giulio and from Fulvia de 'marchesi Millo from Casale Monferrato. From 1767 to 1775 he was a pupil of the local Gallio college, supported by the Somaschi fathers. He continued his education at the University of Pavia, where he graduated in civil and canon law in 1778. In the meantime, he nurtured the passion for drawing and cultivated literary studies, then collecting his first reflections and poetic compositions in a volume of various Operette (Milan 1783) dedicated to Count Giambattista Giovio. At the center of this work, which later the author himself defined as "youthful", we recognize the intention of formulating a discourse on the arts based on categories and topics inherited from French thought, from J.-B. Du Bos to Ch.-L. de Montesquieu, to Ch. Batteux, to the encyclopedists. Martignoni distinguishes between mechanical arts, dictated by needs, naive arts (which include poetry, painting, sculpture, the art of gesture, dance and music), arose from the need of the beloved, and arts considered useful and at the same time pleasant, like eloquence and architecture. The conjecture in the background consists in hypothesizing that, after having solved the problems of first necessity and established the pacts to guarantee common security, men would have begun to cultivate the pleasures of the naive arts. Precedence is attributed to song, dance and poetry, the latter inclined to present itself originally in the name of the traits of disorder, irregularity and enthusiasm. The essay on music (Operette various, now in modern art by A. Luppi, Como 1997) deepens this vision and highlights the assimilation of some thesis by J.-J. Rousseau (taken from the pamphlet that had animated the "querelle des Bouffons", but also from the encyclopedic articles and, most probably, from the Essai sur l'origine des langues). Taking up some classic anecdotes about the power of music to excite and calm passions, Martignoni attributes to the harmony and counterpoint the guilt of having spoiled the simple melody that had moved the soul of the ancients (to which, nevertheless, with an anachronism, some contrapuntal knowledge is attributed). The climatic differences are recalled to explain the way in which the song of the origins has gradually lost its energy and given way to the word: the result are languages with few "imitation accents" and few variations of tones in the Northern countries, while those of the southern countries (among which the example of Italy stands out, as well as that of ancient Greece) have remained more sonorous, "almost declamation". Both on the description of the powers of the melody (able not only to seduce the ear, but to involve the heart), and on the central theme of the imitation of passionate accents, the author continues to resort to Rousseauian arguments. A large digression on dance and pantomime also highlights the assimilation of the theses of the third part of the Réflexions critiques sur la poésie et sur la peinture (1719) by Du Bos. The analogy between the arts in antiquity is developed with a parallel between the ethos of the musical modes and that subtended to architectural ways. W6.

8°. Gestochener Titel, 208 S. Broschur mit Marmorpapierbezügen. Originalausgabe. - Martignoni (1757-1814) war Opernkomponist und Philosoph in Rousseaus Tradition. Er veröffentlichte mehrere Schriften zur Musiktheorie. Philosophische aesthetische Abhandlung über den Geschmack, die Fantasie, die Schönheit, die Grazie, die Imitation, das Dekorative, das Gewöhnliche u.s.w. in der Kunst. - Broschur lädiert. Ecken eselsohrig. Sprache: italienisch.

Nome dell'A. nella dedica a c. a3. Front. calcogr. sottoscritto da Cagnoni. Frontespizio allegorico inc. in rame da Cagnoni. Contiene: Del gusto - del giudizio - della fantasia - del bello - della grazia - del mirabile - degli affetti - dell'eloquenza - dell'imitazione - del decoro - dell'ordine - dell'economia - dello stile in generale, semplice, temperato, sublime - dell'armonia - della lingua - del ridicoloÂ". "Edizione originale" di questa rara opera del letterato e poeta comasco Ignazio Martignoni (1757-1814), dedicato a Saverio Bettinelli, con il quale intrattenne anche un duraturo scambio epistolare. Cfr. Diz. Biograf. italiani,LXXI, pp. 96-97. Formato: 208 p., [1] c. di tav. front., 8°(19 cm), carta francese coeva. Buono, ordinari segni d'uso e del tempo, pià evidenti al dorso che presenta piccole mancanze. Buono, ordinari segni d'uso e del tempo, pià evidenti al dorso che presenta piccole mancanze.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1826 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 143 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 143.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 154. A perfect gift for your loved ones. Reprinted from 1810 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian Pages: 154.

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1810. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: - 156, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 156 156.

Leather Bound. Condition: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1793. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: : - 218, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 218 218.