Meier Curt (6 results)

Condition: gut. 41 S., 21 cm, Bibliotheksexemplar, Rand mit kleinem Riss. Sprache: Deutsch.

8°, Hardcover. 88 S. Ehemaliges Bibliotheksexemplar mit entsprechenden Signaturen und Stempeln. Leichte bis moderate Gebrauchsspuren. Guter textsauberer Zustand. Sprache: Deutsch Gewicht in Gramm: 530.

Hardcover. Condition: Very good- to fine condition. First edition. Small Folio. 87 (1)pp., [1] 52 plates with printed tissue guards, [2]pp. Original orange half cloth over tan boards with orange lettering on cover, black lettering and illustrations on spine, these after Beckmann motives by F. H. Ehmcke. Frontispiece original etching with printed tissue guard: "Frauenbildnis mit aufgestützten Armen und Glas (Woman's Portrait with Propped Arms and Glass)." Title page with publisher's device and printed in orange and black. Laid in publisher's advertisement (11 5/8 x 8 1/8") offering three Beckmann titles and twenty-five single sheets of etchings. End of text part with registers of important Beckmann paintings, Beckmann graphics, and register of plates included in this publication. Fifty-two full page photoengravings with tissue guards of Beckmann's work and 16 in-text drawings by Beckmann, reproduced in heliotype. The major monograph on Max Beckmann's work with contributions by distinguished German art historians and art critics on Beckmann and his work, Curt Glaser, Julius Meier-Graefe, Wilhelm Hausenstein and Wilhelm Fraenger, focusing on the "physiognomy of the grotesque" in Beckmann's work. Though the term Expressionism as well as the movement was always rejected by Max Beckmann himself he is considered and classified as the foremost German Expressionist. In the 1920s Beckmann associated himself with the movement of the New Objectivity (Neue Sachlichkeit). Contains register of Beckmann's important paintings, a register of his graphics and a list of plates at end of text part. Laid in a one-page advertisement of Beckmann's artwork published by R. Piper & Co. Text in German. Binding with minor wear along edges, small stript sunned alog top of front cover and very lightly rubbed. Light small stain at tail of spine. Artwork in fine condition.

Hardcover. Condition: g+ to fine condition. First edition. Small Folio. 87 (1)pp., 52 plates with printed tissue guards, (2)pp. Original orange half cloth over tan boards with orange lettering on cover, black lettering and illustrations on spine, these after Beckmann motives by F. H. Ehmcke, in original illustrated lemon chrome dustjacket with black lettering on spine; housed in dark blue cloth-covered boards box portfolio with string-button fasteners. Frontispiece original etching with printed tissue guard: "Frauenbildnis mit aufgestützten Armen und Glas (Woman's Portrait with Propped Arms and Glass)." Title page with publisher's device and printed in orange and black. Fifty-two full page photoengravings with tissue guards of Beckmann's work and 16 in-text drawings by Beckmann, reproduced in heliotype. The major monograph on Max Beckmann's work with contributions by distinguished German art historians and art critics on Beckmann and his work, Curt Glaser, Julius Meier-Graefe, Wilhelm Hausenstein and Wilhelm Fraenger, focusing on the "physiognomy of the grotesque" in Beckmann's work. Though the term Expressionism as well as the movement was always rejected by Max Beckmann himself he is considered and classified as the foremost German Expressionist. In the 1920s Beckmann associated himself with the movement of the New Objectivity (Neue Sachlichkeit). Contains register of Beckmann's important paintings, a register of his graphics and a list of plates at end of text part. Laid in a one-page advertisement of Beckmann's artwork published by R. Piper & Co. Text in German. Dustjacket with light wear along edges, small closed tear and chips and some light staining at upper left corner of back cover; spine lightly sunned. Tissue guard of etching at front with vertical crease and one inch closed tear at bottom edge. Text with one line underlined on pages 64 and 65. Back endpaper and text page lightly wavy due to water exposure. Portfolio in fine, dustacket in good+, binding and interior in near fine, plates in fine condition.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket. First. Yellow boards show staining to bottom portion, offset browning to edges, two bumped corners. Small rubbed abrasion to rear board. Binding is tight, inner pages uniformly age-toned but clean and bright. Rust-colored spine illustration and title still bright and readable. Red topstain. Includes original frontis lithograph with tissue-guard overlay. Essays include illustrations. 52 b/w plates with tissue-guard overlay, indexed by year.

Condition: Gut. einseitig bedruckter Programmzettel, Format ca. 21 x 14,5 cm. Zustand: gut, Faltspur, kleine Läsuren Freitag, den 8. Dezember 1939, 20 Uhr im großen Saal der Glocke. GEORG KULENKAMPFF, Violine / SIEGFRIED SCHULTZE, Klavier. Vortragsfolge: 1. Sonate op. 12 Nr. 1 D=dur / 2. Sonate op 12 Nr. 3 Es=dur / 3. Sonate op. 96 G=dur ------- Program Notes 1. BEETHOVEN = SONATAS = EVENING Georg Kulenkampff 1939 Bremen - Single-sided printed program leaflet, approximately 21 x 14.5 cm. Condition: good, fold mark, minor damage. - Friday, December 8, 1939, 8 p.m. in the Great Hall of the Glocke. GEORG KULENKAMPFF, violin / SIEGFRIED SCHULTZE, piano. Program: 1. Sonata Op. 12 No. 1 in D major / 2. Sonata Op. 12 No. 3 in E-flat major / 3. Sonata Op. 96 in G major deu.