Published by AMERICAN MUSICOLOGICAL SOCIETY, Madison WI, 1996
First Edition
Paperback. Condition: Very Good. First printing. 5 1/4 x 8 inches. 71 pages. Condition is Very Good, light wer to covers, interior excellent. STK.
Language: English
Published by American Institute of Musicology, Gmbh, 2008
ISBN 10: 1595514961 ISBN 13: 9781595514967
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Hardcover. Condition: new. Hardcover. Edward Roesner forged a career in musicology that placed him at the forefront of the discipline. This collection of thirteen essays entitled Quomodo Cantabimus Canticum? taking its name from an important motet text in the Roman de Fauvel, and written and edited by a group of scholar friends and students, honors not only his rigorous scholarship but also the breadth of his interest and learning. Starting with Leofranc Holford-Strevens' rationale of how Roesner, as Gustave Reese's protegee and successor, had no choice but to be a Medievalist, Gabriela Ilnitchi Currie's discussion of Eriugenian song, and Susan Rankin's expose on the making of Carolingian chant books, the anthology traverses a wide continuum of argument all of which underscores Roesner's particular interests--liturgy, chant, polyphony, authenticity, the dissemination of texts and ideas over the centuries, and things Parisian. Andreas Haug brings new perspectives to bear on Notker's Preface; and following Roesner's interest in all aspects of the Medieval and Renaissance eras, today's leading scholars--Rebecca Baltzer, Margaret Bent, Bonnie Blackburn, Susan Boynton, Michel Huglo, Karl Kuegle, and Joshua Rifkin--reexamine previously accepted notions of time and space, terminology, and transmission within previously "explicit" texts and tropes. The collection comes full circle with Linda Correll Roesner's discussion of a Clara Schumann letter (Reese's wedding gift to the Roesner couple), and a return to Paris with David Cannata's investigation of Messiaen as Thomistic Christologist. The editors were resolute that Roesner provide his own bibliography! With every sentence, Quomodo Cantabimus Canticum? Essays in Honor of Edward H. Roesner, a compilation that can only begin to plumb Roesner's facility and relentless pursuit of precision in all areas of academic investigation, marvels "How Can We Sing the Song?" For more information, see _cc007.htm Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Language: English
Published by American Institute of Musicology, Gmbh, 2008
ISBN 10: 1595514961 ISBN 13: 9781595514967
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Language: English
Published by Amer Inst of Musicology, 2008
ISBN 10: 1595514961 ISBN 13: 9781595514967
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Add to basketHardcover. Condition: Brand New. 282 pages. 10.25x7.00x1.00 inches. In Stock.
Language: English
Published by American Institute of Musicology, Gmbh, 2008
ISBN 10: 1595514961 ISBN 13: 9781595514967
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Published by Enigmatic Mirror Press, 2025
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Published by Routledge 2003-12-30, 2003
ISBN 10: 075460389X ISBN 13: 9780754603894
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Published by American Institute of Musicology, Gmbh, 2008
ISBN 10: 1595514961 ISBN 13: 9781595514967
Seller: AussieBookSeller, Truganina, VIC, Australia
Hardcover. Condition: new. Hardcover. Edward Roesner forged a career in musicology that placed him at the forefront of the discipline. This collection of thirteen essays entitled Quomodo Cantabimus Canticum? taking its name from an important motet text in the Roman de Fauvel, and written and edited by a group of scholar friends and students, honors not only his rigorous scholarship but also the breadth of his interest and learning. Starting with Leofranc Holford-Strevens' rationale of how Roesner, as Gustave Reese's protegee and successor, had no choice but to be a Medievalist, Gabriela Ilnitchi Currie's discussion of Eriugenian song, and Susan Rankin's expose on the making of Carolingian chant books, the anthology traverses a wide continuum of argument all of which underscores Roesner's particular interests--liturgy, chant, polyphony, authenticity, the dissemination of texts and ideas over the centuries, and things Parisian. Andreas Haug brings new perspectives to bear on Notker's Preface; and following Roesner's interest in all aspects of the Medieval and Renaissance eras, today's leading scholars--Rebecca Baltzer, Margaret Bent, Bonnie Blackburn, Susan Boynton, Michel Huglo, Karl Kuegle, and Joshua Rifkin--reexamine previously accepted notions of time and space, terminology, and transmission within previously "explicit" texts and tropes. The collection comes full circle with Linda Correll Roesner's discussion of a Clara Schumann letter (Reese's wedding gift to the Roesner couple), and a return to Paris with David Cannata's investigation of Messiaen as Thomistic Christologist. The editors were resolute that Roesner provide his own bibliography! With every sentence, Quomodo Cantabimus Canticum? Essays in Honor of Edward H. Roesner, a compilation that can only begin to plumb Roesner's facility and relentless pursuit of precision in all areas of academic investigation, marvels "How Can We Sing the Song?" For more information, see _cc007.htm Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Language: English
Published by Ashgate Publishing Company, 2003
ISBN 10: 075460389X ISBN 13: 9780754603894
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Published by Ashgate Publishing Company, 2003
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Published by Taylor & Francis Ltd, 2003
ISBN 10: 075460389X ISBN 13: 9780754603894
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Published by Ashgate Publishing Company, 2003
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Published by Taylor & Francis Ltd Dez 2003, 2003
ISBN 10: 075460389X ISBN 13: 9780754603894
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Buch. Condition: Neu. Neuware - This volume, which originated as a series of papers presented at a symposium in honour of Jim McKinnon, discusses problems in chant scholarship. The essays emphasize the wide range the field contains, but are inter-related, complementing each other within the scope of the book.
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Published by Ashgate Publishing Company, 2009
ISBN 10: 075462708X ISBN 13: 9780754627081
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Add to basketGebunden. Condition: New. John L. Nádas is Gerhard L. Weinberg Distinguished Professor in the College of Arts and Sciences, University of North Carolina at Chapel Hill, USA. Professor Nádas is presently Editor-in-Chief of the Journal of Musicology. His interests include the musi.
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Published by Ashgate Publishing Company, 2009
ISBN 10: 075462708X ISBN 13: 9780754627081
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Condition: New. pp. xxiv + 569.
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Add to basketHardcover. Condition: Brand New. 564 pages. 9.69x7.05x1.57 inches. In Stock.
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Published by Ashgate Publishing Company, 2009
ISBN 10: 075462708X ISBN 13: 9780754627081
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Condition: New. pp. xxiv + 569.
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Published by Taylor & Francis Ltd Jul 2009, 2009
ISBN 10: 075462708X ISBN 13: 9780754627081
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