Naef Maja (46 results)

Oversized Paperback. Condition: Good.

Softcover, 388 pages with 54 page exhibition booklet laid in, in English and German; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: Good. Paperback, numerous (full page) illustrations in colour (and some in b/w), 4to. Text in English and German.

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New.

Soft cover. Condition: Very Good Plus. No Jacket. Clean and firm copy, no creasing to spine. Light fingermarks to closed page edges and very minor edge wear to card covers.

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 24 x 32,5 cm, 40 Seiten, 12 Abbildungen, Papiereinband - Mit «Portobello» präsentiert die Basler Künstlerin Hildegard Spielhofer ihre erste Publikation. Der sorgfältig und genial gestaltete Bildband zeigt zahlreiche Fotografien aus dem Werk "Portobello" und vertieft den Kontext des Werkes mit zwei präzisen Texten von Maja Naef und Adam Szymczyk. Hildegard Spielhofers Werk zeichnet sich durch seine Komplexität aus. Zwischen Installation, Video und Fotografie, Solo und Teamwork entwickelt sie Projekte von großer Dichte.…

Condition: New. In English.

Softcover. Condition: Sehr gut. 1. Auflage. Z: 17 x 24 cm, 396 Seiten, 270 Abbildungen, davon 46 in Farbe, mit 33 Bildeinlagen - Im Kontext der neuen Figuration der 1980er Jahre erlangte der Künstler Anselm Stalder früh nationale und internationale Anerkennung. Im Gegensatz zu den ausdrucksstarken Tendenzen der Zeit setzte sich jedoch immer der Moment der Reflexion bei ihm durch. Der formale Ausdruck seines dialektischen Denkens ist auch heute noch eine markante Breite stilistischer und medialer Ansätze, mit denen Anselm Stalder seine konsequent behandelten Themen anspricht. Seine formal einfache, aber sehr dichte Arbeit dreht sich um Fragen von Körper und Raum, Wahrnehmung und Sprache. Mit seiner Ausstellung Glimmende Peripherie im Kunstmuseum Solothurn gibt Anselm Stalder einen aktuellen Einblick in sein Werk. Zusätzlich zu den Werken, die zum ersten Mal gezeigt werden, präsentiert er auch eine Auswahl älterer Werke aus den letzten zwanzig Jahren, die in Bezug auf Inhalt und Raum genau aufeinander abgestimmt sind. Die reich illustrierte Publikation mit Essays von Barbara von Flüe, Maja Naef, Hans Rudolf Reust und Christoph Vögele sowie einer Reihe von Texten des Künstlers und drei umfangreichen Zeichnungsgruppen begleitet nicht nur die Ausstellung, sondern dient mit ihrem Anspruch, die Kontexte des Werkes als Ganzes widerzuspiegeln, auch als tatsächliche Künstlermonographie für die eingehende Untersuchung des Werkes.…

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 30 x 24 cm, 160 Seiten/pages, illustrated throughout - A house with a swimming pool and three protagonists: an older woman, a teenager and a gardener. The women never meet; the gardener sees everything. The narrative seems to be about the relationship between a mother and daughter--and its rhythm corresponds to the playing of a piano, to a swimmer gliding through the pool and to water splashing in the shower. However, there is more to House with Pool than the fictional tale told by the film; it is also the history of a modernist home in 1950s Texas, where the artists--Teresa Hubbard and Alexander Birchler--lived and worked for a few months, taking their cues from their immediate environment. This publication is devoted to the film, represented here through color stills, photographs, sketches, and plans that visualize its aesthetically seductive, affirmative, yet ambiguous story.…

Softcover. Condition: Gut bis sehr gut. 1. Auflage. Z/B : 168 Seiten/pages with 90 color illustrations. - Installations full of wordplay ("spot the dog") and films full of sky: Welsh-Parisian Bethan Huws's work in a wide range of media plays well together on the page, in part because the kinetic scribbles of her colored-pencil storyboards share both the vivacity of her texts and the pastoral colors of her film.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: Brand New. 296 pages. 9.75x7.00x0.75 inches. In Stock.

Pamphlet. continous, double-sided illustrated fold-out. 16 illustrated panels total. One side of the panels is comprised of an essay by Maja Naef, the second side is illustrated. An interesting exhibition catalogue. Uncommon. VG (light edge-wear & rubbing. clean).

Hardcover. Condition: New. New mint shrinkwrapped copy HB 1st Christoph Merian.

Condition: New. pp. 298 Index.

Sep 01, 2006. Condition: gebraucht; wie neu. minimale Spuren, wie ungelesen.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Condition: new. Hardcover. What Is an Image? raises the stakes for writing in art history, visual studies, art theory, and art criticism by questioning one of the most fundamental terms of all, the image or picture. This innovative collection gathers some of the most influential historians and theorists working on images to discuss what the visual has come to mean. Topics include concepts such as image and picture in the West and outside it; the reception and rejection of semiotics; the question of what is outside the image; the question of whether images have a distinct nature or are products of discourse, like language; the relationship between images and religious meanings; and the study of non-art images in medicine, science, and technology.Among the major writers represented in this book are Gottfried Boehm, Michael Ann Holly, Jacqueline Lichtenstein, W. J. T. Mitchell, Marie-Jose Mondzain, Keith Moxey, Parul Dave Mukherji, Wolfram Pichler, Alex Potts, and Adrian Rifkin. Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts such as image and picture in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Gebunden. Condition: New. KlappentextrnrnDer Schweizer Kuenstler Eric Hattan (*1955) schafft seine Kunst aus dem Leben. Er entwickelt sie aus einfachen Gegenstaenden: Verpackungen, die er umstuelpt, Moebel, die er mit Latten unter die Decke stemmt, Schuhe, die die Wand hoch .

Soft cover. Condition: Near Fine. 1st Edition. Condition: Near Fine, unread book, no marking, no tears, some shelf traces. This is a the complete series in five volumes of the "The Stone Art Theory Institutes", each involving over fifty scholars. Published between 2010 and 2015, one volume each year. ISBN Vol. 1: 9780271037172; Vol. 2: 9780271050652; Vol. 3: 9780271054254; Vol. 4: 9780271060736; Vol. 5: 9780271070780; Vol. 1: Art and Globalization: a study of the ways art is written about, around the world, Edited by James Elkins, Zhivka Valiavicharska, and Alice Kim; Vol. 2: What Is an Image? an assessment of the principal theories of images, pictures, and paintings, Edited by James Elkins and Maja Naef; Vol. 3: What Do Artists Know? an attempt to describe what special knowledge artists may have, Edited by James Elkins; Vol. 4: Beyond the Aesthetic and the Anti-Aesthetics, a conversation about what happens after modernism and postmodernism, Edited by James Elkins and Harper Montgomery; Vol. 5: Farewell to Visual Studies, an international discussion of the history and futures of visual culture, Edited by James Elkins, Gustav Frank, and Sunil Manghani; Pages: Vol.1: 294, Vol.2: 286, Vol.3: 228, Vol.4: 234, Vol.5: 272; Format: total= 25,4 x 17,9 x 8,9 cm / Vol.1: 2,2 cm; Vol.2: 1,9 cm; Vol.3: 1,6 cm; Vol.4: 1,7 cm; Vol.5: 1,7 cm; Book weight: total=2970 g. / Vol.1: 650g.; Vol.2: 630g.; Vol.3: 525 g.; Vol.4: 540 g.; Vol.5: 620 g.…

Hardcover. Condition: Sehr gut. 1. Auflage. Z : 88 Seiten/pp., zahlreiche Farbabbildungen - Since 1999, Schiess has created small-scale, mostly horizontal-format pictures with the character of objects from a variety of materials, to which the artist applies several thick layers of paint, or squeezes the colour directly from the tube onto the support. Even if these pictures bear titles such as Himmel (Sky), Schnee (Snow), Mimosas, Coucher du soleil (Sunset) or Mondlicht (Moonlight), the focus is not on their illustrative character, but on the materiality of the paint. Adrian Schiess constantly seeks to push the boundaries of painting by reflecting on the idea and the practice of the medium and calling into question the definition of pictures as objects.…

Softcover. Condition: Sehr gut. 1. Auflage. Z : 194 Seiten, illustriert - Das Buch vereinigt die Beiträge des Symposiums, das am 4. und 5. Juli 2003 anlässlich der Ausstellung «Roth Zeit. Eine Dieter Roth Retrospektive» im Schaulager Basel stattgefunden hat. Vorgestellt und diskutiert werden in den Beiträgen und Aufsätzen Werkprozesse, die Wahl des Materials, die Rolle des Abfalls und das Atelier als Ausstellung sowie das Verhältnis von Schrift und Bild und der Zusammenhang von Kunst und Leben im Schaffen und Denken Dieter Roths.…

Hardcover. Condition: Brand New. 1st edition. 296 pages. 10.25x7.25x1.00 inches. In Stock.

Gebunden. Condition: New. Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts such as image and picture in and outside the West semiotics whethe.

Condition: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Buch. Condition: Neu. Neuware - 'Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts such as 'image' and 'picture' in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing'--Provided by publisher.…

Condition: gut. Bethan Huws: Bonnefanten Museum, Maastricht. Kunstverein St. Gallen Kunstmuseum. Dt.Engl. In deutscher Sprache. pages.