Munsing (68 results)

paperback. Condition: Acceptable. Munsinger, Lynn (illustrator). May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Very Good. Dust Jacket Condition: Very Good-. 52 pages; vom 2. September bis 31. Oktober 1949 Contents clean and tight in original stiff wrappers in pictorial dustjacket with some short tears at extermities. Catalog of elements of the the collection exhibited i 1949. OCLC: 2309203 Illustrations throughout of works in ceramics, jewelry, textiles, sculpture, etc. Scarce catalog of this post WWII exhibition. Arranged and edited by one of the "Monuments Men" in Occupied Germany (Territory under Allied occupation, 1945-1955. U. S. Zone) Office of Military Government for Bavaria. Museums, Fine Arts, and Cultural Materials Exchange Section. Stefan P. Munsing [1915-1994] worked in New York City as a designer for Hans Knoll, Norman Bel Geddes and RCA. Munsing served in the Army in World War II, then as Chief of the Monuments, Fine-Arts & Archives Section in Munich. The MFAA was an Army unit locating stolen artworks which had disappeared into the huge Nazi hoards during the war. [Readers of this listing will have ample reason to appreciate the activities of this important organization by the end of December 2013, when George Cluny's movie: "Monument Men" is due to be released.] Munsing later joined the U.S. Department of State during the later 1940's and '50's, where he established the State Department's Amerika Haus programs in Munich and Berlin and organized exhibitions and cultural programs in Germany and Austria. In 1955, he was named cultural officer at the American Embassy in London, where he staged exhibitions of such New York artists as Philip Pavia, Paul Jenkins and Ben Shahn and became an important force in the London art world. Munsing returned to the U.S. in the 1960's and 70's where he helped establish the contemporary art collection of the National Museum of Fine Arts in Washington (now the National Museum of American Art) and headed the State Department's Art in Embassies program. In retirement from the State Department after 1976, Mr. Munsing was a consultant to the American Association of Museums.

Paperback. Condition: Very Good+. First Edition. 12 pages; Clean and secure in original pictorial stiff wrappers. OCLC 82652886 One color plate, two b&w plates. Former owner's name at top of front wrapper - Dr. [Stefan] Munsing. Marek Zulawski (1908 in Rome 1985 in London), was a Polish painter, graphic artist and art historian who settled in London in 1937. Between 1926 and 1933 he studied at the Academy of Fine Arts in Warsaw under professors Felicjan Kowarski and Karol Tichy at the same time as his cousin, Jacek Zulawski. In 1935 he won a scholarship to study in Paris; then in 1937 he moved permanently to London. There he fraternized with other Polish artists, including Feliks Topolski, Halima Nalecz, Marian Szyszko-Bohusz and the Themersons. Initially he was influenced by Post-Impressionism, but after the war he refined his own style, employing a simpler form and a more muted palette. His subjects included still life and figurative art such as Chrystus z Belsen 1947, Tancerz 1957, etc. Stefan P. Munsing [1915-1994] worked in New York City as a designer for Hans Knoll, Norman Bel Geddes and RCA. Munsing served in the Army in World War II, then as Chief of the Monuments, Fine-Arts & Archives Section in Munich. The MFAA was an Army unit locating stolen artworks which had disappeared into the huge Nazi hoards during the war. [The "Monuments Men"] Munsing later joined the U.S. Department of State during the later 1940's and '50's, where he established the State Department's Amerika Haus programs in Munich and Berlin and organized exhibitions and cultural programs in Germany and Austria. In 1955, he was named cultural officer at the American Embassy in London, where he staged exhibitions of such New York artists as Philip Pavia, Paul Jenkins and Ben Shahn and became an important force in the London art world. Munsing returned to the U.S. in the 1960's and 70's where he helped establish the contemporary art collection of the National Museum of Fine Arts in Washington (now the National Museum of American Art) and headed the State Department's Art in Embassies program. In retirement from the State Department after 1976, Mr. Munsing was a consultant to the American Association of Museums.

Condition: New. In.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Text von Andreas Lommel. Fotos von Herbert List 1. Auflage. 47 Seiten. Orig.-Engl.-Br., Quart 25,2 x 18 cm, 47 S. mit zahlr. teils ganzseitigen Bildtafeln; Umschlag altersspurig/berieben, innen ordentliches Exemplar.

Condition: New.

Couverture souple. Condition: Assez bon. Allemand.Sans date,circa 1970.Photos n & b.Certaines pages ont ete collees entre elles.Non pagine.Poids 250 gr.Format 24,5 x 18 cm.

Paperback. Condition: Near Fine. Offprint from Museums Journal Vol. 61, No. 3 December 1961; 8 pages; Contents clean and unmarked in original self wrappers. This offprint contain an asticle by Stefan Munsing on the American Museum in Britain - Claverton House in Bath. Included is a typed letter on American Museum in Britain letterhead to Munsing from the museum's director Ian McCallun (signed) thanking Munsing for his help in organizing an American Costume exhibition. The American Museum in Britain is based at Claverton Manor, near Bath, England, in a house, designed by Jeffry Wyatville and built in the 1820s on the site of a manor bought by Ralph Allen in 1758, replacing the manor house built by Ralph of Shrewsbury around 1340. The museum was founded by two antique collectors, an American, Dallas Pratt (August 21, 1914 May 20, 1994) and a Briton, John Judkyn (1913 July 27, 1963) and opened to the public for the first time on July 1, 1961. The exhibits cover American history in form of period rooms from circa 1690 to 1860 with space for exhibitions on more recent events and topics. Stefan P. Munsing [1915-1994] worked in New York City as a designer for Hans Knoll, Norman Bel Geddes and RCA. Munsing served in the Army in World War II, then as Chief of the Monuments, Fine-Arts & Archives Section in Munich. The MFAA was an Army unit locating stolen artworks which had disappeared into the huge Nazi hoards during the war. [The "Monuments Men"] Munsing later joined the U.S. Department of State during the later 1940's and '50's, where he established the State Department's Amerika Haus programs in Munich and Berlin and organized exhibitions and cultural programs in Germany and Austria. In 1955, he was named cultural officer at the American Embassy in London, where he staged exhibitions of such New York artists as Philip Pavia, Paul Jenkins and Ben Shahn and became an important force in the London art world. Munsing returned to the U.S. in the 1960's and 70's where he helped establish the contemporary art collection of the National Museum of Fine Arts in Washington (now the National Museum of American Art) and headed the State Department's Art in Embassies program. In retirement from the State Department after 1976, Mr. Munsing was a consultant to the American Association of Museums.

Softbound. Condition: VG. SIGNED by the curator and editor. BW pictorial raps. 62 pp. 48 bw repros. Catalogue lists 85 works, each of which is very well annotated and described. Great reference. Exhibition held Apr. to June, 1973.

Abb., 50 S. illustr. Orig. Karton ---geringe Gebrauchsspuren,

Softcover. 47 Seiten Zustand: Keine Beschädigungen, keine Eintragungen. Rücken, Ecken, Kanten bestoßen und berieben. Einband fleckig. Sprache: Deutsch Gewicht in Gramm: 150.

22,5 x 16 cm. Condition: Gut. 38 Seiten ; Mit Illustrationen Softcover, original Broschur mit Bibliotheksrückenschild, etwas berieben. Innen mit Stempel, leicht gebräunt, in sehr gutem Zustand. Bitte beachten Sie unsere Bilder. PG-0108 Sprache: Deutsch Gewicht in Gramm: 100.

Soft cover. Condition: Good. Dust Jacket Condition: Good. 1st Edition. 50 pages, illustrations : 24 cm.

Soft cover. Condition: Very Good. 1st Edition. 72 pages, plates ; 25 cm.

60 SS. Mit zahlreichen, teils farbigen Abbildungen auf Tafeln. Okart. "Cortina 7". - Biblos-Schriften Band 137.

Paperback. Condition: new. Paperback. Joint Interagency Task Force-South (JIATF-South) is well known within the U.S. Government as the "gold standard" for interagency cooperation and intelligence fusion, despite its preference for keeping a low profile and giving other agencies the credit for its successes. It is often cited as a model for whole-of-government problem-solving in the literature on interagency collaboration, and other national security organizations have tried to copy its approach and successes. Despite the plaudits and attention, the way that JIATF-South actually operates has only received superficial analysis. In fact, few people actually understand why JIATF-South works as well as it does or how its success might be replicated. This study attempts to fill the gap in knowledge about JIATF-South as a model for crossorganizational collaboration. It traces the evolution of the task force from its roots in the "War on Drugs" in the 1980s, through its original manifestation as Joint Task Force-4 in the early 1990s and its later reinvention as Joint Interagency Task Force-East (and still later, its renaming as JIATF-South), up until the present day. It then examines how JIATF-South actually works with the help of 10 organizational performance variables taken from organizational and management research on cross-functional teams. Investigating JIATF-South's performance through these different organizational lenses, and weighing the importance of each variable in light of JIATF-South's historical experience, yields a compelling explanation for JIATF-South's stellar performance. The results contribute to a better understanding of interagency teams and help answer the pressing question of whether successes like JIATF-South can be replicated elsewhere in the national security system. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.