Matter Marc (18 results)

Paperback. Condition: Brand New. 207 pages. 8.43x5.85x0.73 inches. In Stock.

Hardcover. Condition: Near Fine. Near Fine in yellow glossy pictorial boards, 279 pages.No dust-jacket (as issued.) Heavily illustrated, texts in German and English.

Condition: New.

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 288 Seiten,196 Abbildungen s/w, 140 farbige Abbildungen - Ferdinand Kriwet gilt als ein Pionier der Medienkunst. Seiner Zeit voraus, beschäftigte er sich bereits in den 1960er Jahren in Ausstellungen, Bühnenauftritten und Hörspielen mit unseren von der Reizüberflutung der Massenmedien beeinflussten Sehgewohnheiten und analysierte die Sprache von Fernsehen, Werbung und Fotografie. Kriwet, dessen Wurzeln in der konkreten Poesie liegen, beschreibt sich selbst auch als visuellen Poet. Sein Interesse gilt der Sprache, die für ihn nicht nur Wort, sondern auch Bild ist. Neben seinen Neonschriften und Wandbemalungen gestaltete der vielseitige, in Düsseldorf geborene Künstler in den nachfolgenden Jahren etliche Kunst-am-Bau-Projekte. Überdies produzierte er eine große Zahl von Rundfunkbeiträgen. DuMont-Besucher begegnen Ferdinand Kriwets Arbeiten überall: Von ihm stammen die Motive auf den Glastüren im gesamten Verlagsgebäude.

Hardback. Condition: New. This book critically examines how the production and reception of performed poetry has changed in the wake of digitalization. The interdisciplinary chapters in this volume deal with fundamental questions confronting performed poetry in the digital age: How are concepts like liveness and performativity being adapted to mediatized digital environments? How are platforms like YouTube, Instagram, and TikTok helping to popularize performed poetry, and what online formats are emerging? How is the ubiquity of digital technologies transforming fields like experimental sound poetry, and how are they performed on stage? Bringing together authors from various countries and disciplines, this volume addresses diverse topics such as the evolution of poetry readings in Scandinavia; poetry slams as political criticism and a social practice in Brazil, the UK, the US, and Italy; the performance of AI poetry; posthuman entanglements between gendered bodies and technological devices in experimental sound poetry; the aesthetics and practices of poetic activism on the street and social media; and how recordings of performed poetry are being circulated in our current platformized, digital environment.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. Marc Matter, Universitaet Hamburg Henrik Wehmeier, Universitaet Hamburg Clara Cosima Wolff, Universitaet Hamburg. | Marc Matter, Univ. Hamburg, Germany Henrik Wehmeier.

Hardback. Condition: New. This book critically examines how the production and reception of performed poetry has changed in the wake of digitalization. The interdisciplinary chapters in this volume deal with fundamental questions confronting performed poetry in the digital age: How are concepts like liveness and performativity being adapted to mediatized digital environments? How are platforms like YouTube, Instagram, and TikTok helping to popularize performed poetry, and what online formats are emerging? How is the ubiquity of digital technologies transforming fields like experimental sound poetry, and how are they performed on stage? Bringing together authors from various countries and disciplines, this volume addresses diverse topics such as the evolution of poetry readings in Scandinavia; poetry slams as political criticism and a social practice in Brazil, the UK, the US, and Italy; the performance of AI poetry; posthuman entanglements between gendered bodies and technological devices in experimental sound poetry; the aesthetics and practices of poetic activism on the street and social media; and how recordings of performed poetry are being circulated in our current platformized, digital environment.

Buch. Condition: Neu. Neuware - This book critically examines how the production and reception of performed poetry has changed in the wake of digitalization. The interdisciplinary chapters in this volume deal with fundamental questions confronting performed poetry in the digital age: How are concepts like liveness and performativity being adapted to mediatized digital environments How are platforms like YouTube, Instagram, and TikTok helping to popularize performed poetry, and what online formats are emerging How is the ubiquity of digital technologies transforming fields like experimental sound poetry, and how are they performed on stage Bringing together authors from various countries and disciplines, this volume addresses diverse topics such as the evolution of poetry readings in Scandinavia; poetry slams as political criticism and a social practice in Brazil, the UK, the US, and Italy; the performance of AI poetry; posthuman entanglements between gendered bodies and technological devices in experimental sound poetry; the aesthetics and practices of poetic activism on the street and social media; and how recordings of performed poetry are being circulated in our current platformized, digital environment.

Condition: Sehr gut. Zustand: Sehr gut | Seiten: 303 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardback. Condition: New. This book critically examines how the production and reception of performed poetry has changed in the wake of digitalization. The interdisciplinary chapters in this volume deal with fundamental questions confronting performed poetry in the digital age: How are concepts like liveness and performativity being adapted to mediatized digital environments? How are platforms like YouTube, Instagram, and TikTok helping to popularize performed poetry, and what online formats are emerging? How is the ubiquity of digital technologies transforming fields like experimental sound poetry, and how are they performed on stage? Bringing together authors from various countries and disciplines, this volume addresses diverse topics such as the evolution of poetry readings in Scandinavia; poetry slams as political criticism and a social practice in Brazil, the UK, the US, and Italy; the performance of AI poetry; posthuman entanglements between gendered bodies and technological devices in experimental sound poetry; the aesthetics and practices of poetic activism on the street and social media; and how recordings of performed poetry are being circulated in our current platformized, digital environment.

263, (3) S. Orig.-Broschur (= MaasMeida vol. 23). - Schnitt etwas angeschmutzt und leicht gebräunt. Ansonsten gut erhaltenes Exemplar. Innen sauber.

Hardcover. Condition: new. Hardcover. This interdisciplinary study focuses on sonic poetry, an experimental artistic practice in the post-digital era. It discusses a transmedial, language-based sound art, according to literary concepts, as well as media theory, linguistics, and sound studies. The book explores how digital and media technologies shape the creation of experimental sound works. Offering a framework, it categorizes the large variety of production methods applied by artists, such as editing, mixing, sampling, and coding. Drawing on literary concepts like electroacoustic poetry or audioliterary writing, it introduces a theory of expanded semantics to analyze the intricate interplay between sound and meaning. Four in-depth case studies of works by Alessandro Bosetti, Dagmara Kraus, Joerg Piringer, and Anja Utler, reveal how artists engage in a dynamic and reciprocal relationship with technology transforming it from a mere tool into an active collaborator in the creative process. This book aims to fill a gap by reconstructing the evolution of poetry related to sound, media, and technology. Providing compelling insights into the innovative tendencies of artistic production, it also sheds light on issues of culture and society in the twenty-first century. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This interdisciplinary study focuses on sonic poetry, an experimental artistic practice in the post-digital era. It discusses a transmedial, language-based sound art, according to literary concepts, as well as media theory, linguistics, and sound studies. The book explores how digital and media technologies shape the creation of experimental sound works. Offering a framework, it categorizes the large variety of production methods applied by artists, such as editing, mixing, sampling, and coding. Drawing on literary concepts like electroacoustic poetry or audioliterary writing, it introduces a theory of expanded semantics to analyze the intricate interplay between sound and meaning. Four in-depth case studies of works by Alessandro Bosetti, Dagmara Kraus, Jörg Piringer, and Anja Utler, reveal how artists engage in a dynamic and reciprocal relationship with technology - transforming it from a mere tool into an active collaborator in the creative process. This book aims to fill a gap by reconstructing the evolution of poetry related to sound, media, and technology. Providing compelling insights into the innovative tendencies of artistic production, it also sheds light on issues of culture and society in the twenty-first century. ; Man findet Lyrik heute oft jenseits des Buches: auf Theaterbühnen, im urbanen Raum oder im Internet. Poetische Sprache wird mit Musik oder visuellen Elementen kombiniert oder durch die Performance des 'Poeten' oder der 'Poetin' verstärkt. Das eröffnet neue Zugänge zu einer literarischen Gattung, die bislang als elitär oder abstrakt galt. Die interdisziplinäre Buchreihe widmet sich zeitgenössischer Lyrik in all ihren Facetten, von populärkulturellen Werken bis zu elaborierter Kunst. Dafür werden literaturwissenschaftliche Ansätze mit Performance Studies, Medien- und Filmwissenschaft, Sound Studies, Sprechwissenschaft und Visual Culture Studies verbunden.Warum ist Lyrik derzeit so populär Welche Theorien und Methoden müssen entwickelt werden, um neuen Formaten - z.B. Spoken Word Poetry, digitale Lyrik, Gedichte in Sozialen Medien - gerecht zu werden Wie interagieren Populär- und 'Hochkultur' Welche ästhetischen, kulturellen oder politischen Funktionen kommen den medialen Gestaltungs-, Präsentations- und Distributionsformen von Gedichten zu Die Reihe 'Poetry in the Digital Age', herausgegeben von der Leiterin des gleichnamigen Forschungsprojekts, wird durch einen ERC Advanced Grant gefördert. Advisory Board Frieder von Ammon (München, DE); Hannes Bajohr (Berkeley, US); Jörg Döring (Siegen, DE); Julia Lajta-Novak (Wien, AT); Karen Leeder (Oxford, UK); Ralph Müller (Fribourg, CH); Jesper Olsson (Uppsala, SE); Pawel Piszczatowski (Warschau, PL); Jessica Pressman (San Diego, US); Antonio Rodriguez (Lausanne, CH); Hans Kristian S. Rustad (Oslo, NO); Holger Schulze (Kopenhagen, DK); Eckhard Schumacher (Greifswald, DE); Henrieke Stahl (Trier, DE); Birgitte Stougaard Pedersen (Aarhus, DK); Fabian Wolbring (Marburg, DE) 318 pp. Englisch.

Buch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This interdisciplinary study focuses on sonic poetry, an experimental artistic practice in the post-digital era. It discusses a transmedial, language-based sound art, according to literary concepts, as well as media theory, linguistics, and sound studies. The book explores how digital and media technologies shape the creation of experimental sound works. Offering a framework, it categorizes the large variety of production methods applied by artists, such as editing, mixing, sampling, and coding. Drawing on literary concepts like electroacoustic poetry or audioliterary writing, it introduces a theory of expanded semantics to analyze the intricate interplay between sound and meaning. Four in-depth case studies of works by Alessandro Bosetti, Dagmara Kraus, Jörg Piringer, and Anja Utler, reveal how artists engage in a dynamic and reciprocal relationship with technology - transforming it from a mere tool into an active collaborator in the creative process. This book aims to fill a gap by reconstructing the evolution of poetry related to sound, media, and technology. Providing compelling insights into the innovative tendencies of artistic production, it also sheds light on issues of culture and society in the twenty-first century. ; Man findet Lyrik heute oft jenseits des Buches: auf Theaterbühnen, im urbanen Raum oder im Internet. Poetische Sprache wird mit Musik oder visuellen Elementen kombiniert oder durch die Performance des 'Poeten' oder der 'Poetin' verstärkt. Das eröffnet neue Zugänge zu einer literarischen Gattung, die bislang als elitär oder abstrakt galt. Die interdisziplinäre Buchreihe widmet sich zeitgenössischer Lyrik in all ihren Facetten, von populärkulturellen Werken bis zu elaborierter Kunst. Dafür werden literaturwissenschaftliche Ansätze mit Performance Studies, Medien- und Filmwissenschaft, Sound Studies, Sprechwissenschaft und Visual Culture Studies verbunden.Warum ist Lyrik derzeit so populär Welche Theorien und Methoden müssen entwickelt werden, um neuen Formaten - z.B. Spoken Word Poetry, digitale Lyrik, Gedichte in Sozialen Medien - gerecht zu werden Wie interagieren Populär- und 'Hochkultur' Welche ästhetischen, kulturellen oder politischen Funktionen kommen den medialen Gestaltungs-, Präsentations- und Distributionsformen von Gedichten zu Die Reihe 'Poetry in the Digital Age', herausgegeben von der Leiterin des gleichnamigen Forschungsprojekts, wird durch einen ERC Advanced Grant gefördert. Advisory Board Frieder von Ammon (München, DE); Hannes Bajohr (Berkeley, US); Jörg Döring (Siegen, DE); Julia Lajta-Novak (Wien, AT); Karen Leeder (Oxford, UK); Ralph Müller (Fribourg, CH); Jesper Olsson (Uppsala, SE); Pawel Piszczatowski (Warschau, PL); Jessica Pressman (San Diego, US); Antonio Rodriguez (Lausanne, CH); Hans Kristian S. Rustad (Oslo, NO); Holger Schulze (Kopenhagen, DK); Eckhard Schumacher (Greifswald, DE); Henrieke Stahl (Trier, DE); Birgitte Stougaard Pedersen (Aarhus, DK); Fabian Wolbring (Marburg, DE).