Meyer After Hoppner (3 results)

No Binding. Condition: Fine. 1st Edition. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Henry Meyer (12 June 1780 - 28 May 1847)[1] Was An English Portrait Painter, More Known As A Stipple And Mezzotint Engraver. Meyer Was Born John Meyer In London - A Son Of John Meyer And Anna Torade Hoppner Who Married At St James Westminster 22 December 1767. Contrary To Other Accounts Henry Meyer's Father Was A Hairdresser And Not An Engraver.Joseph Farington Recorded That Henry Meyer Was A Nephew Of John Hoppner, Referring To Him As 'Mier' (8 February 1810), And In The Obituary Of Meyer In Gentleman's Magazine (1847 Ii 665). A Prominent Early 19Th-Century Artist, Henry Meyer Was Admitted As A Pupil To Christ's Hospital, London In 1791 Where He Studied Under Benjamin Green. On 25 August 1794 He Was Apprenticed To Benjamin Smith For Seven Years And Ultimately Trained In Engraving Techniques At The Royal Academy Schools Under Francesco Bartolozzi. His First Published Engravings Appeared In The Early 19Th Century Attributed To J. H. Meyer, He Later Dropped The J And Most Of His Works Were Published Under The Name Henry Meyer Or H. Meyer. In The Ensuing Years He Showed His Skill At Portraits And Decorative Subjects. He Produced Engravings Of Such Notables As Lady Hamilton, Admiral Nelson, Sir John Nicholl, Lord Hawkesbury, Lord Byron, And Giuseppe Ambrogetti. His Painting Of Charles Lamb Was Hung In The India Office For Many Years. He Was A Founding Member Of The Society Of British Artists, Exhibiting Many Of His Works With This Association Between 1824 And 1830, And Acting As Its President In 1828/9.

Condition: Good. Line etching measuring 7 x 10 inches. Light foxing, small tears right edge.

Condition: Good. Stipple engraving by Meyer after a drawing by Hoppner of William Gifford (1756-1826), first editor of the 'Quarterly Review.' Image size: 149 x 112 mm. Trimmed within plate marks. Light staining.