Meissonier Charles (15 results)

Condition: New.

Condition: New. In.

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Disbound. Condition: Very Good. W. P. Snyder - Jean Louis Ernest Meissonier - Charles Graham (illustrator). First Edition - Original Issue. This is an original, complete issue of 20 pages dated March 19, 1887 -- Vol. 31, No. 1578 -- Illustrated -- Covers and contents are tight, nice condition -- The Front Cover has a full page illustration by W.P. Snyder titled "The Funeral Rites Of Henry Ward Beecher--Lying In State In Plymouth Church", with Black Borders -- Page 200 is a full page of illustrations titled "Sketches and Memorials Of Henry Ward Beecher" -- Page 201 has 3 illustrations titled "The Funeral Rites Of Henry Ward Beecher" -- Page 204 & 205 is a double page centerfold of an illustration of the painting by Jean Louis Ernest Meissonier titled "Friedland, 1807" -- Page 213 has an illustration titled "Birmingham, Alabama--Scene In A Real Estate Exchange" -- Page 214 & 215 is a double page centerfold illustration by Charles Graham titled "The Great Industry Of Birmingham, Alabama--A Pig-Iron Furnace" -- Page 216 has 2 illustations titled "The Great Industry Of Birmingham, Alabama" depicting Charcoal Burners and Coke Ovens -- This issue also contains a portion of the serialization story by Bret Harte titled "The Crusade of The 'Excelsior' " -- There are many other illustrations that we have not mentioned -- Articles and editorials relating to these illustrations and events occurring at the time -- We have over 1,000 issues of Harper's Weekly Listed On Abebooks ---- We Store and Ship each Harper's Weekly Issue in a Large Zip Lock Plastic Sleeve with a Board Insert for Stiffness. They are Shipped Flat and Never Folded or Rolled Up. All of this Attention to Maintain Quality Enhances the Condition of the Delivered Product To You.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Couverture rigide. Condition: Très bon. Edition originale. Paris, 1888. 1 fort volume grand in-4°( 33,3 x 23,5 cm )( 3030 gr ). Chemise éditeur cartonnée percaline imprimée illustrée. ------ 20 fascicules en pagination continue de 160 pages. ****************** Couvertures de tous les fascicules conservées. *********************** ref 474.

Couverture rigide. Condition: Très bon. Edition originale. Paris, 1888. 1 fort volume grand in-4°( 33,3 x 23,5 cm )( 2910 gr ). Chemise éditeur cartonnée percaline imprimée illustrée. ------ 20 fascicules en pagination continue de 164 pages. ****************** Couvertures de tous les fascicules conservées. ******************** ref 474.

Couverture rigide. Condition: Très bon. Edition originale. Paris, 1887, 1888. 2 forts volumes grand in-4°( 33,3 x 23,5 cm )( 5940 gr ). Chemises éditeurs cartonnées percaline imprimées illustrées. ------ 20 fascicules en pagination continue pour chaque album de 160 et 164 pages. ****************** Couvertures de tous les fascicules conservées. ********************* ref 474.

Couverture rigide. L. Curmer & V. Lecou | Paris 1851 | 19 x 28.50 cm | relié | Edition illustrée de 8 planches hors-texte en couleurs sous serpentes légendées ainsi que de 150 bois gravés dans le texte d'après Adolphe Steinheil, Ernest Meissonier, Paul Gavarni, Charles-François Daubigny et Hercule Louis Catenacci. Discrètes annotations à la plume d'un précédent propriétaire de l'ouvrage en angle supérieur gauche d'une garde. Reliure en demi chagrin maroquiné vert à coins, dos à cinq nerfs orné de motifs floraux dorés, plats de papier marbré, gardes et contreplats de papier peigné, tête dorée, reliure signée Mercier. Bel exemplaire joliment établi. | [ENGLISH DESCRIPTION FOLLOWS] Edition illustrated with 8 hors-texte color plates under tissue guards with captions as well as 150 wood engravings in the text after Adolphe Steinheil, Ernest Meissonier, Paul Gavarni, Charles-François Daubigny and Hercule Louis Catenacci. Discreet pen annotations by a previous owner in upper left corner of one endpaper. Half green morocco-grained shagreen binding with corners, spine with five raised bands decorated with gilt floral motifs, marbled paper boards, combed paper endpapers and pastedowns, top edge gilt, binding signed by Mercier. Handsome copy attractively presented. *.

On japon paper, roughly 260 x 330 mm. Dimensions of image roughly 140 x 225 mm. The impression has a metallic sheen. An impressively-executed engraving, a clear and crisp representation of Meissonier's celebrated painting, with a remarque of a horse at the foot. To the right of the remarque is the engraver's signature in pencil, ''. Klackner's copyright details run along the head of the engraving. Good, in crude card mount. A light smudge in the top left-hand corner of the margin, and a little damage to the bottom right-hand corner of the margin. The original painting, described by Henry James as among 'the highest prizes in the game of civilization', is in the Metropolitan Museum of Art.

Paris, Librairie artistique, Launette et Cie, 1887, 1888. 2 forts volumes grand in-4, 160 et 164 p., cartonnages éditeurs percaline illustrés, couverture et dos conservés et montés sur onglet pour le premier volume (1er volume : petits défauts au cartonnage, charnière intérieure en partie fendue). Beaux volumes, imprimés sur papier fort, illustrés de 80 eaux-fortes hors-texte, et de gravures dans le texte en noir, bistre, bleuté, vert d'eau et sanguine. Oeuvres d'Emile ADAN, Edouard de BEAUMONT, Jean BERAUD, Albert BESNARD, BOUTET DE MONVEL, Benjamin CONSTANTIN, Robert de CUVILLON, Lucien GROS, Roger JOURDAIN, Eugène LAMI, Jean-Paul LAURENS, Maurice LELOIR, Albert MAIGNAN, Charles MEISSONIER, Adrien MOREAU, James TISSOT, Jules WORMS, Henri ZUBER, etc. * Voir photographie(s) / See picture(s). * Membre du SLAM et de la LILA / ILAB Member. La librairie est ouverte du lundi au vendredi de 14h à 19h. Merci de nous prévenir avant de passer,certains de nos livres étant entreposés dans une réserve.

Condition: Good. 8vo. 18 x 26.8cm. Original half shagreen with later goatskin corners. Tissue guards in place.[5], 485, [2] pages [54] plates.OCLC Number / Unique Identifier:13444869.

Reliure de l'éditeur. Perrotin Garnier frères | Paris 1844 | 17.3 x 25.5 cm | Reliure de l'éditeur | Second tirage de la première édition illustrée du chef d'oeuvre de Victor Hugo, qui se signale par la présence d'une chauve souris en vignette de titre. Reliure néogothique de l'éditeur en pleine toile polychrome marron, dos lisse orné d'une allégorie dorée de Notre-Dame de Paris, plats illustrés d'un grand décor doré polychrome (rouge, bleu et rose) représentant des scènes de Notre-Dame de Paris, gardes et contreplats de papier jaune, pages de garde blanches ombrées, toutes tranches dorées, cartonnage romantique de l'éditeur. Dos uniformément éclairci. Micro fente au mors supérieur en tête. Un feuillet détaché, 2 autres ressortis. Rousseurs éparses dans les marges. Ouvrage orné d'illustrations de Charles François Daubigny, Valentin Foulquier, Thoedor Josef Hoffbauer, Tony Johannot, Aimé de Lemud, Ernest Meissonier, Célestin Nanteuil, Camille Roqueplan, Louis Henri de Rudder et Louis Steinheil. Bel exemplaire du chef d'oeuvre intemporel de Victor Hugo présenté dans un cartonnage romantique polychrome. | [ENGLISH DESCRIPTION FOLLOWS] Second issue of the first illustrated edition of Victor Hugo's masterpiece, distinguished by the small bat vignette on the title-page.Publisher's neo-Gothic binding in full brown polychrome cloth, the smooth spine gilt-stamped with an allegory of Notre-Dame de Paris, the boards adorned with an extensive gilt and polychrome design (red, blue, and pink) depicting scenes from Notre-Dame de Paris, yellow endpapers and pastedowns, shaded white flyleaves, all edges gilt, a characteristic Romantic publisher's cloth binding. Spine evenly faded. Minute split at the head of the upper joint. One leaf detached, two others working loose. Occasional marginal foxing.Work embellished with illustrations by Charles François Daubigny, Valentin Foulquier, Thoedor Josef Hoffbauer, Tony Johannot, Aimé de Lemud, Ernest Meissonier, Célestin Nanteuil, Camille Roqueplan, Louis Henri de Rudder, and Louis Steinheil.A handsome copy of Victor Hugo's timeless masterpiece, preserved in its polychrome Romantic cloth binding. *.

3 pp. 1 vols. 8vo. 3 pp. 1 vols. 8vo. A fine letter to the New York dealer, [Roland?] Knoedler, with sketch in purple ink at the head of the page, of the village of Poissy (Meissonier's adopted home) and the Possy bridge. Meissonier writes: " . You certainly won't have my painting "de la rose" this season. I'd like to show it at the Salon, and will do my best to finish it on time, but I'm afraid that I'll be too late . I should love to be able to believe that this will be my most important painting, and I would be much saddened if it were to leave France without having been shown . I shall not inform you of the unfortunate events of our poor country -- the death of Gambetta affected me deeply, and what's going on now saps my morale as a republican and a patriot -- but i don't want to bother you with my dark thoughts . Our friend Knight is working also for the Salon and I like his painting very much . So, my dear Monsieur Knoedler, the school of Poissy is still a famous school . and now I bid you farewell for the moment, and send you my best wishes across the ocean . " Fine. Provenance: Dr. Max Thorek, with his collector's stamp.

Leather Bound. Condition: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1838. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 652, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 652 652.