Mcfadden Jane (30 results)

hardcover. Condition: Very Good. Buchs, Tom (illustrator). Has moderate shelf and/or corner wear. Great used condition. A portion of your purchase of this book will be donated to non-profit organizations.Over 1,000,000 satisfied customers since 1997! Choose expedited shipping (if available) for much faster delivery. Delivery confirmation on all US orders.

Condition: good. Paperback Book.

Softcover. Condition: Very Good. Illustrated (illustrator). First Edition. Exhibition Catalog; A clean, tight copy of this catalog for an exhibit helf in 1985 at the Smithsonian's New York branch, the Cooper-Hewitt Museum of design. There is a touch of rubbing to the covers along the spine, with some color worn away, but no structural problems, and no markings in the text.

Softcover. Condition: Very Good. [ART HISTORY]. Ed. Judith F. Rodenbeck. Contributors: Hajime Nakatani, Seth McCormick, Patricia Kelly, Jane McFadden, Elyse Speaks, et al. "Art Journal, Vol. 68, No. 3, Fall 2009." New York: College Art Association, 2009. English language. Softcover magazine with spine. Text with black and white photos. 115 pp. Creasing at bottom of spine. Indentation on bottom right-hand corner of front cover. Text clean. Very Good. No ISBN. No ASIN. ISSN: 0004-3249."The mission of Art Journal, founded in 1941, is to develop rigorous and shared methods by which modern and contemporary art can be understood; to engage critically with twentieth- and twenty-first-century art and art history in national and global frameworks; to encourage broad and rigorous contributions to our disciplines and to institute, in our peer review and editorial structures, an inclusive, critical, and collaborative approach to the development of new and emerging forms of thought and communities of practice; to address and redress exclusionary histories of art and art history as fields of practice and scholarship; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production as well as within the fields of art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in and beyond the arts; and to promote dialogue and debate.".

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good.

Soft cover. Condition: Very Good. 96 pages. Stapled binding. Very good condition. Minor edgewear. Light soiling to rear cover. Pages are clean and all intact. No writing or marking.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good.

Softcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. Second Edition. Size: Octavo (standard book size). 298 pages. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully intact. All edges clean, neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Education; ISBN: 0729536149. ISBN/EAN: 9780729536141. Dewey Code: 373.94. All our pictures shown here are of the actual item, not stock photos. Inventory No: RB17237. For further info on this title, click on the "Contact Seller" button within this listing. We will try to reply within 24 hours. Otherwise you can order right now (inclusive of shipping options) from the "Add to Basket" button to the right.

Hardcover. golden road cloth boards w/ blind-stamped printing. 235 pgs w/ color illustrations. through. white illustrated dustjacket w/ red printing; protective plastic cover. Illustrated throughout. VG/VG (ex-gallery copy w/ blue stamp to colophone pg; no other markings evident. scratches & rubbing to front cloth. spine top bumped & creased w/ rubbing to edges. dustjacket scuffed & scratched; scoring, rubbing to lower spine edge; protective plastic scuffed).

Hardcover. flexible, cream cloth boards w/ orange printing. white and color-illustrated dust jacket with black lettering. 286 pp. w/ color illustrations throughout. Photo is of a previous copy; copy is not sealed in publisher's wrap. "Marcia Hafif is among the pioneers of the 1970s who fundamentally broadened conceptions of the practice of painting and understanding of art per se. Since the 1980s, terms like 'radical' have been used to describe Hafif's work with monochrome painting. The pencil on paper drawings, vertical pencil marks covering a surface, begun in 1972, led to the vertical stroke in paint. Her work in both mediums still continues, fitting within what she calls 'The Inventory'. Each series included in 'The Inventory' develops a single medium using traditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brushstrokes, with which the effects of unmixed colours on a suitable painting ground are sounded out. Exhibition: Kunsthaus Baselland, Muttenz, Switzerland (15.09.-12.11.2017) / Kunstmuseum St. Gallen, Switzerland (16.09.2017-14.01.2018)."--WorldCat. VG-/VG- (may have bump w/ small divet to spine top; may have bump & bruise to tail. may have light indentations to edges; corners bumped. remains tightly bound. dustjacket scuffed, & scratched; may have creasing to spine ends; scattered scoring.

Hardcover. Condition: In shrinkwrap. Flexible, cream cloth boards w/ orange printing. white and color-illustrated dust jacket with black lettering. 286 pp. w/ color illustrations throughout. Marcia Hafif is among the pioneers of the 1970s who fundamentally broadened conceptions of the practice of painting and understanding of art per se. Since the 1980s, terms like 'radical' have been used to describe Hafif's work with monochrome painting. The pencil on paper drawings, vertical pencil marks covering a surface, begun in 1972, led to the vertical stroke in paint. Her work in both mediums still continues, fitting within what she calls 'The Inventory'. Each series included in 'The Inventory' develops a single medium using traditional methods and materials for making paint and preparing a ground. Individual works in a series can be larger or smaller, and usually are made with vertical brushstrokes, with which the effects of unmixed colours on a suitable painting ground are sounded out. Exhibition: Kunsthaus Baselland, Muttenz, Switzerland (15.09.-12.11.2017) / Kunstmuseum St. Gallen, Switzerland (16.09.2017-14.01.2018)."--WorldCat.

Hardcover without dustjacket as issued, 176 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: New. Bringing together important experimental works and ephemera, this volume documents a watershed moment in James Welling's photographic career. A seminal figure in the 'Pictures Generation'--a group of artists working in 1980s New York--James Welling is best known for his pioneering use of photography and for engaging questions about art and the nature of representation. This book focuses on a particularly fecund period in Welling's life, charting the works, influences, and shifting ideas he has been pursuing ever since. Chronologically arranged, it features works from the 1970s and 1980s interspersed with never-before-published watercolors, collages, notes, production stills, music, and other ephemera that provide insights into the working process of one of America's most innovative and significant photographers. Bringing together important experimental works and ephemera, this volume documents a watershed moment in James Welling's photographic career. This book focuses on a particularly fecund period in Welling's life, charting the works, influences, and shifting ideas he has been pursuing ever since. Chronologically arranged, it features works from the 1970s and 1980s interspersed with never-before-published watercolors, collages, notes, production stills, music, and other ephemera that provide insights into the working process of one of America's most innovative and significant photographers.

Soft cover. Condition: Very Good. Book is in very good condition. 224pp with colour photographs.

Softcover, 222 pages, very good condition; small crimp at top of spine; no internal marks. Foreign shipping may be extra.

Condition: new. Illustrated (illustrator).

1965. (4to, wrappers) Very good plus. Vol.1, no.1 (Spring, 1965). Souster, Thibaudeau, Gutteridge, et al, and early McFadden.

Condition: New. Brand New.

VG. near fine. hardcovers. no dj. no inscriptions or marginalia. delightful clean copy. From the personal collection of a dealer/collector. Features work from the 1970s and 1980s. Published in conjunction with the travelling exhibition which visited Milton Keynes, Santiago de Compostela and Vancouver in 2012-2014. Parallel English-Spanish text. Includes essays by Jan Tumlir and Jane McFadden, an interview with James Welling by Anthony Spira, chronology, selected writings, 1979-87, and list of titles. Extensively illustrated in b&w and colour. text in english and spanish.

hardcover. Condition: fine. Dust Jacket Condition: near fine. HAFIF, Marcia (illustrator). Illustrated in color and in black and white. 286 pages. 4to, white cloth with orange lettering, d.w. (lightly dust soiled). California: Laguna Art Museum, (2015). Fine in a near fine dust wrapper.

VG. near fine. hardcovers. no dj. clean crisp condition. no bumps or wear . as new. gift quality. no inscriptions.

Hardcover. Condition: Brand New. 236 pages. 11.25x9.00x1.25 inches. In Stock.

Hardcover without dustjacket as issued, 176 pages, very good condition; light rubbing to covers; signed by James Welling on first blank page in black pen; no other internal marks. Foreign shipping may be extra.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: New. Num Pages: 224 pages, 78 illustrations, 30 in colour. BIC Classification: ACXJ; AGB. Category: (G) General (US: Trade). Dimension: 182 x 227 x 23. Weight in Grams: 790. . 2016. Hardcover. . . . .

Hardcover. Condition: Brand New. 235 pages. 9.00x7.00x1.00 inches. In Stock.

Condition: New. Num Pages: 224 pages, 78 illustrations, 30 in colour. BIC Classification: ACXJ; AGB. Category: (G) General (US: Trade). Dimension: 182 x 227 x 23. Weight in Grams: 790. . 2016. Hardcover. . . . . Books ship from the US and Ireland.

Gebunden. Condition: New. As one of the most innovative artists of the last six decades, Walter De Maria challenged the very possibilities of art. He is known worldwide for his important sculptures such as The Lightning Field, but his profound contribution to the practices of music,.

Hardcover. Condition: Sehr gut. Gebraucht - Sehr gut Sg - leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt - The first major account of one of the most innovative and private artists of modern times.