Marzona E (5 results)

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in poor condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1750grams, ISBN:0262132028.…

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 368 Seiten, 278 Abb. 2 Bände, gebunden im Schuber - Der passionierte Sammler Egidio Marzona hat seit den frühen siebziger Jahren ein nahezu vollständiges »Mosaik«, wie er es nennt, der Gebiete Minimal und Concept Art, Arte Povera und Land Art zusammengetragen. Heute zählt die Sammlung Marzona mit über 1000 Werken - Gemälden, Skulpturen, Installationen, Zeichnungen, Projekten, Filmen, Fotografien - sowie einem einzigartigen Archiv mit Plakaten, Einladungen, Künstlerbüchern und anderen Publikationen zu den umfangreichsten und bedeutendsten auf diesen Gebieten überhaupt. Sie umfasst Werke und Dokumente von Künstlern wie Bruce Nauman, Carl Andre, Donald Judd, Richard Long, Mario Merz, Sol LeWitt, Dan Graham, On Kawara, Dan Flavin, Lawrence Weiner sowie einer Vielzahl weiterer herausragender Protagonisten dieser außergewöhnlich kreativen künstlerischen Periode des politischen und gesellschaftlichen Um- und Aufbruchs. Die zweibändige Publikation präsentiert ausführlich eine Auswahl der 100 wichtigsten Arbeiten aus dem Sammlungsbestand und stellt damit ein wunderbares Handbuch zu allen Tendenzen der Arte Povera, Land Art, Concept und Minimal Art dar.…

Soft cover. Condition: Fine. 1st Edition. 4° - 111pp - B/w Photo-reproductions. Retrospective photography - Franz Roh (1890-1965) German historian, photographer, and art critic. First edition, text in German and English language. Original boards and original Mylar. In Fine condition.

Germany Edition Marzona 1981 Softcover (with orig. dustjacket), 135pp., 21.5x7cm., richly illustr. in b/w., in very good condition. Brüder Rasch. Material, Konstruktion, Form 1926-1930 presents the experimental work of the brothers Heinz and Bodo Rasch during one of the most productive phases of their career. Architecture, furniture, interior design, exhibition design and graphic work are considered together, reflecting their conviction that material, construction and form should be conceived as an integrated design problem. The book documents their radical experiments within the context of German modernism and the Neue Bauen movement. This richly illustrated monograph is an important documentation of the Rasch brothers' contribution to the development of modern architecture and design in Germany between 1926 and 1930. Their work is characterized by a systematic investigation of construction, materials and industrial production, with projects ranging from architecture and suspended structures to furniture, interiors and graphic design. Particularly interesting are their experimental approaches to lightweight construction, steel structures, furniture construction and flexible architectural concepts. Their furniture experiments, including their pioneering work on chairs and seating, are placed alongside architectural projects and publications such as Wie Bauen? and Der Stuhl. The book also reveals the Rasch brothers' close engagement with the international avant-garde and with contemporary developments in Stuttgart. With its extensive visual documentation, biographies and bibliography, this bilingual edition is a valuable reference for collectors and researchers interested in early modern architecture, German design, furniture history and the experimental design culture of the Weimar period. Heinz Rasch (1902-1996) studied architecture in Hannover and Stuttgart and worked with his brother Bodo from 1926 to 1930 in a Stuttgart office devoted to architecture, furniture and advertising. He was also active in exhibition design and architectural publishing. Bodo Rasch (1903-1995), who had studied agriculture and worked as a carpenter, brought practical knowledge of materials and construction to their collaboration. Together they produced influential publications and experimental designs that explored the possibilities of modern construction and industrial design. Their work forms an important part of the German avant-garde of the late 1920s.…

Soft cover. Condition: Fine. 1st Edition. 4° - 20pp - 78 B/w Photo-reproductions and one tipped-in Photograph on cover. Retrospective photography: Paul Citroen (1896-1983) German-born Dutch artist, art educator and co-founder of the New Art Academy in Amsterdam. First edition, inscribed and dated by Paul Citroen. Original boards. In fine condition. Signed by Illustrator(s).…