Mati Meyer (66 results)

paperback. Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: new. Paperback. Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia. This book explores depictions of women's daily life in Byzantine art from the 4th to the Empire's end. It covers aspects like childbearing, motherhood, household work, and women in various roles. The book provides insight into women's experiences in Byzantine society through art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condition: New. Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.

Condition: New. In.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. 2007. paperback. . . . . .

Condition: New. 2007. paperback. . . . . . Books ship from the US and Ireland.

Condition: New. Mati Meyer received her PhD from the Hebrew University in Jerusalem and is a faculty member at the Open University of Israel. She has published extensively in articles and a monograph and co-edited books on women, realia, emotions, corpo.

Paperback. Condition: New. Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia.

Paperback. Condition: new. Paperback. Recent discussions on Byzantine art have been dominated by the question of representing realia. Among these, however, the way works of art reflect the daily life of women have not received much space or attention. The present book studies various images representing women's status and her performative tasks, and their significance from the fourth century to the fall of the Empire, through analysis of archaeological evidence and works of art. It addresses a wide range of questions, some pertaining both to pictorial traditions and to their late antique antecedents, others peculiar to changing and evolving Byzantine culture and mentality. The first chapter deals with the imagery of childbearing, starting with conception and concluding with the care given to the new born and the mother. The second chapter investigates motherhood imagery (breastfeeding, child care, and child-mother intimacy) and the portrayal of women as caretakers and managers of the household (preparing food, bringing water, carding and weaving, or working side by side with their husbands). The third chapter is dedicated to representations of women holding positions outside the house: midwives, maidservants, wet nurses, and mourners. Images of women engaged in disreputable occupations-dancers, musicians, prostitutes and courtesans - complete this chapter. The fourth chapter discusses images of women portrayed in the metaphorical margins - looking out from the gynaikon (the women's apartments), or at their private toilette; it also deals with representations of women who stray from the societal mainstream - concubines; adulteresses, women consenting to sexual acts or being coerced into them - considered symbolically as belonging to the margins of society. The book concludes with a discussion of the degree to which the visual material reliably reflects reality and changing attitudes toward women between Late Antiquity and late Byzantium; and further, to what extent it reveals embedded perceptions and conceptions of women, constructed by canonic regulations and imperial law, popular beliefs and accepted customs. The book aims to lift a veil from known and less known works of art and to present the rarely described picture of the daily life of women in Byzantine art over a very wide chronological span of time, in an effort to expand our knowledge of women in Byzantium and their realia. This book explores depictions of women's daily life in Byzantine art from the 4th to the Empire's end. It covers aspects like childbearing, motherhood, household work, and women in various roles. The book provides insight into women's experiences in Byzantine society through art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condition: Very Good. 2015 Brepols large format paperback edition. Light reading wear else very good condition. contents: 'Remembering Sion': Early Medieval Latin Recollections of Mount Sion - Thomas O'Loughlin. Mary in Jerusalem: An Imaginary Map - Ora Limor. Lavit et venit videns: Healing of Blind Man at Pool of Siloam - Barbara Baert. Patronage Contested: Church of the Nativity, Bethlehem - Jordan Pickett. From Biblical to Non-Biblical Holy Places: 'The Shrine of Subiaco - Alessandro Scafi. How Mtskheta 'Turned into the Georgians' New Jerusalem - Tamila Mgaloblishvili. Locative Memory & Pilgrim's Experience of Jerusalem - Michele Bacci. New Research on Holy Sepulchre at 'Jerusalem' of San Vivaldo - Riccardo Pacciani. Pilgrimage Experience: Bridging Size & Medium - Tsafra Siew. Baptistery of Pisa & Rotunda of Holy Sepulchre - Neta Bodner. From Sanctified Topos to Iconic Model: Two Representations of Holy Sepulchre - Marina Vicelja-Matijasic. Defending Jerusalem: Visualizations of Christian Identity - Kristin B. Aavitsland. Jerusalem in Medieval Georgian Art - George Gagoshidze. A (Hi)story of Jerusalem: Memories & Images - Lily Arad. 'The Running Girl in Mea Shearim': Gender, Nostalgia, & Uncanny - Milly Heyd. Reconstructing Jerusalem: Worms Synagogue & its Legacy - Sarit Shalev-Eyni. Beyond the Veil: Roman Constructs of New Temple - Eivor Andersen Oftestad. Heavenly Jerusalem in Baroque Architectural Theory - Victor Plahte Tschudi. King Solomon's Temple & Throne in Islamic Visual Culture - Rachel Milstein. Holy Places & Their Relics - Bruno Reudenbach. True Cross of Jerusalem in Latin West - Nikolas Jaspert. 'Living Stones' of Jerusalem: Mosaic of Santa Prassede - Erik Thuno. Strategies of Constructing Jerusalem in Medieval Serbia - Jelena Erdeljan. 'The Holy Fire & Visual Constructs of Jerusalem - Alexei Lidov. From Eusebius to Crusader Maps: Origin of Holy Land Maps - Milka Levy-Rubin. Heavenly & Earthly Jerusalem: View From Flanders - Jay Rubenstein. Quaresmius's Novae lerosolymae (1639) - Rehav Rubin. An American Missionary's Maps of Jerusalem - Evelyn Edson. Experiencing Holy Land & Crusade in Matthew Paris's Maps - Laura J. Whatley. 'As If You Were There': Impact of Two Pilgrims' Maps - Pnina Arad. Mapping History of Salvation for 'Mind's Eye' in Rudimentum Novitiorum - Andrea Worm. Ottheinrich & Sandtner: Pilgrimage Maps - Haim Goren. City of the Great King: Hugh of Saint Victor's Mystic Ark - Conrad Rudolph. 'The Jerusalem Effect': Rethinking Centre in Medieval World Maps - Marcia Kupfer. Ducitur et reducitur: Passion Devotion in Meditationes Vitae Christi - Renana Bartal. Virtual Pilgrimage through Jerusalem Cityscape - Kathryn M. Rudy. Representations & Descriptions of Jerusalem in Printed Travelogues - Milan Pelc. Jerusalem of Mind's Eye: Imagined Pilgrimage - Kathryne Beebe. Memory & Representations of Jerusalem in Pilgrimage Reports - Maria E. Dorninger. Richard Pococke, or Invention of Jerusalem for Tourists - Olga Medvedkova. Visualizing Tomb of Christ: Images, Settings, & Ways of Seeing - Robert Ousterhout. 'Remembering Zion' & Simulacra: Jerusalem in Byzantine Psalter - Mati Meyer. Souvenirs of Holy Land: Proskynetaria in Jerusalem - Mat Immerzeel. Proskynetaria as Devotional Objects & Preservers of Ethnic Identity - Marta Nagy.

Condition: New. In.

Condition: New. In.

Taschenbuch. Condition: Neu. Neuware.

Condition: New. Softcover reprint of the original 1st ed. 2019 edition NO-PA16APR2015-KAP.

Hardcover. Condition: Brand New. 432 pages. 10.00x7.00x1.75 inches. In Stock.

Condition: New. pp. 327.

Condition: New.

Condition: New.

Condition: New. 2018. 1st ed. 2019. hardcover. . . . . .

Taschenbuch. Condition: Neu. Emotions and Gender in Byzantine Culture | Stavroula Constantinou (u. a.) | Taschenbuch | New Approaches to Byzantine History and Culture | xxiii | Englisch | 2019 | Springer | EAN 9783030071370 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Hardcover. Condition: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines the gendered dimensions of emotions and the emotional aspects of gender within Byzantine culture and suggests possible readings of such instances. In so doing, the volume celebrates the current breadth of Byzantine gender studies while at the same time contributing to the emerging field of Byzantine emotion studies. It offers the reader an array of perspectives encompassing various sources and media, including historiography, hagiography, theological writings, epistolography, erotic literature, art objects, and illuminated manuscripts. The ten chapters cover a time span ranging from the early to the late Byzantine periods. This diversity is secured by an expanded and enriched exploration of the collection's unifying theme of gendered emotions. The scope and breadth of the chapters also reflect the ways in which Byzantine gender and emotion have been studied thus far, while at the same time offering novel approaches that challenge established opinions in Byzantinestudies.

Buch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book examines the gendered dimensions of emotions and the emotional aspects of gender within Byzantine culture and suggests possible readings of such instances. In so doing, the volume celebrates the current breadth of Byzantine gender studies while at the same time contributing to the emerging field of Byzantine emotion studies. It offers the reader an array of perspectives encompassing various sources and media, including historiography, hagiography, theological writings, epistolography, erotic literature, art objects, and illuminated manuscripts. The ten chapters cover a time span ranging from the early to the late Byzantine periods. This diversity is secured by an expanded and enriched exploration of the collection's unifying theme of gendered emotions. The scope and breadth of the chapters also reflect the ways in which Byzantine gender and emotion have been studied thus far, while at the same time offering novel approaches that challenge established opinions in Byzantinestudies.

Condition: New.

Hardcover. Condition: Brand New. 327 pages. 8.50x6.00x1.25 inches. In Stock.

Condition: New.