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Published by The Arden Shakespeare, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Published by The Arden Shakespeare, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Published by Arden Shakespeare 5/30/2024, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Paperback or Softback. Condition: New. Interruptions in Early Modern English Drama. Book.
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Published by The Arden Shakespeare, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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ISBN 10: 1350238341 ISBN 13: 9781350238343
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Published by The Arden Shakespeare, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Published by The Arden Shakespeare, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Add to basketPaperback. Condition: Brand New. 296 pages. 8.50x5.43x1.00 inches. In Stock.
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Published by Bloomsbury Publishing, 2022
ISBN 10: 1350238317 ISBN 13: 9781350238312
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Published by Bloomsbury Publishing, 2022
ISBN 10: 1350238317 ISBN 13: 9781350238312
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Published by Bloomsbury Publishing PLC Mai 2024, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Taschenbuch. Condition: Neu. Neuware - To interrupt, both on stage and off, is to wrest power. From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader.Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style - emphasizing a playwright's use and control of a text - and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo.
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Published by The Arden Shakespeare, 2022
ISBN 10: 1350238317 ISBN 13: 9781350238312
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Published by The Arden Shakespeare, 2022
ISBN 10: 1350238317 ISBN 13: 9781350238312
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Hardcover. Condition: New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl, & Aramex, UPS, & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India, United states & United Kingdom. Depending on your location and availability.
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Published by The Arden Shakespeare, 2022
ISBN 10: 1350238317 ISBN 13: 9781350238312
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Add to basketHardcover. Condition: Brand New. 284 pages. 8.50x5.50x1.00 inches. In Stock.
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Published by Bloomsbury Publishing PLC Okt 2022, 2022
ISBN 10: 1350238317 ISBN 13: 9781350238312
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Published by Kayak, Santa Cruz, CA, 1964
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First Edition
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Add to basketStapled Wrappers. Condition: Very Good. First Edition. -1974. An unbroken ten year run of more than half this surrealist magazine's output profusely illustrated with original & found pieces, collages etc. Some staples a little rusty. Postage more than quoted!
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Published by Bloomsbury Publishing (UK), 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Published by Bloomsbury Publishing (UK), 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Published by Bloomsbury Publishing PLC, London, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Paperback. Condition: new. Paperback. To interrupt, both on stage and off, is to wrest power. From the Ghosts appearance in Hamlet to Celias frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader.Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style emphasizing a playwrights use and control of a text and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Published by Bloomsbury Publishing PLC, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Add to basketPaperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
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Published by The Arden Shakespeare, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Published by The Arden Shakespeare, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Published by Bloomsbury Publishing PLC, London, 2024
ISBN 10: 1350238341 ISBN 13: 9781350238343
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Add to basketPaperback. Condition: new. Paperback. To interrupt, both on stage and off, is to wrest power. From the Ghosts appearance in Hamlet to Celias frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader.Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style emphasizing a playwrights use and control of a text and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Language: English
Published by Bloomsbury Publishing (UK), 2022
ISBN 10: 1350238317 ISBN 13: 9781350238312
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HRD. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.