Mikami Hiroko (29 results)

Hardback. Condition: Very Good. Dust Jacket Condition: Fine. Not Ex Library. First Edition. 3 pagers with a very few underlined words; otherwise, book in excellent condition. Dust jacket glossy and without suffs, slight curling on spine, top, half-inch tear on top of back jacket.

Soft cover. Condition: Very Good. very minor shelf wear only.

Soft cover. Condition: Very Good. 1st Edition. very minor shelf wear only.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. 1st Edition. Near Fine; looks almost like new. Unclipped dust jacket, protected by mylar cover, is clean and bright with no rips or creases. Blue cloth boards with gilt-stamped titles are clean and sturdy. Binding tight. Pages clean and unmarked with no rips or creases. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. Photos available upon request. International shipping may be extra due to weight.

Soft cover. Condition: Very Good. as new unused.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: As New. Dust Jacket Condition: Fine. 1st Edition.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. First Edition. 8v0, Hardback with Unclipped Dust Jacket. XIV + 263 Pages, Illustrations. Small price sticker to rear of jacket. Overall a near fine copy in likewise jacket. Extra postage may apply for overseas orders. All books are posted in a sturdy book box.

Condition: New.

Soft cover. Condition: Very Good. As new, aside from very light shelf wear.

Paperback. Condition: Brand New. 186 pages. 8.25x6.00x0.50 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Paperback. Condition: new. Paperback. Ireland on Stage: Beckett and After, a collection of ten essays on contemporary Irish theatre, focuses primarily on Irish playwrights and their works, both in text and on the stage, in the latter half of the twentieth century. It is symbolic that most of the editorial work for this book was carried out in 2006, the centenary year of the birth of Samuel Beckett. While the editors consider Beckett to be the most important playwright in post-1950 Irish theatre, it should be noted that the contributors to the book are not bound in any sense by Beckettian criticism of any kind. The contributors draw freely on Beckett and his work: some examine Becketts plays in detail, while others, for whom Beckett remains an indispensable springboard to their discussions, pay closer attention to his or their own contemporaries, ranging from Brian Friel and Frank McGuinness to Marina Carr and Conor McPherson. The editorial policy of the book was flexible enough to allow contributors to go as far back as a hundred years in their attempt to contextualise post-1950 Irish theatre. The works of Oscar Wilde, W.B. Yeats, J.M. Synge, Bernard Shaw, Sean OCasey, and James Joyce are frequently mentioned throughout the book; this undoubtedly added to the dynamics of the book, as well as to the rigour which the editors believe should be apparent in the collection as a whole Ireland on Stage: Beckett and After, a collection of ten essays on contemporary Irish theatre, focuses primarily on Irish playwrights and their works, both in text and on the stage, in the latter half of the twentieth century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PF. Condition: New.

Hardcover. Condition: As New. From publisher's library. No marking on the jacket, library marking on spine. Bookplate on inside cover and library stamp, otherwise book is new, never read, pages clean and crisp, spine unbroken. 0223D.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Ireland on Stage: Beckett and After, a collection of ten essays on contemporary Irish theatre, focuses primarily on Irish playwrights and their works, both in text and on the stage, in the latter half of the twentieth century. It is symbolic that most of the editorial work for this book was carried out in 2006, the centenary year of the birth of Samuel Beckett. While the editors consider Beckett to be the most important playwright in post-1950 Irish theatre, it should be noted that the contributors to the book are not bound in any sense by Beckettian criticism of any kind. The contributors draw freely on Beckett and his work: some examine Beckett's plays in detail, while others, for whom Beckett remains an indispensable springboard to their discussions, pay closer attention to his or their own contemporaries, ranging from Brian Friel and Frank McGuinness to Marina Carr and Conor McPherson. The editorial policy of the book was flexible enough to allow contributors to go as far back as a hundred years in their attempt to contextualise post-1950 Irish theatre. The works of Oscar Wilde, W.B. Yeats, J.M. Synge, Bernard Shaw, Sean O'Casey, and James Joyce are frequently mentioned throughout the book; this undoubtedly added to the dynamics of the book, as well as to the rigour which the editors believe should be apparent in the collection as a whole.

Paperback. Condition: new. Paperback. Ireland on Stage: Beckett and After, a collection of ten essays on contemporary Irish theatre, focuses primarily on Irish playwrights and their works, both in text and on the stage, in the latter half of the twentieth century. It is symbolic that most of the editorial work for this book was carried out in 2006, the centenary year of the birth of Samuel Beckett. While the editors consider Beckett to be the most important playwright in post-1950 Irish theatre, it should be noted that the contributors to the book are not bound in any sense by Beckettian criticism of any kind. The contributors draw freely on Beckett and his work: some examine Becketts plays in detail, while others, for whom Beckett remains an indispensable springboard to their discussions, pay closer attention to his or their own contemporaries, ranging from Brian Friel and Frank McGuinness to Marina Carr and Conor McPherson. The editorial policy of the book was flexible enough to allow contributors to go as far back as a hundred years in their attempt to contextualise post-1950 Irish theatre. The works of Oscar Wilde, W.B. Yeats, J.M. Synge, Bernard Shaw, Sean OCasey, and James Joyce are frequently mentioned throughout the book; this undoubtedly added to the dynamics of the book, as well as to the rigour which the editors believe should be apparent in the collection as a whole Ireland on Stage: Beckett and After, a collection of ten essays on contemporary Irish theatre, focuses primarily on Irish playwrights and their works, both in text and on the stage, in the latter half of the twentieth century. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condition: Neu. Ireland on Stage | Beckett and After | Hiroko Mikami (u. a.) | Taschenbuch | 208 S. | Englisch | 2020 | Peter Lang | EAN 9781788749350 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.

Paperback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Condition: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Ireland on Stage: Beckett and After, a collection of ten essays on contemporary Irish theatre, focuses primarily on Irish playwrights and their works, both in text and on the stage, in the latter half of the twentieth century. It is symbolic that most of the editorial work for this book was carried out in 2006, the centenary year of the birth of Samuel Beckett. While the editors consider Beckett to be the most important playwright in post-1950 Irish theatre, it should be noted that the contributors to the book are not bound in any sense by Beckettian criticism of any kind. The contributors draw freely on Beckett and his work: some examine Beckett's plays in detail, while others, for whom Beckett remains an indispensable springboard to their discussions, pay closer attention to his or their own contemporaries, ranging from Brian Friel and Frank McGuinness to Marina Carr and Conor McPherson. The editorial policy of the book was flexible enough to allow contributors to go as far back as a hundred years in their attempt to contextualise post-1950 Irish theatre. The works of Oscar Wilde, W.B. Yeats, J.M. Synge, Bernard Shaw, Sean O'Casey, and James Joyce are frequently mentioned throughout the book; this undoubtedly added to the dynamics of the book, as well as to the rigour which the editors believe should be apparent in the collection as a whole 208 pp. Englisch.

Kartoniert / Broschiert. Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Ireland on Stage: Beckett and After, a collection of ten essays on contemporary Irish theatre, focuses primarily on Irish playwrights and their works, both in text and on the stage, in the latter half of the twentieth century.Ireland on Stage: Be.

Taschenbuch. Condition: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Ireland on Stage: Beckett and After, a collection of ten essays on contemporary Irish theatre, focuses primarily on Irish playwrights and their works, both in text and on the stage, in the latter half of the twentieth century. It is symbolic that most of the editorial work for this book was carried out in 2006, the centenary year of the birth of Samuel Beckett. While the editors consider Beckett to be the most important playwright in post-1950 Irish theatre, it should be noted that the contributors to the book are not bound in any sense by Beckettian criticism of any kind. The contributors draw freely on Beckett and his work: some examine Beckett¿s plays in detail, while others, for whom Beckett remains an indispensable springboard to their discussions, pay closer attention to his or their own contemporaries, ranging from Brian Friel and Frank McGuinness to Marina Carr and Conor McPherson. The editorial policy of the book was flexible enough to allow contributors to go as far back as a hundred years in their attempt to contextualise post-1950 Irish theatre. The works of Oscar Wilde, W.B. Yeats, J.M. Synge, Bernard Shaw, Sean O¿Casey, and James Joyce are frequently mentioned throughout the book; this undoubtedly added to the dynamics of the book, as well as to the rigour which the editors believe should be apparent in the collection as a wholeLang, Peter GmbH, Gontardstraße 11, 10178 Berlin 208 pp. Englisch.