Millard Hannah (14 results)

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Trade Paperback. Condition: Brand New. illustrated edition. 160 pages. 8.43x5.43x0.71 inches. In Stock.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Hardcover. First Edition Thus, Second Printing. Near Fine, with a Very Good glassine dust jacket. Some minor scuffing and toning to dust jacket. Interior is clean and unmarked, illustrated. Folio, 16"h x 11 3/4"w. A lovely reproduction of the masterpiece originally published in 1877.

Harcourt Brace Jovanovich, NY, 1877, 1981, 2nd printing of this facsimile, unpaginated but approx. 26 pages printed on one side only, introduction by Kevin Starr, historical note by Leon D. Adams, color illustrations by Hannah Millard, pale pink and raspberry imitation marbled endpapers, 11-1/2"x 16", hardcover, dark red cloth with paper title plate on front cover, just a bit of fading along bottom edge, pale dusty looking spots along top and bottom edges, bottom spine end slightly bumped and frayed, clear plastic wrap dust jacket scuffed with a short tear & a small piece missing at bottom of spine, contents clean and tight, a very nice looking book with beautiful illustrations, book good+ (G+/G) 828 [Hsss48JP].

HARDCOVER. Condition: Near Fine. MILLARD, Hannah (illustrator). Limited Edition, 1st Printing. Elephant folio; hardcover; 64 unnumbered pages. Quarter leather; gilt top edge; tight binding, clean throughout; beautiful marbled endpapers; Near Fine. This is copy #10 of 300, though only 65 sets were ever released, of which 25 were bound. Containing reproductions of the 10 oleographic color plates from watercolors done by Hannah Millard, this is an outstanding, exact facsimile of the original,which was published by the California State Viticultural Association in 1877. It was considered a highly important book both for its place in viticultural literature and for its construction in the tradition of fine printing in San Francisco. Few copies remain of the original edition; only around 12 are known to exist in private and institutional collections today (per John Windle). .

Condition: Overall very good condition. An album of twelve creations of Millard's including 6 small oil paintings of pastoral animals, & village scenes (one initialed), one signed pencil sketch (a large house on a road/railroad siding & silo) most likely California, four watercolors of leaves and a jug. The lithograph is of a small bunch of grapes, perhaps a study for her work on the "Grapes and Grape Vines of California". All are meticulously detailed and very lovely, the oils painted on thick paper and glued onto the existing pages of the album. Hannah Millard [1827 - 1900] was a New York born American artist, affiliated with the pre-Raphaelite artist movement. Followers of Ruskin paid close attention to the natural world, and these small gems are a tribute to his legacy. Millard was an art teacher at the San Jose Institute in 1874 and was commissioned by the State Vinicultural Society to illustrate the varieties of grapes grown in California in 1875. She painted ten highly detailed oils and watercolors of grapes which were used to illustrate the book, Grapes and Grape Vines of California (1877). [Artists in California 1786-1940]. In 2022, a copy of this extremely rare book realized almost $480,000 at auction. The plates are oleographs, a labor-intensive type of chromolithograph designed to imitate oil painting on canvas. Each color requires a separate stone, resulting in up to 28 impressions just to print a single plate-a total of 250,000 impressions for the full run of the book. Her "watercolor illustrations of ten grape varieties, painted in the vineyards at vintage time, are contributions to the science of viticulture. They are the first thus far in this country to picture in color both sides of the leaves of grapes, with the clusters and the tendrils on the canes. These are indispensable in identifying individual grape varieties among the more than ten thousand named throughout the world" (Adams). The paintings range in size from (2) 4 1/4 x 2", (10) 5 3/4 x 4 1/4" to 7 7/8 X 5 5/8". Most paintings have rounded top borders and are glued onto the scrapbook pages. The book is stamped in gilt on the front cover "H. Millard". 6 Oil paintings 1. Steer in a field, its coloring brown and white 2. Two sheep in a field, near a pond, an old tree behind, along with extremely delicate flowers. Initialed in the bottom left. 3. A graveyard with two stones visible on a hillside overlooking a town with the dominant bell tower of the church in the center. (California?) 4. A meadow scene of two pastures split by a rock wall, a man walking away from the viewer towards the cows in the distance, foreground of wildflowers. 5. A vista (California?) taken from a hilltop, looking towards a river with mountains in the mid and distance field. 6. A high road leading away, mountains in the distance, a small religious way house on the side of the road, a larger stone building on the right, a woman in a peasant outfit with red skirt in the foreground. (Italy?) Watercolors 1. A brown leaf with shadow, exquisitely executed 2. Five red leaves, the underside revealed, highlighted with gum Arabic. 3. Seven green & brown leaves, holly like, the underside revealed, highlighted with gum Arabic. 4. A jug with applied design of oak leaves and acorns, highlighted with white. Pencil sketch 1. A double story building with a verandah and possibly a silo next door, a barn behind. B&w, signed bottom left "H. Millard" Lithograph 1. A small bunch of grapes, exquisitely executed with dark shadow. With a letter from a dealer for provenance dated July 1989. The album has a small booksellers ticket inside the front cover from Francis & Loutrel Stationers, Steam Job Printers & Book Binders in New York City. They were established in 1844, and a resource at Stanford* dates this album to 1858, stating "Francis & Loutrel have removed from their old stand to the new store, no. 45 Maiden Lane, (near Nassau St.)." which is the address on this ticket. 9 x 13 1/4", brown leather, gilt decoration on spine with "Scrap Book" as title, and 'H. Millard' stamped on front cover in gilt, with gilt border. Cover detached but present, some pages detached. Glue residue visible around some images. 12 images in very good condition, with over 50 blank pages in the scrapbook. Some pages with tide mark on scrapbook page, not affecting the paintings themselves. A gathering of exquisite miniature paintings by an important American female Pre-Raphaelite artist. *searchworks.stanford # 8131884.