Michelson Hal (47 results)

Soft cover. Condition: Good. Mild Shelfwear And Edgewear, Light Stain On Front Cover, Crack In Binding Between Pages 84 And 85 With Page 83/84 Become Loose On Bottom, But No Other Damage, Otherwise An Unmarked, Clean, And Solid Copy.

Soft cover. Condition: Near Fine. Softcover. Spring 1998. This issue contains essays by Hal Foster, Alastair Wright, and Brigid Doherty among others. Near Fine. Thin octavo; stiff paper wraps; 144 pp.; illustrated in b/w; unobtusive creasing to top corner throughout, else a clean, crisp copy.

Soft Cover. Condition: Very Good. octavo; 123pp illus; Softcover, October 61, Summer 92, "Identity in Question" issue (Laclau-Mouffe, Ranciere, Cornel West, Bhabha, et al), no creases, light shelf wear, penciling to one article, o/w clean tight excellent copy.

Soft Cover. Condition: Near Fine. octavo; 129pp illus; Softcover, October 60, Spring 92, Documents Dossier (Bataille, et al) & other articles, no markings, no creases, slight corner bump, o/w pristine unused copy.

Softcover. Condition: Very Good with no dust jacket. Square, tight binding. Clean and bright pages. Wrappers have edge rubbing, light shelf and handling wear. Contents: Foster, What's new about the neo-avant-garde? Buchloh, Three conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris. Armstrong, Interviews with Ed Ruscha and Bruce Conner. de Duve, Echoes of the readymade: critique of pure modernism. Buskirk, Interviews with Sherie Levine, Louise Lawler, and Fred Wilson. Buskirk, Thoroughly modern Marcel. Round table: conceptual art and the reception of Duchamp. ; 9.0" tall; 146 pages.

Softcover. Condition: Very Good with no dust jacket. Sound binding. Pages bright and clean. Wrappers have very light shelf wear. ; Contents: Rajchman, Introduction: the question of identity. Scott, Multiculturalism and the politics of identity. West, A matter of life and death. Mouffe, Citizenship and political identity. Bhabha, Freedom's basis in the indeterminate. Rancière, Politics, identification, and subjectivization. Huyssen, The inevitability of nation: German intellectuals after unification. Laclau, Universalism, particularism, and the question of identity. Aronowitz, Reflections on identity. Smith, The Americans. ; 9.0" tall; 123 pages.

Softcover. Condition: Very Good with no dust jacket. Square, tight binding. Clean and bright pages. Wraps have edge rubbing, light shelf and handling wear, light soiling. ; Contents: Grigsby, "Geometry/Labor = Volume/Mass?"; Allen and Foster, "A Conversation with Kenneth Frampton"; Vidler, "Toward a Theory of the Architectural Program"; Scott, "Involuntary Prisoners of Architecture"; Anderson, "The Edge of Darkness: On W. G. Sebald"; Dean, "W. G. Sebald"; Jennings, "Not Fade Away: The Face of German History in Michael Schmidt's Ein-heit." ; 9.0" tall; 152 pages.

Condition: Very Good. Very Good Condition. Five star seller - Buy with confidence!

Soft cover. Condition: Near Fine. Softcover. Spring 1994. This issue contains essays by Rosalind Krauss, Jonathan Crary, and Linda Nochlin among others. Near Fine. Thin octavo; stiff paper wraps; 121 pp.; illustrated in b/w; slight rubbing and edgewear to cover, else a clean, crisp copy.

Soft cover. Condition: Near Fine. Softcover. Summer 1994. This issue contains essays by T.J. Clark, Dennis Hollier, and Andre Breton among others. Near Fine. Thin octavo; stiff paper wraps; 144 pp.; illustrated in b/w; slight rubbing and edgewear to cover, else a clean, crisp copy.

Soft cover. Condition: Near Fine. Softcover. Fall 1998. This issue contains essays by David F. Noble, John Rajchman and Jean-Francois Lyotard among others. Near Fine. Thin octavo; stiff paper wraps; 129 pp.; illustrated in b/w; slight rubbing and edgewear to cover, else a clean, crisp copy.

Trade Paperback. Condition: Used - Good. Open copy, light foxing along text edges and covers, interior pages clean.

123 pp.; 22.8 x 17.8 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz and "The Americans," by E.E. Smith. Very Good. 8 mm. black ink mark on recto near spine. Bumping of top and bottom right corners of covers and contents. Light yellowing of covers and pages. Contents clean and unmarked.

113 pp.; 23 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "Postmodernism in Parallax," by Hal Foster; "The Bullfight as Mirror," by Michel Leiris; "The Simple Life: Pastoralism and the Persistence of Genre in Recent Art," by Thomas Crow; "Before 'Bed,'" by Helen Molesworth "The Psychoanalysis of AIDS," by Tim Dean. Cover: Michael Asher, detail from "Sign in the Park," 1981. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 280. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condition: Very Good. Publisher: MIT Press, Cambridge, Mass, 2003.First Softcover Edition, First Printing. NEAR FINE softcover book in pictorial/illustrated wraps, as issued. Featuring articles about W.G. Sebald. Not remainder marked. Not a book club edition. Not an ex-library copy.

Trade Paperback. Condition: Used - Good. Light red pen markings throughout book.otherwise, very clean pages and tight binding.

Soft cover. Condition: Near Fine. Softcover. Fall 1994. This issue contains essays by Thierry de Duve, Hal Foster, Benjamin H.D. Buchloh, and Martha Buskirk among others. Near Fine. Thin octavo; stiff paper wraps; 146 pp.; illustrated in b/w; a touch of shelfwear to cover, else a clean, crisp copy.

131 pp.; 23 x 17.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "The Rat's Ass," by Molly Nesbit; "The Unsecret Life: A Warhol Advertisement," by David James; "'Where Is Your Rupture?': Mass Culture and the Gesamtkunstwerk," by Annette Michelson; "Armor Fou," by Hal Foster; "From Detail to Fragment: Décollage Affichiste," by Benjamin H.D. Buchloh; "'Nostalgie de la Boue,'" by Rosalind Krauss "Capital Effects," by Jonathan Crary. Cover: Window display, Bonwit Teller, New York, 1961. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 280. Fine. Covers and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Printed Wrappers. Condition: Fine. First Edition. 152pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Roundtable: The Global Before Globalization - Barry Flood, David Joselit, Alexander Nagel, Alessandra Russo, Eugene Wang, Christopher Wood, and Mimi Yiengpruksawan, Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla's Land Mark - Yates McKee, A Spectral Universality: Mona Hatoum's Biopolitics of Abstraction - Jaleh Mansoor, Wild Shanghai Grass - Molly Nesbit, Maison Tropicale: A Conversation with Manthia Diawara - Judith Rodenbeck, The Objective Case: A Review of Objectivity - D. Graham Burnett, and Index: Numbers 130-133 (Fall 2009-Summer 2010). A most handsome example. Journal.

Printed Wrappers. Condition: Fine. First Edition. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. Journal.

Printed Wrappers. Condition: Very Good. First Edition. 144pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The MoMA Expansion: A Conversation with Terence Riley - Hal Foster, Denis Hollier, Silvia Kolbowski and Rosalind Krauss; Cezanne: Words and Deeds - Yve-Alain Bois; Arche-tectures: Matisse and the End of (Art) History - Alastair Wright; Figures of the Pseudorevolution - Brigid Doherty; In the Laboratory of Constructivism: Karl Ioganson's Cold Structures - Maria Gough; and Mondrian, Hegel, Boogie - Harry Cooper. A handsome example showing some slight wear to the covers along with a slight dent to the crown of the spine. It has been priced accordingly. Journal.

Printed Wrappers. Condition: Fine. First Edition. 154pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Hiroshima After Iraq: A Study in Art and War - Rosalyn Deutsche, Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film - Michael Cowan, Cinema by Other Means - Pavle Levi, "Big, Middle-Class Modernism" - Richard Meyer, and Leather and Lace - George Baker. A most handsome example. Journal.

Printed Wrappers. Condition: Fine. First Edition. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Anthropology of Exit: Bataille on Heidegger and Fascism - Stefanos Geroulanos, Critique of Heidegger - Georges Bataille, Company - Daniel Heller-Roazen, The Gap and the Frame - Branden W. Joseph, How to Make Analogies in a Digital Age - Whitney Davis, and Suspicious Packages - Yates McKee. A most handsome copy. Journal.

Printed Wrappers. Condition: Very Good. First Edition. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: From The Neutral: Session of March 11, 1978 - Roland Barthes, Translated by Rosalind Krauss, Roland Barthes's Novel Antoine Compagnon, Translated by Rosalind Krauss, Notes (on the Index Card) - Denis Hollier, On Duchamp - Michel Leiris, Translated by Rosalind Krauss, Leiris / Nerval: A Few File Cards - Richard Sieburth, "These are not exercises in style": Le Chant du Styrène - Edward Dimendberg, Material Remains: Night and Fog - Emma Wilson, and Artists as Filmmakers in Los Angeles - David E. James. A handsome example showing a slight dent to the crown of the spine. Journal.

Printed Wrappers. Condition: Near Fine. First Edition. 103pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Allegory of Criticism - David Joselit; The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film - Jonathan Walley; Solecisms of Sight: Specular Speculations - Robert Morris; Line Describing a Cone and Related Films - Anthony McCall; Other Voices for a Second Sight - Vito Acconci. A handsome example. Journal.

Printed Wrappers. Condition: Fine. First Edition. 162pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Girl Love - Kaja Silverman; Reanimations (I) - George Baker; The Projected Image in Contemporary Art - Round Table featuring Malcolm Turvey, Hal Foster, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall; The Revolutionary Energy of the Outmoded - Christian Thorne; Beauty and the Status of Contemporary Criticism - Suzanne Perling Hudson; The Jesse Helms Theory of Art - Richard Meyer; Eva Hesse Retrospective: A Note on Milieu - Mignon Nixon; Letters and Responses: Juan Ignacio Vidarte and Allan Sekula. A most handsome copy. Journal.

Printed Wrappers. Condition: Very Good. First Edition. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Notes on Love and Photography - Eduardo Cadava and Paola Cortes-Rocca, Paper Tigress - Yve-Alain Bois, Two Moments from the Post-Medium Condition - Rosalind Krauss, Dream Dust - Mignon Nixon, The Caves of Gallizio and Hirschhorn: Excavations of the Present - Frances Stracey, and Doctor Hypnison and the Case of Written Cinema - Pavle Levi. A handsome example showing a slight dent to the lower foredge corner. Journal.

Printed Wrappers. Condition: Fine. First Edition. 134pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Introduction - Mignon Nixon, A Conversation with Juliet Mitchell - Tamar Garb & Mignon Nixon, Theory as an Object - Juliet Mitchell, On the Couch - Mignon Nixon, An Interview with Thomas Hirschhorn - Benjamin H. D. Buchloh, and Another Geometry: Gego's Reticulárea, 1969-1982 - Mónica Amor. A most handsome copy. Journal.

Printed Wrappers. Condition: Very Good. First Edition. 124pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Death of Paper: A Radio Play - Denis Hollier; Formless: A User's Guide, Excerpts To Introduce a User's Guide - Yve-Alain Bois; A User's Guide to Entropy - Yve-Alain Bois and Rosalind Krauss; Informe without Conclusion - Rosalind Krauss; Obscene, Abject, Traumatic - Hal Foster. A handsome example. Journal.

Printed Wrappers. Condition: Fine. First Edition. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue that is heavily focused on Canadian filmaker/photographer/musician Michael Snow include: Touching to See - Jean Arnaud, Keaton and Snow - Erik Bullot, The Child in the Machine: On the Use of CGI in Michael Snow's Corpus Callosum - Malcolm Turvey, The Sound of Music: A Conversation with Michael Snow - Annette Michelson, The Art of Darkness: On Steve McQueen - T. J. Demos, Photography Found and Lost: On Tacita Dean's Floh - Mark Godfrey, and Photography's Expanded Field - George Baker. A most handsome copy. Journal.