Max Chamberlain (20 results)

SingleIssueMagazine. Condition: Reading Copy. Vol. 273, No. 3. Cover art by Rudy Belarski for "The Smoking Land" (pt. 1 of 6) by George Challis [Frederick Faust, or Max Brand]. Includes "The White Flower" (novelet) by Sinclair Gluck; "Reader, I Killed Him" by Dale Clark; "With Sword and Drum" by William Chamberlain; "Hocus Pocus" (pt. 2 of 3) by Lester Dent; "Crazy Kent" by William Merriam Rouse; "Red Snow at Darjeeling" (pt. 3 of 6) by L. G. Blochman; "Men of Daring: Knud Rasmussen - Modern Viking" (True Story in Pictures) by Stookie Allen; "Grand National" (pt. 5 of 5) by Judson P. Philips. Features: "This Upside-Down World" by Eric Sharpe; "Argonotes"; "Looking Ahead!" No front cover; tanning; edge tears; creasing. Reading copy. Book.

SingleIssueMagazine. Condition: Very Good. Vol. 271, No. 4. Pulp magazine. [Edited by Chandler H. Whipple.] Cover art by Emmett Watson for "High Heels - and Henry" (pt. 1 of 4) by W. C. Tuttle. Includes "Blue Bullets" (novelette) by Norbert Davis; "The Legion Marches on" by Robert Carse; "Skyway to Peril" (pt. 2 of 3) by Eustace L. Adams; "Men of Daring: The Man Who Tackled a Lion Barehanded" (True Story in Pictures) by Stookie Allen; "Feed Him to the Crabs" by Charles Alexander; "The American" (pt. 3 of 7) by George Challis [Frederick Faust, aka Max Brand]; "Jack of Diamonds" by William Chamberlain; "Z Is for Zombie" (pt. 6 of 6) by Theodore Roscoe. Features:"The Bounty's Haven" by John St. John; "Highballing the Jack" by Bernard Elas; "On the Bottom" by John H. Paine; "Argonotes"; "Looking Ahead!" Cover wrinkle; wraps liekly re-glued; small loss at head. Book.

503 pp.; 29.8 x 22 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Martin-Gropius-Bau, Berlin, May 8 - July 25, 1993. Traveled to the Royal Academy of Arts and the Saatchi Gallery, London, September 16 - December 12, 1993. Edited and with essays by Christos M. Joachimides, Norman Rosenthal, with co-ordinating editing by David Anfam. Additional essays by Brooks Adams, Richard Armstrong, John Beardsley, Neal Benezra, Achille Bonito Oliva, Arthur C. Danto, Abraham A. Davidson, Wolfgang Max Faust, Mary Emma Harris, Thomas Kellein, Donald Kuspit, Mary Lublin, Karal Ann Marling, Barbara Moore, Francis V. O'Connor, Stephen Polcari, Carter Ratcliff, Irving Sandler, Wieland Schmied, Peter Selz, Gail Stavitsky, and Douglas Tallack. Artists include Carl Andre, Richard Artschwager, Jean-Michel Basquiat, Jonathan Borofsky, James Lee Byars, Alexander Calder, John Chamberlain, Joseph Cornell, John Covert, Stuart Davis, Willem de Kooning, Charles Demuth, Arthur Dove, Marcel Duchamp, Dan Flavin, Sam Francis, Robert Gober, Arshile Gorky, Dan Graham, Philip Guston, David Hammons, Keith Haring, Marsden Hartley, Eva Hesse, Gary Hill, Jenny Holzer, Edward Hopper, Jasper Johns, Donald Judd, Mike Kelley, Ellsworth Kelly, Franz Kline, Jeff Koons, Sol LeWitt, Roy Lichtenstein, Robert Mangold, Brice Marden, Agnes Martin, Robert Morris, Gerald Murphy, Bruce Nauman, Barnett Newman, Georgia O'Keeffe, Claes Oldenburg, Jackson Pollock, Martin Puryear, Robert Rauschenberg, Man Ray, Ad Reinhardt, James Rosenquist, Mark Rothko, Edward Ruscha, Robert Ryman, Julian Schnabel, Richard Serra, Charles Sheeler, Cindy Sherman, David Smith, Frank Stella, Clyfford Still, James Turrell, Cy Twombly, Bill Viola, Andy Warhol, and Lawrence Weiner. Includes exhibition checklist, a list of artists in the exhibition, biographies of the artists, selected bibliography, author biographies, and an index of names. Text in English. Good. 5.5 cm. dog-ear to bottom right corner of recto and 9.5 cm. crease to top right corner of recto with bumping of corners. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

SingleIssueMagazine. Condition: Very Good+ to Near Fine. Vol. 274, No. 2. Pulp magazine. [Edited by Chandler H. Whipple.] Cover art by Emmett Watson for "King Colt" (pt. 1 of 6) by Luke Short. Includes "McGlusky's Lucky Day" (novelet) by Richard Wormser; "Clever, These Americans" by Cornell Woolrich; "Bravo" (short novelet) by Owen Atkinson; "Men of Daring: Walter Hinton - Front Page Flyer" (True Story in Pictures) by Stookie Allen; "Well, Mr. Weeble" by Foster-Harris; "The Big Wind Blows" (pt. 3 of 4) by Eustace L. Adams; "Over the Hills and Far Away" by William Chamberlain; "Galahad Stuff" by Richard Howells Watkins; "The Smoking Land" (conclusion) by George Challis [Frederick Faust, aka Max Brand]. Features: "Red Caviar" by Boris Vronsky; "Argonotes"; "Looking Ahead!" Mind tanning; much less than usual wear and tear, but there are marks in colored pencils on contents page. Book.

SingleIssueMagazine. Condition: Very Good+ to Near Fine. Vol. 271, No. 4. Pulp magazine. [Edited by Chandler H. Whipple.] Cover art by Emmett Watson for "High Heels - and Henry" (pt. 1 of 4) by W. C. Tuttle. Includes "Blue Bullets" (novelette) by Norbert Davis; "The Legion Marches on" by Robert Carse; "Skyway to Peril" (pt. 2 of 3) by Eustace L. Adams; "Men of Daring: The Man Who Tackled a Lion Barehanded" (True Story in Pictures) by Stookie Allen; "Feed Him to the Crabs" by Charles Alexander; "The American" (pt. 3 of 7) by George Challis [Frederick Faust, aka Max Brand]; "Jack of Diamonds" by William Chamberlain; "Z Is for Zombie" (pt. 6 of 6) by Theodore Roscoe. Features:"The Bounty's Haven" by John St. John; "Highballing the Jack" by Bernard Elas; "On the Bottom" by John H. Paine; "Argonotes"; "Looking Ahead!" Tanning; minor wear. Book.

Pictorial Hardcover. Condition: Good to Very Good. 1st Edition. Some sunning to spine and upper front. Internally very clean. Binding tight. 631pp Size: 180mm x 250mm. Book.

Hard Cover. Condition: New. First Edition. 631pp. Australian eye-witness accounts of the Boer War 1899-1902, comprehensive appendices, cross references of people, events and units. Pictorial laminated boards. Perfect, NEW condition.

Soft cover. Condition: Very Good. 1st Edition. Covers & Spine: front and back showing minor scuffing & signs of handling otherwise undamaged, only minor wear at edges and corners, spine is intact and solid. Binding: firm throughout. Pages & Markings: unstained, no markings, clean throughout. All items are protectively packaged, and a postal tracking number will be sent to all customers whose current email address is registered with AbeBooks.

Hardback. Condition: New. 1st Edition. Quarto Size [approx 24cm x 30.5cm]. Mint condition in pictorial laminated boards. Issued without dustjacket. A new copy. Illustrated with black and white photographs. Robust, professional packaging and tracking provided for all parcels. 631 pages. Brings together Australian eye-witness accounts of the Anglo-Boer War between October 1899 and May 1902.

Soft Cover. Condition: Very Good. First Edition. xv, 134pp, index, bibliography, tables, maps. Or card. Very slight edge wear-excellent. Size: 4to.

Paperback. Condition: Very Good. Stapled binding, b/w picture of the authors and students who travelled to Europe to further their music education. 200gms weight ; 8vo 8" - 9" tall; 80 pages.

Hard Cover. Condition: Near Fine. First Edition. xxiii, 631pp, index, bibliography, glossary, appendices, maps, bw ills. Or pictorial laminated boards. Very slight bump at top front corner. Brings together Australian eyewitnes accounts of the Anglo-Boer War. Includes the guerilla phase of the war from July 1900 to May 1902 which has traditionally been avoided by writers with generally only superficial accounts previously published. Of importance to history students, military enthusiaist, collectors of medals and genealogists. The birth of the Australian spirit that became famous a generation later on the cliffs of Gallipoli. Size: 8vo.

1st edition stiff wrappers As New tall octavo. xv + 134pp., text ills., maps & plans, bibliog., index, Fine largely pictorial account. Inc. 2 CD-ROM & a DVD in sealed plastic envelopes.

Soft cover. Condition: Fair. Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; Cornelia Barns (illustrator). 1st Edition. New York: The Masses Publishing Company, 1917. The April, 1917 issue (Volume IX, Number 6, whole number 70). Quarto, illustrated stapled wraps, 42 pp.; this is a scarce survivor of the smaller-format issues (i.e., no longer folio size) which were issued late in the life The Masses. 1917 was the last year of publication, and by the time of this issue, there were only months left. Just Fair, due to the absence of the front cover and the separation of the first page from the remaining textblock with rear cover - all of which is itself in Very Good condition, by any periodical standard. As the very inexpensively-produced budget-of-the-heart icon The Masses was, it no doubt deserves its own grading standard, but there is none such. Some small scale chipping on page 3 and rear cover, modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was officially shut down by the U.S. Government in 1918, ostensibly on the basis of postal regulations (though it had already suspended publication in late 1917), following two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of April, 1917 included Eastman, John Reed; Louise Bryant; Floyd Dell; Howard Brubaker; Robert Hillyer; Louis Untermeyer; Hutchins Hapgood; Ruza Wenclaw; Leslie Nelson Jennings; Robert H. Lowie; Charles W. Wood; Jane Whitaker; Anne Arnold; Henry Reich, Jr.; Dorothea Gay; Franklin Van Wert; David Rosenthal; Elizabeth Fox; and Nina Bull. Art was contributed by Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; and Cornelia Barns. Check out all of these names. An extraordinarily rare piece of American publishing and political history. Please see scans. l-lng2.

1st edition laminated boards Very Nice Copy lge. octavo xxiii + 631pp., b/w plates, text ills., maps, appends., bibliog., indexes, Brings together Australian eye-witness accounts of the Anglo-Boer War between October 1899 and May 1902. Signed by both authors on the half-title.

1st edition laminated boards As New lge. octavo xxiii + 631pp., b/w plates, text ills., maps, appends., bibliog., indexes, Brings together Australian eye-witness accounts of the Anglo-Boer War between October 1899 and May 1902. Signed by both authors on the title-page.

[unpaginated]; 24 x 18 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph honoring the first ten years of the Leo Castelli Gallery and an exhibition celebrating the anniversary held February 4 - 26, 1967. Edited by David Whitney. Statements by William C. Agee, Lawrence Alloway, John Cage, Otto Hahn, Thomas B. Hess, Ellen H. Johnson, Max Kozloff, Philip Leider, Annette Michelson, Pierre Restnay, Barbara Rose, Robert Rosenblum, William S. Rubin, William Seitz, Alan Solomon, Leo Steinberg, Calvin Tomkins, Yoshiaki Tono. Features year by year indexing of all exhibitions held in the gallery with dates and installation photographs. Including shows by Richard Artschwager, Lee Bontecou, John Chamberlain, Nassos Daphnis, Edward Higgins, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Larry Poons, Robert Rauschenberg, James Rosenquist, Salvatore Scarpitta, Frank Stella, Cy Twombly, Andy Warhol and others. Warhol's contribution to catalogue is a collage of photographic portraits of included artists. Fine. Covers and contents clean and unmarked. This copy lacking the bellyband.

387 pp.; 28.5 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self-critical of the failures [and limited success] of the program. Full documentation of each of the invited artists in narrative, blow-by-blow detail. Includes sections on Stephen Antonakos, Avigdor Arikha, Michael Asher, John Baldessari, Iain Baxter, Larry Bell, Max Bill, Ronald Bladen, George Brecht, James Byars, Greg Card, Anthony Caro, John Chamberlain, Christo, Ron Cooper, François Dallegret, Channa Davis, Ron Davis, Walter de Maria, Mark di Suvero, Jean Dubuffet, Jean Dupuy, frederick Eversley, Oyvind Fahlstrom, Dan Flavin, Sam Francis, Hans Haacke, Newton Harrison, Erich Hartmann, Robert Irwin, Donald Judd, Aleksandra Kasuba, Ellsworth Kelly, Philip King, R.B. Kitaj, Piotr Kowalski, Rockne Krebs, Wesley Duke Lee, Les Levine, Roy Lichtenstein, Len Lye, Jackson MacLow, Robert Mallary, Charles Mattox, John McCracken, Glenn McKay, Boyd Mefferd, Michael Moore, Robert Morris, Bruce Nauman, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Otto Piene, Pulsa, Jeff Raskin, Robert Rauschenberg, Jess Reichek, Vjencenslav Richter, James Rosenquist, James Seawright, Richard Serra, Tony Smith, Robert Smithson, Karlheinz Stockhausen, Takis, Gerhard Trommer, James Turrell, Victor Vasarely, Stephan Von Huene, Peter Voulkos, Andy Warhol, Robert Watts, Martial Westburg, Robert Whitman, and William T. Wiley. Black-and-white illustrations throughout. Fair / Good. 1.6 cm. tear to top edge of recto. Significant rubbing of cover edges. 18 cm. scratch to recto. 7.5 cm., 17.6 cm., 6.5 cm., 7 cm., and 2.5 cm. creases to verso. Light soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Hardback, 18x25.5cm, 631pp, Very good condition in laminate boards. Light wear. Faded at upper edges. Security insert at rear pastedown. ISBN: 1876439025.

[1] pp.; 44.4 x 65.8 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Poster published in conjunction with "Artists Make Toys" held at The Clocktower, New York, January 1 - February 15, 1975. Image features a topless Hannah Wilke in a bed with a fully clothed Claes Oldenburg. Allegedly the image prompted the withdrawal and destruction of the exhibition catalogue and this poster for the show prior to its distribution. Artists included Laurie Anderson, Jared Bark, Bill Beckley, George Brecht, Trisha Brown, Chris Burden, Scott Burton, Tosh Carrillo, Enrique Castro-Cid, John Chamberlain, Angus Chamberlain, Cara Croninger, Brad Davis, Jean Depuy, Steve Gianakos, Charles Ginnever, Michael Goldberg, Peter Gourfain, James Grashaw, Marty Greenbaum, Red Grooms, Bob Grosvenor, Susan Hall, Susan Hartnett, Peter Hutchinson, Patrick Israel, Robert Israel, Kurt Kranz, Robert Kushner, Jeffrey Lew, Les Levine, Kim MacConnel, Christa Maiwald, Gordon Matta-Clark, Richard Mock, Ree Morton, Forrest Myers, Max Neuhaus, Richard Nonas, Claes Oldenburg, Dennis Oppenheim, Robert Owings, Gary Perkins, Howardina Pindell, Lucio Pozzi, Italo Scanga, Willoughby Sharp, Thomas Schmidt, Alan Shields, Charles Simonds, Marjorie Strider, George Sugarman, Don Sunseri, Mark di Suvero, Richard Tuttle, Richard Van Buren, Robert Watts, William Wegman, Susan Weil, Lawrence Weiner, Charles Wiley, William Wiley, Hannah Wilke and Joe Zucker. Fair / Poor. Light creasing and yellowing across poster with a 10.2 cm. dog-ear to top right corner and 4.8 cm. dog-ear to top left corner. Multiple tears to bottom left corner ranging from 2 mm. to 5.4 cm. with 1.5 cm. and 2 cm. areas of loss. 3 cm. area of loss to top left corner with additional tearing along poster edge and a 8 mm. and 1.5 cm. tear to center of poster. Curl to poster. Otherwise clean and unmarked.