Mitchell Bros (13 results)

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condition: New. Print on Demand. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Paperback. Condition: New. Print on Demand. This book chronicles the evolution of grain elevators from their humble beginnings as simple storage facilities to the sophisticated shipping and handling systems they are today. The author traces the development of these structures within the broader context of the grain trade, highlighting the technological advancements and economic forces that have shaped their design and function. Through detailed descriptions and historical anecdotes, the book sheds light on the vital role grain elevators have played in shaping the global food supply chain. The author delves into the challenges and opportunities that lie ahead for the grain elevator industry, exploring the potential for further technological advancements and the need for sustainable practices. This book offers a comprehensive and engaging exploration of a subject that is both historically significant and essential to understanding the modern food system. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

Paperback. Condition: Good. First Edition. [An Industrial Agricultural Journal devoted to flour and feed millers in the late 19th and early 20th centuries.] 52 volumes, approximately 508 issues. Includes vols. 1-19, 25-58. The first issues are relatively slim and have some wear to the wraps. Vols 6-13 are hardbound. A mostly complete run (the 1902 volume is missing the second issue, lacking 5 vols from 1892-1897). Oversized, 38-40 cm. Most volumes have original publisher's blue wraps. Softcover. Good binding and cover. Clean, unmarked pages. Some volumes bound in hardcover. The American Miller covers the advent of the industrial revolution and the electrification of the milling industry. A fascinating view into the development of American industry. Includes numerous photographs, images, diagrams, etc. Many contemporary ads. A large format monthly journal on milling. Includes: 1-5 (Individual issues); 6-13 (Hardbound); 14-19, 26-58. Also includes the 1930 Christmas greetings issue. Please note: This is an incredibly rare and well preserved set. It is extremely heavy, comprising 10 large boxes. Extra-shipping charges may apply.

Revue Rock & Folk n° 28 de mai 1969. In-4 agrafé de 76 pages, au format 27 x 21,5 cm. Couvertures photographiques avec Eddy Mitchell. Couvertures avec d'infimes frottis aux coins. Intérieur frais. Mensuel musical français consacré à la musique rock et pop, fondé en 1966 par Robert Baudelet, Jean Tronchot, Philippe Adler, Jean-Pierre Leloir et Philippe Koechlin. La revue connut la participation de nombreux photographes dont : Jean-Pierre Leloir, Claude Gassian, Pierre Terrasson, Gaëlle Ghesquière, Bruno Ducourant,Patrice Guino, Jean-Louis Rancurel, Dominique Tarlé, Bertrand Alary et Saddri Derradji. Nombreux articles sur le Rock, le blues, la soul, la pop dont : Eddy Mitchell, Donovan, Nina Simone, Hugues Aufray, Janis Joplin, Chambers Bros, etc. Nombreuses chroniques avec de très nombreuses photographies en noir et blanc. Rare édition originale, en très bel état de fraicheur.

Vintage five-color, metallic silver, Art Deco style "The Mitchell Bros. [Brothers] are Now Casting" window card poster, designed by Heffernan, 1974. The text on the inviting adult filmmakers' casting call poster continues, "For 1974 Film Production. Interviews every Tues. & Thurs. 10-6 / O'Farrell Theatre, 895 O'Farrell St. 441-1930." Jim and Artie Mitchell (the Mitchell Brothers) were highly successful entrepreneurs and trailblazers in adult films and adult cinemas between 1969 and 1991. They opened their first X-rated theater, San Francisco's now infamous O'Farrell Theatre on July 4, 1969, once described by Hunter S. Thompson as "the Carnegie Hall of public sex in America." Three weeks after opening, plain clothes police raided the theater, arrested Jim, and began what would be the first of over 200 obscenity trials the Mitchells would fight over the next two decades. Soon the brothers would be producing and directing hardcore films upstairs at the O'Farrell, later to be shown in the downstairs theater. In 1972 they produced and directed one of the most famous feature-length pornographic films, "Behind the Green Door," starring the then unknown Marilyn Chambers, in her porn debut. The $60,000 film grossed over $25 million, and along with the 1972 film "Deep Throat," directed by Gerard Damiano, and starring Linda Lovelace, would usher in what would be known as "The Golden Age of Porn." By the mid-1970s, the time in which the poster on offer here was made, the industry was booming, and the Mitchells were producing fairly lavish feature-length hardcore films with substantial budgets, and soon opened more theaters throughout California, becoming incorporated as Cinema 7. By the late 1970s and early 1980s the industry was rapidly changing due to the proliferation of the video cassette, which saw theater screenings plummet, and the brothers' profits drop. The Mitchells response was three new rooms with live shows, pioneering what would come to be known as "lap dancing," incurring entirely new court threats regarding the legality of customer contact. The Mitchells found themselves largely victorious in their many legal disputes but did make a concession for their New York Live club, requiring performers to wear some minimal clothing while interacting with patrons. In 1991, Jim fatally shot his brother Artie and served three years of a six year term for voluntary manslaughter, returning to manage the O'Farrell Theatre in 1997. Jim died in 2007, and the O'Farrell Theatre closed in 2020 during the COVID-19 pandemic, following several years of financial struggles. The Mitchell Brothers were the subjects of two biographies, David McCumber's "X-Rated" (1992) and John Hubner's "Bottom Feeders: From Free Love to Hard Core" (1993), the former of which was the basis for the 2000 film "Rated X," directed by Emilio Estevez, and starring Estevez and his brother Charlie Sheen. 11 x 15.75 inches on card stock. Very Good plus, with some faint creasing and light soiling to the bottom right margin. Bright and unfaded.