Meyer Caspar (71 results)

Paperback. Condition: New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole.

Condition: good. Book is considered to be in good or better condition. The actual cover image may not match the stock photo. Hard cover books may show signs of wear on the spine, cover or dust jacket. Paperback book may show signs of wear on spine or cover as well as having a slight bend, curve or creasing to it. Book should have minimal to no writing inside and no highlighting. Pages should be free of tears or creasing. Stickers should not be present on cover or elsewhere, and any CD or DVD expected with the book is included. Book is not a former library copy.

Paperback. Condition: New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: new. Hardcover. Reimagines the Scythians as highly mobile cultural innovators.The Scythians offers a bold new take on the horse-riding peoples who once inhabited the vast steppe lands from the Black Sea to the Siberian Altai. Drawing on archaeological finds, ancient texts, and comparative insights, Caspar Meyer shows how these communities forged dynamic networks rooted in art, mobility, and interspecies relationships. He brings ancient and modern encounters with the Scythians into dialogue from Herodotus' ethnography to modernist art and contemporary national imagination revealing how their literary and visual afterlives continue to shape our understanding. Long reduced to barbarian stereotypes, the Scythians emerge as cultural innovators and co-creators of Eurasian history. Lively, accessible, and thought-provoking, this book opens up a world where people and things move together in unexpected and transformative ways. Reimagines the Scythians as creators of culture and as subjects of enduring fascination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. The Scythians offers a bold new take on the horse-riding peoples who once inhabited the vast steppe lands from the Black Sea to the Siberian Altai. Drawing on archaeological finds, ancient texts and comparative insights, Caspar Meyer shows how these communities forged dynamic networks rooted in art, mobility and interspecies relationships. He brings ancient and modern encounters with the Scythians into dialogue - from Herodotus' ethnography to modernist art and contemporary national imaginations - revealing how their literary and visual afterlives continue to shape our understanding. Long reduced to barbarian stereotypes, the Scythians emerge as cultural innovators and co-creators of Eurasian history. Lively, accessible and thought-provoking, this book opens up a world in which people and things move together in unexpected and transformative ways.

Condition: New.

Hardback. Condition: New. The Scythians offers a bold new take on the horse-riding peoples who once inhabited the vast steppe lands from the Black Sea to the Siberian Altai. Drawing on archaeological finds, ancient texts and comparative insights, Caspar Meyer shows how these communities forged dynamic networks rooted in art, mobility and interspecies relationships. He brings ancient and modern encounters with the Scythians into dialogue - from Herodotus' ethnography to modernist art and contemporary national imaginations - revealing how their literary and visual afterlives continue to shape our understanding. Long reduced to barbarian stereotypes, the Scythians emerge as cultural innovators and co-creators of Eurasian history. Lively, accessible and thought-provoking, this book opens up a world in which people and things move together in unexpected and transformative ways.

Condition: New.

Condition: New. 2025. 1st Edition. paperback. . . . . .

Condition: New. 2025. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Condition: New. In.

Condition: new.

Condition: New.

Paperback. Condition: Near Fine. First Edition. 1796; 8vo 8" - 9" tall.

Condition: New. 2026. hardcover. . . . . .

Condition: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: Brand New. 240 pages. 8.51x5.43 inches. In Stock.

Condition: New.

Condition: New.

paperback. Condition: New.

broschiert, gute Erhaltung 173 Seiten.

Paperback. Condition: New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole.

Condition: NEW.

Hardback. Condition: New. The Scythians offers a bold new take on the horse-riding peoples who once inhabited the vast steppe lands from the Black Sea to the Siberian Altai. Drawing on archaeological finds, ancient texts and comparative insights, Caspar Meyer shows how these communities forged dynamic networks rooted in art, mobility and interspecies relationships. He brings ancient and modern encounters with the Scythians into dialogue - from Herodotus' ethnography to modernist art and contemporary national imaginations - revealing how their literary and visual afterlives continue to shape our understanding. Long reduced to barbarian stereotypes, the Scythians emerge as cultural innovators and co-creators of Eurasian history. Lively, accessible and thought-provoking, this book opens up a world in which people and things move together in unexpected and transformative ways.

Hardcover. Condition: new. Hardcover. Reimagines the Scythians as highly mobile cultural innovators.The Scythians offers a bold new take on the horse-riding peoples who once inhabited the vast steppe lands from the Black Sea to the Siberian Altai. Drawing on archaeological finds, ancient texts, and comparative insights, Caspar Meyer shows how these communities forged dynamic networks rooted in art, mobility, and interspecies relationships. He brings ancient and modern encounters with the Scythians into dialogue from Herodotus' ethnography to modernist art and contemporary national imagination revealing how their literary and visual afterlives continue to shape our understanding. Long reduced to barbarian stereotypes, the Scythians emerge as cultural innovators and co-creators of Eurasian history. Lively, accessible, and thought-provoking, this book opens up a world where people and things move together in unexpected and transformative ways. Reimagines the Scythians as creators of culture and as subjects of enduring fascination. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New.

Buch. Condition: Neu. Neuware - Reimagines the Scythians as highly mobile cultural innovators. The Scythians offers a bold new take on the horse-riding peoples who once inhabited the vast steppe lands from the Black Sea to the Siberian Altai. Drawing on archaeological finds, ancient texts, and comparative insights, Caspar Meyer shows how these communities forged dynamic networks rooted in art, mobility, and interspecies relationships. He brings ancient and modern encounters with the Scythians into dialogue--from Herodotus' ethnography to modernist art and contemporary national imagination--revealing how their literary and visual afterlives continue to shape our understanding. Long reduced to barbarian stereotypes, the Scythians emerge as cultural innovators and co-creators of Eurasian history. Lively, accessible, and thought-provoking, this book opens up a world where people and things move together in unexpected and transformative ways.

Paperback. Condition: New. Caspar David Friedrich (1774-1840), one of the great visionaries of European art, spent all his life in Northern Germany, apart from four years studying in Copenhagen, and his output appears to consist almost entirely of German landscapes. But far from being parochial, he was, in the words of the French sculptor David d'Angers, the artist who 'discovered the tragic in landscape'. His paintings assemble minutely observed elements of nature into compo­sitions that celebrate the riches and the melancholy of a cosmos fully imbued with the divine, while never losing an almost hallucinatory engagement with reality. For all their clarity, they are the quintessence of Romanticism.Almost too familiar today, to Friedrich's contemporaries these extraordinary paint­ings were astonishing and challenging. This volume records the reactions of some of the most prominent figures of German Romanticism: Kleist, Brentano and Arnim (in a witty series of dialogues between gallery visitors alternately bewitched and bewildered by Friedrich's Monk by the Sea), the painter and physiologist Carus, the psychologist Schubert, the Russian poet and translator Zhukovsky. A piece by Goethe and his colleague Heinrich Meyer records the somewhat baffled admiration of the earlier generation; and Friedrich's own Commandments of Art breathes the almost overwhelming passion with which he approached his vocation. An introduction by the leading scholar Johannes Grave situates Friedrich's art and its reception in the context of the Romantic movement both in Germany and in Europe as a whole.

Hardback. Condition: New. The Scythians offers a bold new take on the horse-riding peoples who once inhabited the vast steppe lands from the Black Sea to the Siberian Altai. Drawing on archaeological finds, ancient texts and comparative insights, Caspar Meyer shows how these communities forged dynamic networks rooted in art, mobility and interspecies relationships. He brings ancient and modern encounters with the Scythians into dialogue - from Herodotus' ethnography to modernist art and contemporary national imaginations - revealing how their literary and visual afterlives continue to shape our understanding. Long reduced to barbarian stereotypes, the Scythians emerge as cultural innovators and co-creators of Eurasian history. Lively, accessible and thought-provoking, this book opens up a world in which people and things move together in unexpected and transformative ways.