Meyer Tricia (12 results)

paperback. Condition: Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

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Paperback. Condition: Good. Ships same day or next business day! UPS shipping available (Priority Mail for AK/HI/APO/PO Boxes). Used sticker and some writing and/or highlighting. Used books may not include working access code. Used books will not include dust jackets.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: Very Good.

Condition: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

63 pp.; 24.5 x 25 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University of North Texas Art Gallery, Denton, Texas, August 29 - September 30, 1988. Traveled to J.B. Speed Art Museum, Louisville, Kentucky, November 7, 1988 - January 2, 1989 ; Alberta College Gallery of Art, Calgary, Alberta, Canada, February 9 - March 9, 1989 ; The Contemporary Arts Center, Cincinnati, Ohio, March 31 - May 6, 1989 ; Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York, October 12 - Novemeber 15, 1989 Santa Fe Community College Art Gallery, Gainesville, Florida, February 4 - March 18, 1990. Text by guest curators Tricia Collins and Richard Milazzo, and Gary Indiana. Artists include Vikky Alexander, John M. Armleder, Gretchen Bender, Ross Bleckner, Saint Clair Cemin, Sarah Charlesworth, David Diao, Robert Gober, Peter Halley, Tishan Hsu, Jeff Koons, Jonathan Lasker, Annette Lemieux, Allan McCollum, Peter Nagy, Joel Otterson, Haim Steinbach, Gary Stephan, Philip Taaffe, Meyer Vaisman, and James Welling. Includes a checklist of the exhibition. Very Good. THIS COPY IS LIBRARY BOUND HARDCOVER. Rubbing of original cover edges. Light discard stamp on page two. Discard / Solomon R. Guggenheim Library discard stamp on page three with ghosting on page four. 2 mm. of soiling to title page. Light yellowing of pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback. Condition: new. Paperback. Companies exhibit at conferences for a variety of reasons. Some look at the process as an expense as they seek to protect their market share. Others approach exhibiting as an investment in their business. Those are the companies that build and maintain real relationships during and after the event. It is essential to set measurable objectives in advance of the conference, so you can determine the ROI on your investment. Just showing up, setting up a booth, and waiting for the magic to happen is not going to cut it. Over the ten years that we've run Affiliate Summit, we've seen thousands of companies exhibit, and there are some right ways and wrong ways to represent your company. There are three outcomes that routinely result from having a presence at an event: hitting it out of the park with all sorts of new business and plans, maintaining a presence and achieving some branding, and then having a counter-productive experience. You know that thing from the movie, Field of Dreams, "If you build it, they will come"? Well, that's not true. There are strategies you should apply to make the maximum impact with your booth. In the book, I share how you can make the most of your time at a conference, as well as pitfalls to avoid. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.