Mengbo (21 results)

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover, 78 pages; in English and Chinese; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on rear.

Soft cover. Condition: Near Fine. No Jacket. 1st Edition. Text in Chinese and English.

Softcover, 78 pages; in Englisha nd Chinese; very good condition, light rubbing to covers with small crease to rear cover; no internal marks. Foreign shipping may be extra.

Softcover, 96 pages; in English and Chinese; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran April 28 through June 5, 2005. Text in English and Spanish. Includes illustrations of works by Manu Arregui, Feng Mengbo, Kyupi-Kyupi, Liane Lang, Jordi Moragues, Joshua Mosley, Magnus Wallin, and Karen Wasinsky. A fine copy in wrappers.

Trade Paperback. Condition: Fine. 93 page catalog with color stills from artist's work and statements by the above authors and the artist. As-new condition with sticker on the cover from the Western Front Society, Canada. Text in both English and what is most likely Taiwanese, possibly Chinese.

Großband. Tadelloses Exemplar. Durchgehend farbig illustriert (Kunst). Französische Broschur. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Paperback. One of 600 printed. Illustrated wraps with black lettering and French flaps; 76 pp; richly illustrated. Text in English and Chinese. VG- (Wraps show shelfwear, particularly on the spine top, edges and corners; there is mild cockling to tissue guard that is between front cover and title page; pages are clean and bright; binding is solid).

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 24 x 30 cm, 240 Seiten/pages with 10 b/w and 180 coloured illustrations, hardcover - This publication center on two constantly topical, fundamental questions of social reality in China from the 1980s to the present, as well as the self-concept of its artists: How does China deal with its cultural heritage in view of the raipd course of change brought on by globalization? Or: Is the fact that calligraphy is sidelined itself a paradigmatic expression of modern Chinese culture?

Condition: Good. 4to. Very good. 78 pp. Soft cover. Color plates. Text in English and Chinese.

Soft cover. Condition: Very Good. 77 pp., illustrations. In English and Chinese. includes errata sheet.

Condition: Good. 4to. 110 pp. Soft Cover. Color and black and white plates throughout. Text in Chinese and English. Very Good. As new.*Heavy volume, could cost extra for shipping.

Paperbound. Dust Jacket Condition: No. Demy folio, [30cm/12inches], paperbound with pictorial covers, pp. . Fully illustrated with b-w halftones, maps, &tc. Please feel free to inquire as to particulars and/or additional photographs. . wiki notes: "Feng Mengbo was born in Beijing, 1966. In early 1970s, Chinese Cultural Revolution reached its peak and had a huge impact on Feng's childhood. In late 1970s, as Mao died, Deng took the power and China started its economic reform and open policy. Many new culture and technologies flowed into China from Western countries. Such social changes influenced Feng and his generation in a dramatic way. In 1993, two years after graduating from the printmaking department of Beijing's Central Academy of Fine Arts at age 27, Feng was invited to exhibit his artworks in the Biennale's "Aperto" exhibition of international emerging artists. At this time period, Feng's paintings based on his memories of childhood, especially the Culture Revolution (19661976). He combined these elements with the aesthetic of 8-bit video games to create his early acrylic-on-canvas works, which entitled The Video Endgame Series." In exceptionally good condition.

Condition: Wie neu. 240 S. Geschenkqualität. Wie neu. KEINE Eintragungen/Markierungen. Wie sich der Geist des Weisen wandelt In dieser umfassenden Ausstellung und der sie begleitenden Publikation spielen erstmals zwei auch im Selbstverständnis seiner Künstler stets aktuelle fundamentale Fragen der gesellschaftlichen Realität Chinas von den 1980er Jahren bis heute eine zentrale Rolle: Wie hält es China im Zuge seines rasanten Wandels in der Globalisierung mit dem eigenen kulturellen Erbe? Und ist die Tatsache, dass die Kalligraphie ins Abseits geraten ist, paradigmatischer Ausdruck für die heutige Kultur Chinas? Seit Mao 1956 das komplexe kalligraphische Schriftzeichensystem der höfisch organisierten Oberschicht radikal vereinfachen ließ, indem die Zeichen selbst, der Laut eines Zeichens, die Schriftart sowie die Menge der Schriftzeichen und ihre Systematisierung standardisiert wurden, darf wohl analog der für die Kultur des Westens von Jean Baudrillard konstatierten ğReferenzlosigkeitĞ der Zeichen und Bilder dasselbe auch ein Stück weit für die moderne chinesische Gesellschaft gelten. Auch deshalb haben Gegenwartskünstler in China mit Beginn der 1980er Jahre Schrift anti-kalligraphisch dekonstruiert und dennoch ihre kulturrevolutionäre Trivialisierung als Medium der Massenkultur kritisiert und die Rückkehr des individuellen Ausdrucks künstlerisch dann für sich reklamiert. Einige der Werke, etwa von Ai Weiwei, wurden eigens für diese Ausstellung produziert. Beteilige KünstlerInnen: Ai Weiwei, Chen Guangwu, Chen Zaiyan, Dai Guangyu, Ding Yi, Dong Xiaoming, Feng Mengbo, Gu Wenda, He Sen, Hong Hao, Jia, Jin Feng, Jin Jiangbo, Li Xi, Li Zhenwei, Lu Hao, Lu Qing, Ma Ke, Mao Tongqiang, Qiu Shihua, Qiu Zhijie, Shan Fan, Shao Fan, Tian Wei, Tsang Kin-Wah, Utopia Group, Wang Qingsong, Wu Shanzhuan, Xiao Yu, Xu Bing, Xue Song, Yang Xinguang, Yangjiang Group, Yuan Gong, Zhang Fan, Zhang Huan, Zhang Wei, Zhou Tiehai Ausstellung: Deichtorhallen Hamburg / Sammlung Falkenberg, Hamburg-Harburg 8/11/20148/2/2015. - Wir versenden aus unserem deutschen Lager heraus in plastikfreien oder wiederverwendeten Polstertaschen. Sprache: Englisch Gewicht in Gramm: 1602 Gebundene Ausgabe, Maße: 24 cm x 3 cm x 28 cm.

Condition: gut. 2014. Secret Signs. Zeitgenössische Chinesische Kunst im Namen der Schrift: Kat. Deichtorhallen Hamburg in Kooperation mit der Sammlung Sigg und dem M+, Hongkong Kat. Deichtorhallen Hamburg in Kooperation mit der Sammlung Sigg und dem M+, Hongkong In deutscher Sprache. pages.

Softcover, 110 pages; in English and Chinese; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover, 72 pages; in Chinese and English; very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Softcover, 126 pages; in English and Chinese; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: New. Language:Chinese.Author:Mengbo Zhou.Binding:HardCover.