Milroy John (89 results)

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. 1st Edition. Minor edge and corner wear; lightly scuffed and scratched; spine is gently creased; some light shelf wear; overall a very crisp and clean SIGNED FIRST EDITION! Inscribed by the author on the title page! Black and white pictorial wrapper with white and black lettering. 190 very clean unmarked and uncreased informative and historical pages nicely enhanced by black and white photographs and illustrations! "Memoir of John Milroy, L Company, 376th regiment, 94th Infantry Division, World War II." (SIGNED FIRST EDITION). Signed by Author(s).

Condition: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Condition: Good. No Jacket. Some light wear. Text is clean and tight in binding. Signed to "Dick and Sarah" on first page Size: 8vo - over 7¾" - 9¾" tall. Signed.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

No dust jacket as issued? Clean firm copy. No marks noted. Ships in 24 hours.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Condition: New.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condition: New. U.S. orders are shipped from N.Y. state.

Paperback. Condition: Very Good. very clean softcover signed by author with dedication to pre owner. no marks. clean text. solid binding. very light wear. ISBN matches listing Fast service with confirmation, no international or priority orders over 4lbs.

Hardcover. Condition: Good. No Jacket. Joan Milroy (illustrator). First Edition. Hardback: illustrated by JOAN MILROY, no dj, covers are a bit faded on the spine and the spine tips are slightly bumped, internal and foredge foxing, short tear on the lower edge of the title page, 2 top page corners are lightly bumped, else g. 8vo, 120pp.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: New.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover. Condition: new. Hardcover. Raw, personal and political, John Scott: Firestorm presents an artist's searing critique of modernity's capacity for industrial warfare and the machines that enable it.John Scott (19492022) produced paintings, drawings, and sculptures of what he called "engines of history," the hyper-masculine military and civilian weapons of the past half-century. Surveillance aircraft, B-52 and stealth bombers, tanks, cruise missiles and rockets, as well as handguns, muscle cars, and motorcycles forcefully imprint themselves upon the viewer through Scott's fierce mark-making and large, rough sculptural gestures. Humanoid rabbits-often surrounded by numbers that fail to add up-represent those threatened by such technologies. The dichotomy between the death-dealing weaponry of the nuclear era and the vulnerability of human beings lies at the core of Scott's work.Scott deployed an idiosyncratic graphic language to represent apocalyptic machines and power imbalances, working in the tradition of Francisco Goya, Kthe Kollwitz, Nancy Spero, and others. Scott grew up in Windsor, Ontario, across the river from Detroit, Michigan. Like many Canadian artists, writers, and intellectuals of his time, Scott was a close watcher of America, with a front-row seat on a sometimes rogue nation. Stylistically, his work is close to that of his contemporaries Jean-Michel Basquiat and William Kentridge, showing a kindred ferocity of mark-making and dark urgency.John Scott: Firestorm accompanies the exhibition of the same name organized by the McMichael Canadian Art Collection, curated by Canadian art scholar John O'Brian. It is the first major exhibition of Scott's work to focus on his imagery of machines and modernity's capacity for industrial war-a body of work as meaningful today as it was when it first appeared in the 1970s. This publication features over 100 of Scott's works, a detailed biography, and new critical writings on the artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condition: New. Raw, personal and political, John Scott: Firestorm presents an artist's searing critique of modernity's capacity for industrial warfare and the machines that enable it.John Scott (1949-2022) produced paintings, drawings, and sculptures of what he called "engines of history," the hyper-masculine military and civilian weapons of the past half-century. Surveillance aircraft, B-52 and stealth bombers, tanks, cruise missiles and rockets, as well as handguns, muscle cars, and motorcycles forcefully imprint themselves upon the viewer through Scott's fierce mark-making and large, rough sculptural gestures. Humanoid rabbits-often surrounded by numbers that fail to add up-represent those threatened by such technologies. The dichotomy between the death-dealing weaponry of the nuclear era and the vulnerability of human beings lies at the core of Scott's work.Scott deployed an idiosyncratic graphic language to represent apocalyptic machines and power imbalances, working in the tradition of Francisco Goya, Käthe Kollwitz, Nancy Spero, and others. Scott grew up in Windsor, Ontario, across the river from Detroit, Michigan. Like many Canadian artists, writers, and intellectuals of his time, Scott was a close watcher of America, with a front-row seat on a sometimes rogue nation. Stylistically, his work is close to that of his contemporaries Jean-Michel Basquiat and William Kentridge, showing a kindred ferocity of mark-making and dark urgency.John Scott: Firestorm accompanies the exhibition of the same name organized by the McMichael Canadian Art Collection, curated by Canadian art scholar John O'Brian. It is the first major exhibition of Scott's work to focus on his imagery of machines and modernity's capacity for industrial war-a body of work as meaningful today as it was when it first appeared in the 1970s. This publication features over 100 of Scott's works, a detailed biography, and new critical writings on the artist.

Hardback. Condition: New. Gathie Falk: Revelations, published on the occasion of the retrospective exhibition curated by Sarah Milroy, investigates the career of a legendary Canadian artist.Gathie Falk (1928-2026) was born in Brandon, Manitoba, settling finally in Vancouver, where she established herself as one of Canada's most visionary and experimental artists. Flying horses, rows of potted conifers festooned with blossoms and ribbons, floating cabbages, piles of glossy apples, gentlemen's brogues presented in reliquary style, expanses of water, or burgeoning flower beds exploding with color-these were the manifestations of Falk's rampant imagination as she explored the disciplines of painting, ceramic, performance art and installation over the span of a half century. In all her works, effulgence and order were held in a dynamic tension as she worked through her generative themes and variations.A trailblazer on all fronts, she brought a rich sensibility to bear on her observations of the everyday, perceptions often tinged with the surreal and the uncanny. From her fruit piles to the landmark performances of her early career, to her extended pursuit of themes with variations in her painting practice -expanses of water dazzling with light, riotous flower borders set against cement sidewalks, night skies pierced by starlight or obscured by clouds-she found the wondrous in the routine world around her, pursuing her work with a modesty and diligence that reflected her Russian Mennonite heritage.The publication includes an introduction by McMichael Chief Curator Sarah Milroy, lead essay by Vancouver curator and writer Daina Augaitis (who examines her performance and installation works in a national and international context), and a host of other artists and writers, rising to the occasion of this career-spanning survey. This catalogue summarizes an extraordinary career, with full-page images of her artworks and rarely seen archival photos of the artist's studio, performance works, and Falk herself.For more than sixty years, Falk generated work of extraordinary thematic integrity and material invention. This publication illuminates those connections across disciplines, while also tracing the artist's journey from youth to old age-from the lushness of the fruit piles, with their sensuous surfaces and dazzling colors, to the sepulchral hush of the night skies.

Hardback or Cased Book. Condition: New. Early Days: Indigenous Art from the McMichael. Book.

Hardback. Condition: New. Gathie Falk: Revelations, published on the occasion of the retrospective exhibition curated by Sarah Milroy, investigates the career of a legendary Canadian artist.Gathie Falk (1928-2026) was born in Brandon, Manitoba, settling finally in Vancouver, where she established herself as one of Canada's most visionary and experimental artists. Flying horses, rows of potted conifers festooned with blossoms and ribbons, floating cabbages, piles of glossy apples, gentlemen's brogues presented in reliquary style, expanses of water, or burgeoning flower beds exploding with color-these were the manifestations of Falk's rampant imagination as she explored the disciplines of painting, ceramic, performance art and installation over the span of a half century. In all her works, effulgence and order were held in a dynamic tension as she worked through her generative themes and variations.A trailblazer on all fronts, she brought a rich sensibility to bear on her observations of the everyday, perceptions often tinged with the surreal and the uncanny. From her fruit piles to the landmark performances of her early career, to her extended pursuit of themes with variations in her painting practice -expanses of water dazzling with light, riotous flower borders set against cement sidewalks, night skies pierced by starlight or obscured by clouds-she found the wondrous in the routine world around her, pursuing her work with a modesty and diligence that reflected her Russian Mennonite heritage.The publication includes an introduction by McMichael Chief Curator Sarah Milroy, lead essay by Vancouver curator and writer Daina Augaitis (who examines her performance and installation works in a national and international context), and a host of other artists and writers, rising to the occasion of this career-spanning survey. This catalogue summarizes an extraordinary career, with full-page images of her artworks and rarely seen archival photos of the artist's studio, performance works, and Falk herself.For more than sixty years, Falk generated work of extraordinary thematic integrity and material invention. This publication illuminates those connections across disciplines, while also tracing the artist's journey from youth to old age-from the lushness of the fruit piles, with their sensuous surfaces and dazzling colors, to the sepulchral hush of the night skies.