Munsing Stefan (20 results)

Paperback. Condition: Very Good. Dust Jacket Condition: Very Good-. 52 pages; vom 2. September bis 31. Oktober 1949 Contents clean and tight in original stiff wrappers in pictorial dustjacket with some short tears at extermities. Catalog of elements of the the collection exhibited i 1949. OCLC: 2309203 Illustrations throughout of works in ceramics, jewelry, textiles, sculpture, etc. Scarce catalog of this post WWII exhibition. Arranged and edited by one of the "Monuments Men" in Occupied Germany (Territory under Allied occupation, 1945-1955. U. S. Zone) Office of Military Government for Bavaria. Museums, Fine Arts, and Cultural Materials Exchange Section. Stefan P. Munsing [1915-1994] worked in New York City as a designer for Hans Knoll, Norman Bel Geddes and RCA. Munsing served in the Army in World War II, then as Chief of the Monuments, Fine-Arts & Archives Section in Munich. The MFAA was an Army unit locating stolen artworks which had disappeared into the huge Nazi hoards during the war. [Readers of this listing will have ample reason to appreciate the activities of this important organization by the end of December 2013, when George Cluny's movie: "Monument Men" is due to be released.] Munsing later joined the U.S. Department of State during the later 1940's and '50's, where he established the State Department's Amerika Haus programs in Munich and Berlin and organized exhibitions and cultural programs in Germany and Austria. In 1955, he was named cultural officer at the American Embassy in London, where he staged exhibitions of such New York artists as Philip Pavia, Paul Jenkins and Ben Shahn and became an important force in the London art world. Munsing returned to the U.S. in the 1960's and 70's where he helped establish the contemporary art collection of the National Museum of Fine Arts in Washington (now the National Museum of American Art) and headed the State Department's Art in Embassies program. In retirement from the State Department after 1976, Mr. Munsing was a consultant to the American Association of Museums.

Paperback. Condition: Very Good+. First Edition. 12 pages; Clean and secure in original pictorial stiff wrappers. OCLC 82652886 One color plate, two b&w plates. Former owner's name at top of front wrapper - Dr. [Stefan] Munsing. Marek Zulawski (1908 in Rome 1985 in London), was a Polish painter, graphic artist and art historian who settled in London in 1937. Between 1926 and 1933 he studied at the Academy of Fine Arts in Warsaw under professors Felicjan Kowarski and Karol Tichy at the same time as his cousin, Jacek Zulawski. In 1935 he won a scholarship to study in Paris; then in 1937 he moved permanently to London. There he fraternized with other Polish artists, including Feliks Topolski, Halima Nalecz, Marian Szyszko-Bohusz and the Themersons. Initially he was influenced by Post-Impressionism, but after the war he refined his own style, employing a simpler form and a more muted palette. His subjects included still life and figurative art such as Chrystus z Belsen 1947, Tancerz 1957, etc. Stefan P. Munsing [1915-1994] worked in New York City as a designer for Hans Knoll, Norman Bel Geddes and RCA. Munsing served in the Army in World War II, then as Chief of the Monuments, Fine-Arts & Archives Section in Munich. The MFAA was an Army unit locating stolen artworks which had disappeared into the huge Nazi hoards during the war. [The "Monuments Men"] Munsing later joined the U.S. Department of State during the later 1940's and '50's, where he established the State Department's Amerika Haus programs in Munich and Berlin and organized exhibitions and cultural programs in Germany and Austria. In 1955, he was named cultural officer at the American Embassy in London, where he staged exhibitions of such New York artists as Philip Pavia, Paul Jenkins and Ben Shahn and became an important force in the London art world. Munsing returned to the U.S. in the 1960's and 70's where he helped establish the contemporary art collection of the National Museum of Fine Arts in Washington (now the National Museum of American Art) and headed the State Department's Art in Embassies program. In retirement from the State Department after 1976, Mr. Munsing was a consultant to the American Association of Museums.

Text von Andreas Lommel. Fotos von Herbert List 1. Auflage. 47 Seiten. Orig.-Engl.-Br., Quart 25,2 x 18 cm, 47 S. mit zahlr. teils ganzseitigen Bildtafeln; Umschlag altersspurig/berieben, innen ordentliches Exemplar.

Couverture souple. Condition: Assez bon. Allemand.Sans date,circa 1970.Photos n & b.Certaines pages ont ete collees entre elles.Non pagine.Poids 250 gr.Format 24,5 x 18 cm.

Paperback. Condition: Near Fine. Offprint from Museums Journal Vol. 61, No. 3 December 1961; 8 pages; Contents clean and unmarked in original self wrappers. This offprint contain an asticle by Stefan Munsing on the American Museum in Britain - Claverton House in Bath. Included is a typed letter on American Museum in Britain letterhead to Munsing from the museum's director Ian McCallun (signed) thanking Munsing for his help in organizing an American Costume exhibition. The American Museum in Britain is based at Claverton Manor, near Bath, England, in a house, designed by Jeffry Wyatville and built in the 1820s on the site of a manor bought by Ralph Allen in 1758, replacing the manor house built by Ralph of Shrewsbury around 1340. The museum was founded by two antique collectors, an American, Dallas Pratt (August 21, 1914 May 20, 1994) and a Briton, John Judkyn (1913 July 27, 1963) and opened to the public for the first time on July 1, 1961. The exhibits cover American history in form of period rooms from circa 1690 to 1860 with space for exhibitions on more recent events and topics. Stefan P. Munsing [1915-1994] worked in New York City as a designer for Hans Knoll, Norman Bel Geddes and RCA. Munsing served in the Army in World War II, then as Chief of the Monuments, Fine-Arts & Archives Section in Munich. The MFAA was an Army unit locating stolen artworks which had disappeared into the huge Nazi hoards during the war. [The "Monuments Men"] Munsing later joined the U.S. Department of State during the later 1940's and '50's, where he established the State Department's Amerika Haus programs in Munich and Berlin and organized exhibitions and cultural programs in Germany and Austria. In 1955, he was named cultural officer at the American Embassy in London, where he staged exhibitions of such New York artists as Philip Pavia, Paul Jenkins and Ben Shahn and became an important force in the London art world. Munsing returned to the U.S. in the 1960's and 70's where he helped establish the contemporary art collection of the National Museum of Fine Arts in Washington (now the National Museum of American Art) and headed the State Department's Art in Embassies program. In retirement from the State Department after 1976, Mr. Munsing was a consultant to the American Association of Museums.

Abb., 50 S. illustr. Orig. Karton ---geringe Gebrauchsspuren,

Softcover. 47 Seiten Zustand: Keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten bestoßen und berieben. Einband fleckig. Sprache: Deutsch Gewicht in Gramm: 150.

22,5 x 16 cm. Condition: Gut. 38 Seiten ; Mit Illustrationen Softcover, original Broschur mit Bibliotheksrückenschild, etwas berieben. Innen mit Stempel, leicht gebräunt, in sehr gutem Zustand. Bitte beachten Sie unsere Bilder. PG-0108 Sprache: Deutsch Gewicht in Gramm: 100.

Soft cover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. 50 pages, illustrations : 24 cm.

Soft cover. Condition: Very Good. 1st Edition. 72 pages, plates ; 25 cm.

8° Broschiert. Condition: Gut. Broschiertes Heft, 22 x 15 cm, etwas stärker berieben, Kanten bestoßen und mit kleinen Läsuren, jedoch voll intakt und innen sauber und in gutem Zustand. Beiheft bzw. Katalog zu einer Ausstellung in München, die vier Jahre nach Kriegsende versucht, eine Übersicht über zeitgenössische Kunst in Deutschland zu vermitteln, darunter die von vielen Künstlern, die unter dem nationalsozialistischen Regime als entartet galten. Vorgestellt werden Werke von 117 Künstlern, darunter so namhafte wie Oskar Schlemmer, Karl Schmidt-Rottluff, Max Pechstein oder Otto Dix. Stichworte: Kunst, Nachkriegs-Kunst, Zeitgenössische Kunst im Nachkriegs-Deutschland 44 S., zahlr. Abb. Deutsch 100g.

47 (1) S m. zahlr. Abb., gr.-8°, OBr. m. ill. OU (Umschlag berieben und mit Rissen, Papier - Katalogteil - gebräunt) Versand per Deutsche Post /DHL. Vorkasse grundsätzlich vorbehalten. BECAUSE OF THE EPR REGULATION NO SHIPPIMG POSSIBLE TO AUSTRIA, BULGARIA, FRANCE, GREECE, LUXEMBOURG, POLAND, ROMANIA, SWEDE, SLOVAKIA, SPAIN. Sprache: Deutsch Gewicht in Gramm: 350.

Broschiert. Condition: Gut. 50 Seiten mit Abbildungen kleinere Gebrauchsspuren, Ecken und Kanten leicht berieben, innen sauber und ordentlich, Q71 Sprache: Deutsch Gewicht in Gramm: 400.

Condition: New. Print on Demand pp. 24.

Condition: Gut. Erste Auflage. Moderne Kunst, Klassische Moderne, Kunst - Munsing, Stefan P. (Hrsg.). Kunstschaffen in Deutschland. Ausstellung im Juni - Juli 1949. Central Art Collecting Point Arcis-Straße 10, München. Erste Auflage. München. 1949. 38, [6] S. Mit zahlreichen Abbildungen. Gr.-8°. Original-Karton im Original-Schutzumschlag. Etwas unfrisch, knittrig mit kleineren Randläsuren. Katalog zu einer Ausstellung moderner Kunst nach den Jahren des Nazi-Terrors. Insgesamt gut erhalten.

Soft cover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 8° - 65 pp - B/w reproductions. First edition, text in German language. Painters at the Bauhaus : Kandinsky, Fininger, Klee, Albers, Bayer, Moholy-Nagy, Muche, Schlemmer, Marcks, First edition, text in German language. Original boards and dust-jacket. In Very good condition.

Broschur. Condition: Gut. Unpaginert Ausstellungskatalog Bibl.-Ex., Guter Zustand. gebraucht; gut Bibl.-Ex., Guter Zustand. ha1065315 Sprache: Deutsch Gewicht in Gramm: 190.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1900 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 34 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

brosch. Condition: Gut. 16 Bl. : mit Abb. ; 8° [Umschlagt.] Etwas lichtrandig, sonst guter Zustand. EH1118 Sprache: Deutsch Gewicht in Gramm: 200.

Katalog / 20x19. Condition: Befriedigend. 45 S. : mit Abb. Status nach VGG: vergriffen / Einband rückseitig stark beschädigt 200533499 Sprache: Deutsch Gewicht in Gramm: 175.