Mills Robert Edited (41 results)

Paperback. first PB. M-116, good , creases (ANTHOLOGY OF 17 STORIES), paperback,

Paperback. first PB. F-267, reading copy ,poor (ANTHOLOGY OF 16 STORIES), paperback,

Paperback. first PB. F-267, good - very good (ANTHOLOGY OF 16 STORIES), paperback,

Paperback. first PB. M-137, very good (ANTHOLOGY OF 15 STORIES), paperback,

Paperback. first edition. F-267 very good , creases Cover by Ed Emsh. paperback,

Paperback. 2nd. 54-577 very good, spine creases paperback,

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A little shelf worn but looks unread. The spine is slightly sunfaded but still legible.

Paperback. first PB. M-116, very good , (ANTHOLOGY OF 17 STORIES), paperback,

Paperback. first edition. 54-819 very good Cover art by Jack Gaughan. paperback,

Paperback. Reprint Edition. 64-374, very good -fine, , reading crease (ANTHOLOGY OF 15 STORIES), paperback,

Paperback. first PB. M-137, very good -fine, , reading crease (ANTHOLOGY OF 15 STORIES), paperback,

Paperback. first PB. F-267, very good - fine, reading crease (ANTHOLOGY OF 16 STORIES), paperback,

Paperback. Reprint Edition. 64-374, near fine, unread (ANTHOLOGY OF 15 STORIES), paperback,

Paperback. first PB. M-137, almost near fine, (ANTHOLOGY OF 15 STORIES), paperback,

Paperback. first PB. M-116, very good -fine, , reading crease (ANTHOLOGY OF 17 STORIES), paperback,

Paperback. first PB. F-267, almost near fine, (ANTHOLOGY OF 16 STORIES), paperback,

Paperback. first edition. 54-819 near fine, unread Cover art by Jack Gaughan. paperback,

Paperback. first edition. 54-819 almost near fine Cover art by Jack Gaughan. paperback,

Paperback. first PB. M-116, almost near fine, (ANTHOLOGY OF 17 STORIES), paperback,

Paperback. first PB. M-137, near fine, (ANTHOLOGY OF 15 STORIES), paperback,

Paperback. first PB. M-116, near fine, unread (ANTHOLOGY OF 17 STORIES), paperback,

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. "First Quest Edition 2003 First Printing 2003" stated. Fine hardback in fine dust jacket ($29.95) on rear panel. Only trivial, if any signs of age/previous use to book and dust jacket.

Softcover. Condition: Very Good. Magazines. 11 issues (lacking April). Pictorial wrappers. Pages toned, inked numbers on the front cover of three issues, binding slightly cocked on one volume, overall very good. Contributions by: William Eastlake, Isaac Asimov, Brian W. Aldiss, Rosel George Brown, Zenna Henderson, Arthur C. Clarke, Philip José Farmer, Carol Emshwiller, Stephen Barr, Cordwainer Smith, Kingsley Amis, Rosemary Harris, Kurt Vonnegut, Jr., Walter Tevis, and more.

Softcover. Condition: Fine. First edition. Pictorial mustard wrappers. Contains pages 79-136pp, [12]pp. Fine. Contributions by Henry Rago, Daryl Hine, May Swenson, Denise Levertov, Stanley Kunitz, Gwendolyn Brooks, Michael Benedikt, Daniel Hoffman, Larry Eigner, Frederick Bock, Lisel Mueller, Marvin Bell, Leonard Cochran, Richard Howard, HJ. Sobiloff, Robert Creeley, Galway kinnell, Gary Snyder, Karl Shapiro, Ralph J. Mills, Jr., and Hayden Carruth.

Cloth. Condition: Good. 2nd Impression. Hardback. Couple of letters in pen to inside cover. Slight fading to front cloth. Slight foxing to end pages. 260 pp. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions etc.).

Hard Cover. Condition: Fine. Dust Jacket Condition: Good. 751 pages. This conference was sponored by The Solid State Sciences Division of the Air Force Office of Scientific Research under Grant No. AF-AFOSR 61-31. "The four parts of this volume cover: 1. designs of high-field solenoids and supporting systems, 2. high-field research programs now underway at laboratories around the world, 3. application of high fields in solid-state and low-temperature physics, and 4. use of high fields in plasma physics." FINE HARDCOVER, GOOD DUST JACKET. Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condition: Very good condition. Dust Jacket Condition: Very good. xxiii, 298 pp. LCC: 2009939004.

Cloth. Condition: Very Good. Dust Jacket Condition: Fair. 1st Science Fiction Book Club Edition. Hardback. Wear and tear and a small waterstain mark to D/J. 260 pp.

No Binding. Condition: Near Fine. Original Proof Illustration. Proof, Color Print. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Sometimes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).

No Binding. Condition: Fine. Original Proof Illustration. Proof, Color. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Sometimes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).