Moore Esq Thomas (63 results)

paper wrappers. Condition: Fine. W/M 1828. 8pp. Disbound copy. Engraved title-page. [Thomas Moore 1779-1852]. Music & words by T. Moore and Mr Bishop.

Hardcover. Condition: Very Good. full leather some wear very tight.

paper wrappers. Condition: Fine. ND w/m1825. 7pp. Disbound copy. Engraved title with plate engraved music. Thomas Moore [1779-1852]. Music & words by T. Moore. Disbound copy. Nice dark impression but with off-setting.

paper wrappers. Condition: Fine. ND c1810. 3pp. Disbound copy. Engraved title with plate engraved music printed beneath.Thomas Moore 1779-1852]. Music & words by T. Moore.). The small label of F.Rhames, No 16 Exchange Street Dublin pasted over the pub. imprint [but not covering it completely]. Small chip to upper corner front page.

paper wrappers. Condition: Fine. 1st UK edition. ND c1808. 7pp. Disbound copy. Attractive engraved title-page with plate engraved music printed on rag paper.[Thomas Moore 1779-1852] Anon. title-page but author at head of music-(Music & words by T. Moore.). Fore-edge of 2 leaves of music small tears to edges but no loss.

paper wrappers. Condition: Fine. 1st UK edition. ND c1806. 7pp. Disbound copy. Attractive engraved title-page with plate engraved music. [Thomas Moore 1779-1852] Faint watermark date but cannot be read.

Hardcover. Condition: Very Good. Full leather binding in very good condition. PO bookplate. Publication dates for plays are: 1794, 1792, 1791, 1791. Binding secure. All plays adapted for theatrical representation as performed at Theatres-Royal, Drury-Lane and Covent Garden. Book.

Hardcover. Condition: Very Good. Full leather binding in very good condition. PO bookplate. Publication dates for plays are: 1794, 1792, 1791, 1791. Binding secure. All plays adapted for theatrical representation as performed at Theatres-Royal, Drury-Lane and Covent Garden. Book.

Hardcover. Condition: Very Good-. Dust Jacket Condition: No Dust Jacket.

Hardcover. Condition: Very Good-. Dust Jacket Condition: No Dust Jacket.

Hardcover. Condition: Very Good. Dust Jacket Condition: No Dust Jacket.

Hardcover. Condition: Good+. Dust Jacket Condition: No Dust Jacket.

Hardcover. Condition: Good+. Dust Jacket Condition: No Dust Jacket.

Hardcover. Condition: Good+. Dust Jacket Condition: No Dust Jacket.

Hardcover. Condition: Good. Black leather, elaborately blind-stamped with a vignette of a lion catching a stag in the center of both covers, "Moore's Melodies" in gilt to the spine, all page edges gilt, 4 1/4 x 2 3/4 inches, tight. Waxed yellow end papers. Steel-engraved frontispiece by Hinshelwood of a man in a mountain setting, lacking tissue guard. Title page is printed in red & black. xv., 260 pages of verse, words only (no music). Moderate foxing throughout. The majority of these verses pertain to Ireland and the Irish, but not every one. The first entry is A Canadian Boat Song, written on the River St. Lawrence.Thomas Moore (1779-1852), b. Dublin, Ireland; d. Wiltshire, England. A poet, Moore was known as the "Irish Bard" during his lifetime. His "acclaim rested primarily on the popularity of his Irish Melodies.old Irish tunes verses that spoke to a narrative of Irish dispossession, loss, and resistance. With his romantic work Lalla Rookh (1817), in which these same themes are explored in an elaborate orientalist allegory, Moore achieved wider critical recognition. Translated into several languages, and adapted and arranged for musical performance by, among others, Robert Schumann, the chivalric verse-narrative established Moore as one of the leading exemplars of European romanticism." - wikipedia.The illustrator is Robert Hinshelwood (1812-ca. 1875), b. Edinburgh, Scotland; d. likely in New York City. An engraver, etcher, and landscape painter, Hinshelwood studied in Scotland before emigrating to New York about the year 1835. He worked for the Harper Brothers and others as a book illustrator, and later for the Continental Bank Note Company. "He is best know for his landscape engravings." - Groce & Wallace, The New-York Historical Society's Dictionary of Artists in America, 1564-1860.

Hard Cover. Condition: Very Good. New Edition Carefully Revised. Cloth Binding. Black embossed title with art on cover. Gilt title on spine with black embossed art. Famous Poet. Light wear on top and bottom of spine. Spine is beginning to separate.

Hard cover. Condition: Very good. First American Edition issued in this format. Very good copies, stamped publisher's cloth with gilt lettering on the spine. The pages are bright and clear, with some minimal spotting throughout.

Hardcover. Condition: Good. No Jacket. A lovely small leather bound set of volumes; please note the volume numbers as the set is not complete. Engraved frontispiece and half title pages. Morocco leather with 1/4 calf spine and boards with green cloth covers. Gilt lettered spines with 4 raised bands and floral accents. Some foxing noted on half title pages. A very lovely set. Additional photos available upon request - shipping insured, boxed.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Superb early [1832/1833] edition comprising 17 volumes. 12mo size, 11 cm by 17.5cm. Three quarter green calf buckram bindings, slight fading to the spines. Bright gold titles. Ex-owner's antique bookplate to inside covers. The endpapers have a thin edge border of tanning caused by contact with the calf. Excellent pages. Overall a Fine condition set.

Softcover. Condition: Good. Sheet music. Folio. Single sheet printed on the recto only and folded in half making for two pages of content. Separated along the fold but both leaves are present, notched and worn along the fold from once being bound within an album, offsetting and light foxing throughout, a complete but good only copy. For voice and piano.

Softcover. Condition: Good. Stated second edition. Part two only (second number). Illustrated in black and white with a frontispiece of Henry Bishop and a title page illustration by Thos. Stothard R.A. engraved by Chas. Heath. Folio. [7], 59-113pp. Lacking the wrappers, owner name on the inscription page, foxing throughout, spine cocked with chips and tears, and a chip to the front free endpaper, still a good or better copy. For voice and piano. Plate number 356.

Hardcover. Condition: Good. Illustrated Edition. 1 "Lalla Rookh: An Oriental Romance" by Thomas Moore Esq Longmans, Orme, Brown, London - 1838 UK edition - 30cmx20cm - embellished with engravings by famous painters - condition: good, rebound in half leather binding with rubbing and wear to boards and spine, engraved frontispiece and all plates, engraved title page loose but present, minor foxing. Lalla Rookh is an Oriental romance by Irish poet Thomas Moore, published in 1817. The title is taken from the name of the heroine of the frame tale, the (fictional) daughter of the 17th-century Mughal emperor Aurangzeb. The work consists of four narrative poems with a connecting tale in prose. 2 "Irish Melodies" by Thomas Moore Esq - J. Power, London - 1823 UK edition - 238p, 14cmx12cm - condition: leather binding with minor wear, with some b/w line illustrations. Nice copy.

Softcover. Condition: Good. Unknown edition. Folio. 5pp. Wrappers. Owner name on the front cover, nearly separated at the spine, notched in the spine from once being bound within an album, early tape repair to the verso of the front wrapper and along the spine on the rear wrapper, edgewear, and creasing to the top of the pages, a complete but good only copy. For voice and piano. Plate number 918. *OCLC* locates only one holding of this edition and dates it at 1830.

Fourth American edition. An Asian romance published originally in 1817. Lalla Rookh is the daughter of the 18th century Mughal emperor Aurangzeb, her story unfolds in four narrative poems, connected by text. 1853 gift inscription on the ffep. 8vo, 3/4 brown leather and marbled boards, marble eps, tissue guarded steel engraved illustrations throughout by E. Corbould. Marbled edges and end papers. Half brown calf binding with different marbled paper, possibly rebound. Spine in six compartments, black title labels and small embossed decoration. Slt. rubbed at edges; internally clean, binding tight.

in englischer Sprache Frontispiz, Zeichnung auf Titelseite HalblederLn., Goldschnitt oben, 5 Bünde, , altersgemäß guter Zustand.

Softcover. Condition: Very Good. Unknown edition. Folio. A single sheet printed on the recto only and folded once creating two pages of content. Notched and worn along the fold from once being bound within an album, foxing and light offsetting, still a very good copy. For voice and piano. *OCLC* locates only a single holding and it appears to be equally scarce in the trade.

Softcover. Condition: Very Good. Unknown edition. Folio. Single bifolium making four pages. Owner inscription in pencil on the front cover, notches in the spine from once being bound within an album, a light dampstain to the top margin affecting throughout, and light foxing throughout, still a very good and complete copy. *OCLC* locates no holdings of this edition.

Illustrated by engraved frontis and title. First thus US edition. Full green calf decorated and stamped gilt for A.C. Warne, aeg. 24mo (14,5cm). pp. 300. Very Good. Minor rubbing to binding, foxing starting, gift inscription ffep. Verse to 113 Irish melodies, 32 sacred songs, 46 National airs and 71 ballads.

Hardcover. Condition: Fine. Very attractive small (10x16cm) green calf bound 1824 hardback with decorative gilt spine and covers. 5th edition, in fine condition. Marbled edges and endpapers, xii plus 237pp.

Softcover. Condition: Very Good. Sheet music. Folio. Single sheet printed on the recto only and folded in half creating two pages of content. Notched and worn along the spine and numbered in ink on the front cover from once being bound within an album, edgeweear including a few small tears, and some light foxing, still very good with the music remaining quite bright. For voice and piano. There appear to be a few different collections of Irish melodies by Stevenson, which include this title, released by different publishers during the first half of the 19th century. Given the presentation of this edition, we don't believe it was never part of a larger published volume. *OCLC* locates no holdings of this edition published by J.A. & W. Geib.