Martin Feinstein (19 results)

Soft Cover. Condition: vg-. 12" tall; 16pp + cvs; monochrome ils; f/col cv; good Dewar's ad on back (Highlander in front of Roman Colosseum); light wear to cv; top layer of paper pulled off in small area of fr cv. Paperback.

Softcover. Condition: Very Good. Original paper covers. Approx. 9" wide by 12". ; 52 pages.

Soft cover. Condition: Good. No Jacket. S. HUROK PRESENTS UKRAINIAN DANCE COMPANY FROM KIEV, STATE DANCE ENSEMBLE OF THE UKRAINIAN SSR. Martin Feinstein (ed.) Hurok Pubs. 1966. 24p. stapled magazine paperback, covers bumped/scuffed, binding tight, text clean--10.00.

Softcover. Condition: Good. GOOD /NO DUST JACKET as Issued. [unpaged] about 40 pages. Text clean and unmarked. Illustrated with multiple production stills and other photographs in b/w. Bright magenta wraps decorated in black and white and lettered in white, slightly scuffed, rubbed at spine. Original staple binding intact and stable. Notes on the plays Dead Souls and The Cherry Orchard.

4to; stapled stiff pictorial wraps; softcover; 24 pages; color and black and white illustrations; souvenir program; soiled back cover, internally a very good clean tight copy.

4to; stapled stiff pictorial wraps; softcover; 28 pages; color and black and white illustrations; souvenir program; a very good clean tight copy.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. First edition. A fine copy in a fine DJ, now protected in removable archival mylar. See my photos of the book you will receive, not stock photos. All books are wrapped in bubble wrap and shipped in a cardboard box. USPS tracking provided. #168.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. S. Hurok Presents Stars of the Bolshoi Ballet, Edited by Martin Feinstein, was published by Gilman Kraft in 1964. Not an ex-library copy, this approximately 9" X 11 3/4", 49-year-old, softcover offering, running to 24 pages, is in VG condition. There is some very modest yellowing of pages of text, and mild creasing of random corners of same is seen, but not overly so. From the start, with a highly informative, 3-4 page history of The Bolshoi--its foundational roots can be established as far back as 1773--entitled "Petrovka and Theatre Square, Moscow", this engrossing, over-sized program booklet provides a window into the worlds of both high culture, in the form of, arguably, the most esteemed dance group in the world, and of S.(Sol?) Hurok, the legendary producer/promoter who, in a relatively short time, came to be known, simply, as "The Impresario". At the time of this offering's publication, prima ballerina and lead male dancer of the Bolshoi Ballet were Raissa Struchkova and Boris Khokhlov, respectively. Other principal soloists included such as Liudmilla Bogomolova, Natalia Filippova, Tatiana Popko, Vladimir Tikhonov, Alexander Lapauri, and Shamil Yagudin. The troupe was under the direction of Asaf Messerer, Ballet Master, and Georgi Zhemchuzhin served as The Bolshoi's Lead Conductor. The group would perform such ballets as "Chopiniana", "Ballet School"(within which were included a small number of very young, local, American girls, auditioned and chosen by Messerer himself), "Don Quixote", "Walpurgis Night", and "Swan Lake". Fairly peppered with frequent black and white photographs, several of them full page, pretty much all of the principal players/performers are shown. Several of the lead dancers' pictures are accompanied by brief but fairly detailed bios, as is Mr. Hurok's. NOTE: The VARIOUS ADVERTISEMENTS within our offering are, in their own way, almost as interesting to peruse as the content promoting The Bolshoi. Featured are businesses such as BOAC, Estee Lauder, Longines Symphonette, Danskin, Capezio, and Hirschl & Adler Galleries, Inc. The back cover section, besides, is actually a full-page ad trumpeting the upcoming 1964-65 season/list of attractions available for booking at Hurok Attractions, Inc./Hurok Concerts, Inc., New York and Los Angeles, and features everything from Sopranos(like Roberta Peters, Mary Costa, Adele Addison) to Contraltos and Tenors(such as Marian Anderson and Jan Peerce) to Conductors(like Antal Dorati, Lorin Maazel, and Akeo Watanabe) to Pianists(such as Artur Rubinstein, Daniel Barenboim, Van Cliburn, and Byron Janis) to Guitarists(like Andres Segovia and Julian Bream)--I could go on, but space does not permit! If you're still with me, you already know what's involved here, I'm thinking. This is a most special book, all things considered. Thank you very much!!

Paperback Good. 4to, Unpaged., Large, paperbound souvenir program. General wear to edges/corners. Some light pencil markings on the front cover.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. soft double cover.Folio size.illutations.40 pages.very good copy. program produced for the Bolshoi theatre visit in New York.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Hardcover. Condition: Brand New. 409 pages. 9.10x6.40x1.50 inches. In Stock.

Soft cover. Condition: Very Good. 1st Edition. 1st printing (1979). 44pp. Tabloid folio. VG copy, folded horizontally as published, lightly edge worn, tanning to pages.

Condition: siehe Beschreibung. original Heft, Format ca. 30,5 x 23 cm, 44 Seiten, diverse Abbildungen, Text in englischer Sprache. Zustand: gut ( Grossformat-Lager ) Artistic Director: Flemming Flindt. Conductors: Tamas Vetö, Peter Ernst Lassen. Principals: Sorella Englund, Vivi Flindt, Mette Honningen, Anna Laerkesen, Solveig Ostergaard, Kirsten Simone, Ib Andersen, Johnny Eliasen, Flemming Flindt, u.a. ------- Program booklet ROYAL DANISH BALLET Kennedy Center New York ca. 1975 - Original booklet, approximately 30.5 x 23 cm, 44 pages, various illustrations, text in English. Condition: good (large format stock). - Artistic Director: Flemming Flindt. Conductors: Tamas Vetö, Peter Ernst Lassen. Principals: Sorella Englund, Vivi Flindt, Mette Honningen, Anna Laerkesen, Solveig Ostergaard, Kirsten Simone, Ib Andersen, Johnny Eliasen, Flemming Flindt, among others. eng.

Paperback. Condition: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Condition: New. Print on Demand pp. 76.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. First edition 1922, matching dates on title and copyright pages. Published by Thomas Seltzer. Hardcover in full cloth without DJ. Condition near fine inside, square, tight and clean book, corners not bumped, no edgeweaer, no names, no underlinings, no highlights, no bent pages, light foxing on endpapers only. Not a reminder . 8vo, 62 pages. Scarce first edition. ASIN : B00428LH2Q.

LeatherBound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 88. A perfect gift for your loved ones. Reprinted from 1922 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Volume --- Language: English Pages: 88 Volume ---.

First Edition. B. J. dustjacket art. World War One themed novel concerning the home front, "the effect upon an American family of the return of a soldier from the war". Uncommon. Near Fine in Very Good dustjacket, splitting at front spine edge mended at verso with archival tape, soiling to panels.