Naef Heidi (39 results)

Condition: good.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 4to, boards, dust jacket, 167pp., ills. Text in German and English. VG+/VG: a clean and sound book in a mildly soiled jacket with a small nick to the head of the rear. Extra postage may be asked.

Oversized Paperback. Condition: Good.

Hardcover. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condition: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condition: Very Good. Paperback--excellent condition.

Paperback. Condition: new. Paperback. This volume accompanies the first major solo exhibition on American artist Paul Chan (born 1973) since his series The 7 Lights was presented at the New Museum in 2008. Chan is one of the most versatile and unpredictable artists of his generation, and certainly one of the most original voices in contemporary art today. Active as artist, writer and publisher, he engages the viewer in a challenging discourse about the place of art in social and political life. Chan's combination of old and new works casts new light on the content and complexity of his fascinating art. In addition to early video installations, rarely seen works on paper, sculptures and works from the 7 Lights series, this volume includes reproductions of the 1,005 painted book covers that constitute Volumes (2012), and new works created for the exhibition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Broschiert; Condition: Gut. 50 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Vermerke, Instituts-Stempel.); Einband etwas staubschmutzig, ansonsten ordentlicher Erhaltungszustand. Sprache: Deutsch Gewicht in Gramm: 80.

Softcover. Condition: Guter Zustand. Dust Jacket Condition: Kein Schutzumschlag. 386 Seiten mit sehr vielen Abbildungen; Text in Deutsch und Englisch; gutes und sauberes Exemplar; 1,7 kg Versandgewicht - 5 Euro Versandkosten für Deutschland;

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. A large, thick brown cloth-boards hardback with a dust jacket now protected in a new archival-quality, removable plastic cover. Plenty of black-&-white and color art. This nice copy has an "opened-only-a-few-times" look & feel with no crushes to the boards' corners. This book is clean and unmarked with no edgewear to either the boards or dust jacket. Stored in sealed plastic protection and mailed (bubble-wrapped) in a sturdy cardboard box. We ship (tracking included) promptly from Roswell, Ga. Due to weight and price; international orders are subject to a postal surcharge. Serving satisfied book customers since 1999. 355-stated pages.

Condition: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardcover. Condition: Like New. Dust Jacket Condition: Like New. First Edition. First Edition, First Printing. Published by MoMA, 2018. Folio. Brown cloth boards.Book is like new; clean with no writing or names. Spine straight, binding tight and pages crisp. Very light bumps to top corners. Dust jacket is like new with very light shelf wear. 355 pages. ISBN: 9781633450318. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!

Softcover, 388 pages with 54 page exhibition booklet laid in, in English and German; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: fine. Quarto. (11" x 9") Fine copy in original shrinkwrap.

Condition: Good. Paperback, numerous (full page) illustrations in colour (and some in b/w), 4to. Text in English and German.

Hardcover with dustjacket, 356 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: New. Dust Jacket Condition: New. In shrinkwrap. With a magician's sleight of hand, Nauman's art makes disappearance visible At 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images. Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. .

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Minor shelf wear; small bump at bottom of tail board. Else a bright, clean copy. With a magician's sleight of hand, Nauman's art makes disappearance visible At 76 years old, Bruce Nauman is widely acknowledged as a central figure in contemporary art whose stringent questioning of values such as good and bad remains urgent today. Throughout his 50-year career, he has explored how mutable experiences of time, space, sound, movement and language provide an insecure foundation for our understanding of our place in the world. This richly illustrated catalog offers a comprehensive view of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one of his earliest performances. A wide range of authors--curators, artists and historians of art, architecture and film--focus on topics that have been largely neglected, such as the architectural models that posit real or imaginary sites as models for ethical inquiry and mechanisms of control. An introductory essay explores Nauman's many acts of disappearance, withdrawal and deflection as central formal and intellectual concerns. The 18 other contributions discuss individual objects or themes that persist throughout the artist's career, including the first extensive essay on Nauman as a photographer and the first detailed treatment on the role of color in his work. A narrative exhibition history traces his reception, and features a number of rare or previously unpublished images. Bruce Nauman was born in Indiana in 1941 and raised near Milwaukee, Wisconsin. He studied math, music and physics at the University of Wisconsin-Madison before switching his major to visual art, and received an MA in sculpture from the University of California, Davis, in 1966. In 1979 he moved to New Mexico, where he continues to reside. Nauman's work has been the subject of two previous retrospectives, in 1972 and 1994. In 2009 he represented the United States at the Venice Biennale, where he won the Golden Lion. .

hardcover. Condition: Used-Very Good. Cloth, dj. Some shelf wear. Corners of spine, rear board creased, with attendant crease in jacket. Else fine. A nice, clean copy with pristine images.

Cloth. Condition: New. 780 pages. Hardcover exhibition catalogue, bound in printed cloth covered boards. Texts in English. Still in the publisher's original shrinkwrap, so the binding is tight, the edges and corners of the boards sharp, and interior presumably clean and free of markings. Published on the occasion of the exhibition held from June 13, 2015 - January 31, 2016. Book.

hardcover. Condition: fine. Dust Jacket Condition: fine. Nauman, Bruce (illustrator). With chapters by many authors. Extensively illustrated. 356 pages, thick 4to, brown cloth, d.w. New York: The Museum of Modern Art, (2018). A fine copy in a fine dust wrapper. Published in conjunction with the exhibition, Bruce Nauman: Disappearing Acts.

Hardcover. Condition: Very good. Dust Jacket Condition: Very good. Great condition. Jacket has light wear, but is bright. Binding is tight, and inside is clean and unmarked.

Condition: new.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine.

brosch. Condition: Sehr gut. 87 S. : zahlr. Ill. Sehr gutes Exemplar mit leichten lichtbedingten Gebrauchsspuren. / Very good copy with small signs due to light exposure. - Language: English and german. / An incidental note in conjunction with the exhibition of Tacita Dean at the Museum of Contemporary Art Basel, Public Art Collection Basel, and the Emanuel Hoffmann Foundation from May 27 to August 13, 2000. Texts by Tacita Dean. Catalog: Theodora Vischer. Editor: Heidi Naef . Translation from English: Regula Krähenbühl. / Contents: an aside: -- The Martyrdom of St Agatha -- in several parts) -- Girl Stowaway -- How to Put a Boat in a Bottle -- A Bag of Air -- The Structure of Ice -- Gellért -- Once Upon a Different Sort of Time -- (The Story of Donald Crowhurst) -- Disappearance at Sea -- Disappearance at Sea II -- Delft Hydraulics -- Teignmouth Electron -- Bubble House -- Sound Mirrors -- Trying to Find the Spiral Jetty -- From Columbus, Ohio to the Partially -- Buried Woodshed -- Foley Artists -- Friday/Saturday -- Banewl -- Totality -- Afterword -- Filmography and Sound Works. ISBN 9783720401227 Sprache: Englisch Gewicht in Gramm: 550.

Paperback. Condition: Brand New. bilingual edition. 388 pages. 9.75x8.00x1.25 inches. In Stock.

Erste Auflage. 30,1 x 21,3 cm. 167 S. OPappband mit illustriertem OUmschlag. Sehr gutes Exemplar. Durchgehend mit meist farbigen Abbildungen versehen. Katalogbuch zur gleichnamigen Gemeinschaftsausstellung im Schaulager Basel, vom 12. Juni bis zum 2. Oktober 2016. Mit Beiträgen von Julian Heynen, Jacqueline Burckhardt, Robert Fleck und Michael Rooks in deutscher und englischer Sprache. Sprache: Deutsch und Englisch.

Softcover. Condition: Wie neu. 1. Auflage. The catalogue to the exhibition "Paul Chan Selected Works", held at the Schaulager Basel in 2014, was developed by the artist in collaboration with graphic designers and is intended as a "picture book within a book." Dt. / Engl. 386 pages, 20.5 × 25.5 cm, 1378 g.