Martin Catherine Gimelli (148 results)

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Trade Paperback. Condition: Used - Very Good.

Condition: Very Good. 1998. hardcover. Lacking DJ. . . . . Books ship from the US and Ireland.

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condition: Very Good. 1998. hardcover. Lacking DJ. . . . .

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: As New. Hardcover with printed covers. Light shelfwear, otherwise as new. Never read, pages are clean and unmarked. No highlighting.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Paperback. Condition: New. In this reexamination of the allegorical dimensions of Paradise Lost, Catherine Martin presents Milton's poem as a prophecy foretelling the end of one culture and its replacement by another. She argues that rather than merely extending the allegorical tradition as defined by Augustine, Dante, and Spenser, Milton has written a meta-allegory that stages a confrontation with an allegorical formalism that is either dead or no longer philosophically viable. By both critiquing and recasting the traditional form, Milton describes the transition to a new epoch that promises the possibility of human redemption in history.Martin shows how Paradise Lost, written at the threshold of the enormous imaginative shift that accompanied the Protestant, scientific, and political revolutions of the seventeenth century, conforms to a prophetic baroque model of allegory similar to that outlined by Walter Benjamin. As she demonstrates, Milton's experimentation with baroque forms radically reformulates classical epic, medieval romance, and Spenserian allegory to allow for both a naturalistic, empirically responsible understanding of the universe and for an infinite and incomprehensible God. In this way, the resulting poetic world of Paradise Lost is like Milton's God, an allegorical "ruin" in which the divine is preserved but at the price of a loss of certainty. Also, as Martin suggests, the poem affirmatively anticipates modernity by placing the chief hope of human progress in the fully self-authored subject.Maintaining a dialogue with a critical tradition that extends from Johnson and Coleridge to the best contemporary Milton scholarship, Martin sets Paradise Lost in both the early modern and the postmodern worlds. Ruins of Allegory will greatly interest all Milton scholars, as well as students of literary criticism and early modern studies.…

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As New. No Jacket. In Like New condition. Inv. # 9370.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Xiii, 277 pp. Index. Notes after each essay. 12 illustrations. Octavo. Pale grey and red dust jacket with illustration of Adam and Eve from Paradise Lost. Some slight edgewear to the DJ, flaps intact. Book itself is clean and unmarked. Nice copy. Essays are grouped in 3 subject areas: Masculinity, Divorce and Misogyny in Milton's Prose; The Gendered Subjects of Milton's Major Poems; Genedered Subjectivity in Milton's Literary History. Ilustrations by jane Giraud from "The Flowers of Milton." ; 8vo 8" - 9" tall; 277 pages. Illustrated by Giraud, Jane (illustrator).…

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,900grams, ISBN:9781409408567.…

Condition: New. In English.

Condition: New.

paperback. Condition: Acceptable. Writing/highlighting/drawing/colouring present inside or on cover. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. …

Paperback. Condition: New. In this reexamination of the allegorical dimensions of Paradise Lost, Catherine Martin presents Milton's poem as a prophecy foretelling the end of one culture and its replacement by another. She argues that rather than merely extending the allegorical tradition as defined by Augustine, Dante, and Spenser, Milton has written a meta-allegory that stages a confrontation with an allegorical formalism that is either dead or no longer philosophically viable. By both critiquing and recasting the traditional form, Milton describes the transition to a new epoch that promises the possibility of human redemption in history.Martin shows how Paradise Lost, written at the threshold of the enormous imaginative shift that accompanied the Protestant, scientific, and political revolutions of the seventeenth century, conforms to a prophetic baroque model of allegory similar to that outlined by Walter Benjamin. As she demonstrates, Milton's experimentation with baroque forms radically reformulates classical epic, medieval romance, and Spenserian allegory to allow for both a naturalistic, empirically responsible understanding of the universe and for an infinite and incomprehensible God. In this way, the resulting poetic world of Paradise Lost is like Milton's God, an allegorical "ruin" in which the divine is preserved but at the price of a loss of certainty. Also, as Martin suggests, the poem affirmatively anticipates modernity by placing the chief hope of human progress in the fully self-authored subject.Maintaining a dialogue with a critical tradition that extends from Johnson and Coleridge to the best contemporary Milton scholarship, Martin sets Paradise Lost in both the early modern and the postmodern worlds. Ruins of Allegory will greatly interest all Milton scholars, as well as students of literary criticism and early modern studies.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: Very Good. Near Fine. Condition: Very Good -; Hardcover in dustjacket. First Edition. Condition is Very Good- in a Near Fine dustjacket. Book has clean covers and a tight, square binding. There is a little pencil notating and checkmarks in the margin of the Introduction only. Neat owner stamp on title page. Jacket is clean and crisp. …

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. In.

Paperback. Condition: New.

Condition: New. A collection of essays on all aspects of gender in Milton's works. Editor(s): Martin, Catherine Gimelli. Num Pages: 292 pages, 12 b/w illus. BIC Classification: 2AB; DSBD; DSC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 230 x 156 x 18. Weight in Grams: 442. . 2009. 1st Edition. paperback. . . . . …