Miccini Eugenio Michele Perfetti (8 results)

Side-stapled Wrappers. Condition: Very Good. First Edition. Unpaginated. Dual language essay published as a supplement to Techne No. 7 / 8 on the occasion of the International Exhibition of Visual Poetry in Beograd in what was then Yugoslavia. Wrappers slaighly rubbed at head & tail of spine with a single vertical crease midway across rear cover. Text-block age toned at edges.

Large softcover 8vo in white wrappers printed in black throughout. 68 pp. Text in Dutch. Issue no. XXI 34 of this long-running publication focusing on experimental and concrete poetry. Edited by Paul de Vree in collaboration with Henri Chopin, Henri-F. Jespers, Jan Van der Hoeven, and Ludo Frateur, with contributions by Michele Perfetti, Eugenio Miccini, Jan Vanspauwen, Bert Kooijman, Jan Dries, Dominique Stroobant, Hilde van Summere, Etienne Desmet, Maurice Haccuria, and Jetje de Kort among others. Trace amounts of rubbing to covers, including faint spotting, and age toning around cover and text block extremities. Very good.

Stab-stapled square 8vo in printed wrappers with alternating light pink and yellow pages. Unpaginated (ca. 32 pp.) Text in alternating pages of Italian and English. With publisher's original belly band. Divided up into eight chapters, this essay published in 1971, provides an extensive academic philosophy on visual poetry as it relates to its origin, the development of language, the general arts, aesthetics, the avant-garde, and its historical context. With references to McLuhan's 'The Medium is the Massage' and the philosophies of Burroughs, Miccini and Perfetti make a convincing case for the future of visual poetry as a means to affect society, art, and culture. "Visual poetry does not hide away in monasteries while war rages, nor does it pass into the enemy ranks; visual poetry is the hidden horse of Troy." Issued as a supplement to 'Techne, nº 7/8, - Nov. 1970'. Very good with wear and darkening to spine, including a small closed tear near top staple, trace amounts of foxing to front cover, and age toning throughout. Belly band is torn at one end, but still attached at opposing end, thus good only.

Six saddle-stapled 16mos of the same size in publisher's wrappers, with pages printed in black and white. Unpaginated (12 pp., 12 pp., 12 pp., 8 pp., 12 pp., and 8 pp. respectively.) Text in Italian. A series of exhibition catalogs from this Italian gallery featuring various works of concrete and visual poetry and artwork by various European artists. No. 3 with contributions by Jean-François Bory, Paul De Vree, and Luciano Ori. No. 4 with contributions by Alain Arias-Misson, Michele Perfetti, and Sarenco. No. 5 with contributions by Herman Damen, Lucia Marcucci, and Eugenio Miccini. No. 11 with contributions by Diana Baylon. No. 13 with contributions by Luciano Ori. No. 18 with contributions by Cristiana Rospigliosi. Trace amounts of rubbing to covers, age toning, and darkening along spine, else near fine.

First edition. Tall stab-stapled softcover 4to in green wrappers. With varying page sizes, some of which are mimeographed, and a few offset printed. Featuring several tipped in items, including a small silk screened and rubber stamped poster, two foldouts, an artists' stamp, and an art exhibition price list. Unpaginated. Text mostly in Italian, some in French. Double issue nos. 3-4 of this Italian avant-garde artists' magazine edited by Eugenio Miccini. Tèchne was established as a response to commercial publishing with its assembled nature and featured both artistic and political contributions by a global network of artists in the late '60s and early '70s. This issue with contributions by experimental and concrete poets, writers, and artists from around the world, including Gianni Bertini, Giuseppe Chiari, Colletivo R, Ben Vautier, Gruppo OHO, Betto, Michele Perfetti, Franco Vaccari, Julien Blaine, Nicola Andreace, Cesare Ruffato, Lino Centi, Sarenco, Toni Zarpellon, Luca Alinari, Walter Fusi, and Eugenio Miccini among others. Very good overall given its assembled nature, with wear along extremities, rubbing to covers, and bumps to corners. With age toning throughout on account of the paper quality, save for signatures printed on better paper.

First edition. Tall stab-stapled softcover 4to in black wrappers. With varying page sizes, some of which are mimeographed, and a few offset printed. Featuring several tipped in items, including two small silk screened posters, and a large piece of photostat film with an abstract pattern. 58 pp. Text Italian, English, and German. Issue no. 1 of this Italian avant-garde artists' magazine edited by Eugenio Miccini. Tèchne was established as a response to commercial publishing with its assembled nature and featured both artistic and political contributions by a global network of artists in the late '60s and early '70s. This issue with contributions by experimental and concrete poets, writers, and artists from around the world, including Bianca Garinei, John Cage, Luigi Ferro, Piere Luigi Tazzi, Egidio Mucci, Mario and Maria Luisa Santella, the Spanish avant-garde collective 'poesia n.o.' which at the time included Julio Campal, Juan Carlos Aberasturi, José Antonio Cáceres, Enrique Uribe, Jokín Díez, Fernando Millán, Francisco J. Zabala, and Jesús García Sánchez, Franco Vaccari, Michele Perfetti, Nicola Andreace, Gruppo Stanza, Umberto Eco, and Eugenio Miccini among others. Very good overall given its assembled nature, with wear along extremities, rubbing to covers, bumps to corners, a small closed tear at left margin of back cover, and two faint stains at front cover which have penetrated the first two pages. With partial darkening to back cover and age toning throughout on account of the paper quality, save for signatures printed on better paper.

Legatura con punti metallici. Prima edizione. Quaderno di Tèchne n.18. Pagine in carta "povera" di color rosa e giallo. Testi in italiano e inglese. Diviso in otto capitoli, questo saggio pubblicato nel 1971, propone un percorso critico sulla poesia visiva in relazione alla sua origine, allo sviluppo del linguaggio, alle arti generali, all'estetica, all'avanguardia e al suo contesto storico. Con riferimenti a "Il mezzo è il massaggio" di McLuhan e alle filosofie di Burroughs, Miccini e Perfetti sostengono in modo convincente il futuro della poesia visiva come mezzo per influenzare la società, l'arte e la cultura. Pubblicato come supplemento a "Techne, n. 7/8, - novembre 1970". [32] pp; 20,2x16,1 cm Condizioni: molto buono (tracce di foxing sulla copertina anteriore e viraggio dovuto al tempo ovunque).

Condition: very good. texts by sarenco & de vree. Brescia : Edizioni Amodulo, 1971. Orig. printed wrappers. ca. 200 leaves. 19x19 cm. Italian text. Collection of 14 artist books, previously published between 1969-1971. Edition of 500 copies. Some light wear on edges. Very good copy. - Contains : [I.] : l'astratto : l'abstrait : het abstracte : the abstract. 1. antonio calderara . e in principio erano le figure geometriche (1969); 2. antonio calderara. verde + verde + verde (1970); 3. ad dekkers. + book (1970); 4. herman de vries. vlakvolumen (1970); [II]. il poetico : le poétique : het poëtische : the poetic : a - concept. 5. jiri valoch. optical book (1970); 6. franci zagoricnik. opus zero (1971); [III]. [il poetico : le poétique : het poëtische : the poetic] : b - text. 7. ugo carrega. teoria del segno grafico come cosa (1970); 8. michele perfetti. virus (1971); 9. jochen gerz. resurrection (1970); 10. sarenco. prossimamente (1969, 2nd edition); [IV]. [il poetico : le poétique : het poëtische : the poetic] : c - image. 11. paul de vree 12. giusi coppini & eugenio miccini. il popolo e forte (1971); 13. nahl nucha. chairman mao (1971); 14. luciano ori. situazione corrente (1971). Condition : very good copy. Keywords : ART, concrete art concrete poetry.