Massad G Daniel (21 results)
More imagesLanguage: English
Published by Forum Gallery, 2001
- Softcover
Seller: Epilonian Books, Manhattan Beach, CA, U.S.A.Epilonian Books
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Condition: Used - Very good
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Wrappers. Condition: Very Good. Forum Gallery, New York, Published 2001. Wraps, 32 pp.; 23 x 25 cm (near-square format); 12 color plates. In Very Good condition. The illustrated wraps show mild shelf wear. Binding tight. Interior pages clean and unmarked.Catalog of an exhibition of pastel still lifes by G. Daniel Massad (b. 1946…), held at Forum Gallery, New York, November 8 to December 8, 2001, and at the Marsh Art Gallery, University of Richmond Museums (Modlin Center for the Arts, Richmond, Virginia), January 18 to February 24, 2002. Contains a two-page essay, "The Still Lifes of G. Daniel Massad," by John Loughery (art critic for The Hudson Review); a prose-poem by the artist titled "Not Chardin"; and twelve full-page color plates of pastels including Glass (1994), Niche (1997, detail used on the cover), Janus (1999), and Leal Souvenir (2001). Catalogue designed by Impress, Inc., Northampton, Massachusetts. Printed in China. OCLC 49417704.
Published by Forum Gallery, New York, 2001
- Softcover
Seller: Paradou Books, Richmond, VA, U.S.A.Paradou Books
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Soft cover. Condition: Very Good. Softcover, 32 pages. 12 color illus. 9 x 9.75 in. Light cover wear.
Published by Lebanon Valley College, Annville, 1998
- Softcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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Paperback. Condition: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.
Published by Forum Gallery, New York, 2001
- Softcover
- Manuscript
Seller: Bolerium Books Inc., San Francisco, CA, U.S.A.Bolerium Books Inc.
Contact seller5-star sellerPamphlet. [32]p., wraps, 9x9.75 inches, chiefly illus., wraps lightly worn else very good exhibition catalog.
Published by Forum Gallery, 2001
Seller: ANARTIST, New York, NY, U.S.A.ANARTIST
Contact seller5-star sellerSoftcover, 32 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condition: New.
- Softcover
Seller: GreatBookPrices, Columbia, MD, U.S.A.GreatBookPrices
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Condition: As New. Unread book in perfect condition.
- Hardcover
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.Midtown Scholar Bookstore
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hardcover. Condition: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.
Language: English
Published by Pennsylvania State University Press, US, 2018
- Softcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Paperback. Condition: New. A Small Radius of Light maps the territory artist G. Daniel Massad has explored for almost four decades. After earning degrees in English at Princeton and the University of Chicago and working for a time as a psychotherapist, Massad made the decision to pursue graduate work in painting in 1979. Two yea…rs later, while working on his MFA at the University of Kansas, Massad made an unexpected shift from abstraction to still life, and from oil to pastel as a painting medium. His abandonment of painterly gesture for knife-edge precisionism led him in the late 1980s to the painstaking reenactment of minute detail in order to express, as he puts it, "the way I encounter the world." Since 1990, still life's traditional tabletop and its implied interior space have given way in his work to less easily definable architectural fragments of brick or stone; the darkness surrounding these broken walls and cairns is deep, immeasurable, and richly potent. Over the last two decades, Massad has moved past description and metaphor, layering into his images other kinds of data-maps, words, numbers, constellations, personal symbols-all of which suggest readings of his remarkable still lifes as aniconic portraiture, implied narrative, and visual autobiography. This book accompanies an exhibition of the same name organized by the Palmer Museum of Art and features a comprehensive essay by curator Joyce Henri Robinson and forty-three "backstories" by the artist. These memoir-like reflections invite us to peer into Massad's artistic, emotional, and mental process as he moves from making the intangible tangible, revealing along the way sources and associations that precede the final reenactment of the world around him-a world brought into focus by a small radius of light.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: As New. Unread book in perfect condition.
- Hardcover
Seller: Ria Christie Collections, Uxbridge, United KingdomRia Christie Collections
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Condition: New. In.
- Hardcover
Seller: Chiron Media, Wallingford, United KingdomChiron Media
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Hardcover. Condition: New.
- Softcover
Seller: GreatBookPricesUK, Woodford Green, United KingdomGreatBookPricesUK
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Condition: New.
Language: English
Published by Pennsylvania State University Press, US, 2018
- Hardcover
Seller: Rarewaves.com USA, London, LONDO, United KingdomRarewaves.com USA
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Hardback. Condition: New. A Small Radius of Light maps the territory artist G. Daniel Massad has explored for almost four decades. After earning degrees in English at Princeton and the University of Chicago and working for a time as a psychotherapist, Massad made the decision to pursue graduate work in painting in 1979. Two year…s later, while working on his MFA at the University of Kansas, Massad made an unexpected shift from abstraction to still life, and from oil to pastel as a painting medium. His abandonment of painterly gesture for knife-edge precisionism led him in the late 1980s to the painstaking reenactment of minute detail in order to express, as he puts it, "the way I encounter the world." Since 1990, still life's traditional tabletop and its implied interior space have given way in his work to less easily definable architectural fragments of brick or stone; the darkness surrounding these broken walls and cairns is deep, immeasurable, and richly potent. Over the last two decades, Massad has moved past description and metaphor, layering into his images other kinds of data-maps, words, numbers, constellations, personal symbols-all of which suggest readings of his remarkable still lifes as aniconic portraiture, implied narrative, and visual autobiography. This book accompanies an exhibition of the same name organized by the Palmer Museum of Art and features a comprehensive essay by curator Joyce Henri Robinson and forty-three "backstories" by the artist. These memoir-like reflections invite us to peer into Massad's artistic, emotional, and mental process as he moves from making the intangible tangible, revealing along the way sources and associations that precede the final reenactment of the world around him-a world brought into focus by a small radius of light.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Hardcover. Condition: Brand New. sew edition. 232 pages. 11.50x8.75x0.89 inches. In Stock.
- Softcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Paperback. Condition: Brand New. 232 pages. 11.50x8.75x0.64 inches. In Stock.
- Softcover
Seller: moluna, Greven, Germanymoluna
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Condition: New.
- Hardcover
Seller: moluna, Greven, Germanymoluna
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Condition: New.
- Hardcover
Seller: Revaluation Books, Exeter, United KingdomRevaluation Books
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Hardcover. Condition: Brand New. sew edition. 232 pages. 11.50x8.75x0.89 inches. In Stock.
Language: English
Published by Pennsylvania State University Press, US, 2018
- Softcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
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US$ 58.74
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Paperback. Condition: New. A Small Radius of Light maps the territory artist G. Daniel Massad has explored for almost four decades. After earning degrees in English at Princeton and the University of Chicago and working for a time as a psychotherapist, Massad made the decision to pursue graduate work in painting in 1979. Two yea…rs later, while working on his MFA at the University of Kansas, Massad made an unexpected shift from abstraction to still life, and from oil to pastel as a painting medium. His abandonment of painterly gesture for knife-edge precisionism led him in the late 1980s to the painstaking reenactment of minute detail in order to express, as he puts it, "the way I encounter the world." Since 1990, still life's traditional tabletop and its implied interior space have given way in his work to less easily definable architectural fragments of brick or stone; the darkness surrounding these broken walls and cairns is deep, immeasurable, and richly potent. Over the last two decades, Massad has moved past description and metaphor, layering into his images other kinds of data-maps, words, numbers, constellations, personal symbols-all of which suggest readings of his remarkable still lifes as aniconic portraiture, implied narrative, and visual autobiography. This book accompanies an exhibition of the same name organized by the Palmer Museum of Art and features a comprehensive essay by curator Joyce Henri Robinson and forty-three "backstories" by the artist. These memoir-like reflections invite us to peer into Massad's artistic, emotional, and mental process as he moves from making the intangible tangible, revealing along the way sources and associations that precede the final reenactment of the world around him-a world brought into focus by a small radius of light.
Language: English
Published by Pennsylvania State University Press, US, 2018
- Hardcover
Seller: Rarewaves.com UK, London, United KingdomRarewaves.com UK
Contact seller5-star sellerCondition: New
US$ 74.84
US$ 87.01 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Hardback. Condition: New. A Small Radius of Light maps the territory artist G. Daniel Massad has explored for almost four decades. After earning degrees in English at Princeton and the University of Chicago and working for a time as a psychotherapist, Massad made the decision to pursue graduate work in painting in 1979. Two year…s later, while working on his MFA at the University of Kansas, Massad made an unexpected shift from abstraction to still life, and from oil to pastel as a painting medium. His abandonment of painterly gesture for knife-edge precisionism led him in the late 1980s to the painstaking reenactment of minute detail in order to express, as he puts it, "the way I encounter the world." Since 1990, still life's traditional tabletop and its implied interior space have given way in his work to less easily definable architectural fragments of brick or stone; the darkness surrounding these broken walls and cairns is deep, immeasurable, and richly potent. Over the last two decades, Massad has moved past description and metaphor, layering into his images other kinds of data-maps, words, numbers, constellations, personal symbols-all of which suggest readings of his remarkable still lifes as aniconic portraiture, implied narrative, and visual autobiography. This book accompanies an exhibition of the same name organized by the Palmer Museum of Art and features a comprehensive essay by curator Joyce Henri Robinson and forty-three "backstories" by the artist. These memoir-like reflections invite us to peer into Massad's artistic, emotional, and mental process as he moves from making the intangible tangible, revealing along the way sources and associations that precede the final reenactment of the world around him-a world brought into focus by a small radius of light.
