Mckusick James C (63 results)

Paperback. Condition: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Paperback. Condition: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Good. Volume 195 Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

paperback. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Condition: New. This book traces the development of Coleridge's philosophy of language, situating it in the intellectual climate of his era. James C. McKusick offers the persuasive and original argument that Coleridge's linguistic theories for a coherent body of thought underlying his poetry, criticism, and aesthetics.…

Paperback. Condition: Fair. Wear to cover. Corners of a few pages are folded over. Pages clean. Same day dispatch (Mon- Fri) from the UK if ordered by 1pm.

Condition: Good. Paperback, 4to. Research Papers on John Clare, 1.

Condition: New. In English.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 192.

Condition: New. pp. 192 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardcover. Condition: Brand New. 8.50x5.75x0.75 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. reprint edition. 294 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Condition: New. This book traces the development of Coleridge's philosophy of language, situating it in the intellectual climate of his era. James C. McKusick offers the persuasive and original argument that Coleridge's linguistic theories for a coherent body of thought underlying his poetry, criticism, and aesthetics.…

Hardcover. Condition: Good. Dust Jacket Condition: Good. 2007 OUP hardcover edition. Some reading wear, wear to edge of dustjacket else good codition. From the dustjacket: The major work of German literature, Johann Wolfgang von Goethe's Faust (1808), was translated into English by one of Britain's most capable mediators of German literature and philosophy, Samuel Taylor Coleridge. Goethe himself twice referred to Coleridge's translation of his Faust. Goethe's character wrestles with the very metaphysical and theological problems that preoccupied Coleridge: the meaning of the Logos, the apparent opposition of theism and pantheism. Coleridge, the poet of tormented guilt, of the demonic and the supernatural, found himself on familiar ground in translating Faust. Because his translation reveals revisions and reworkings of Coleridge's earlier works, his Faust contributes significantly to the understanding of Coleridge's entire oeuvre. Coleridge began, but soon abandoned, the translation in 1814, returning to the task in 1820. At Coleridge's own insistence, it was published anonymously in 1821, illustrated with 27 line engravings copied by Henry Moses after the original plates by Moritz Retzsch. His publisher, Thomas Boosey, brought out another edition in 1824. Although several critics recognized that it was Coleridge's work, his role as translator was obscured because of its anonymous publication. Coleridge himself declared that he 'never put pen to paper as translator of Faust', and subsequent generations mistakenly attributed the translation to George Soane, a minor playwright, who had actually commenced translating for a rival press. This edition of Coleridge's translation provides the textual and documentary evidence of his authorship, and presents his work in the context of other contemporary efforts at translating Goethe's Faust. Contents: List of Illustrations Chronology Introduction Samuel Taylor Coleridge (trans.), The Faustus of Goethe Germaine de Stael, Germany, Part II, Ch. 23 George Soane (trans.), Extracts from Goethe's Tragedy of Faustus, Explanatory of the Plates by Retsch Daniel Boileau (trans.), Retsch's Series of Twenty-Six Outlines Illustrative of Goethe's Tragedy of Faust John Anster (trans.), 'The Faustus of Goethe' Lord Francis Leveson-Gower (trans.), Faust: A Drama by Goethe Stylometric analysis of the Faust translations Bibliography Index.…

Condition: New. pp. xv + 265.