Nancy Chavez (56 results)

Paperback. Condition: Good.

Paperback. Condition: Very Good.

Paperback. Condition: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Condition: Good.

Paperback. Condition: Very Good.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Condition: New.

Paperback. Condition: New. Visualizing Genocide examines how creative arts and memory institutions selectively commemorate or often outright ignore stark histories of colonialism. The essays confront outdated narratives and institutional methods by investigating contemporary artistic and scholarly interventions documenting settler colonialisms including land theft, incarceration, intergenerational trauma, and genocide. Interdisciplinary approaches, including oral histories, exhibition practices, artistic critiques, archival investigations, and public arts, are among the many decolonizing methods incorporated in contemporary curatorial practices. Rather than dwelling simply in celebratory appraisals of Indigenous survival, this unprecedented volume tracks how massacres, disease, removals, abrogated treaties, religious intolerance, theft of land, and relocation are conceived by contemporary academics and artists. Contributors address indigeneity in the United States, Norway, Canada, Australia, and the Caribbean in scholarly essays, poems, and artist narratives. Missions, cemeteries, archives, exhibitions, photography, printmaking, painting, installations, performance, music, and museums are documented by fourteen authors from a variety of disciplines and illustrated with forty-three original artworks. The authors offer honest critique, but in so doing they give hopeful and concrete strategies for the future. This powerful collection of voices employs Indigenous epistemologies and decolonial strategies, providing essential perspectives on art and visual culture. T. Christopher Aplin Emily Arthur Marwin Begaye Charlene VillaseÑor Black Yve Chavez Iris Colburn Ellen Fernandez-SaccoStephen Gilchrist John Hitchcock Michelle J. Lanteri JÉrÉmie McGowanNancy Marie Mithlo Anne May OlliEmily Voelker Richard Ray Whitman.…

Condition: As New. Unread book in perfect condition.

Hardcover. xv, 268p., signed and inscribed by Nancy Saporta Sternbach to her mother; and, laid in, a copy of a faculty letter supporting Sternbach's reappointment, very good first edition in cloth and unclipped lightly worn dj.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condition: As New. Inscribed by author, Nancy Chavez. Softcover. Good binding and cover. Clean, unmarked pages. Signed.

Paperback. Condition: Brand New. 285 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Condition: Brand New. 160 pages. Spanish language. 8.50x5.50x0.40 inches. In Stock.

Condition: New. 2022. Paperback. . . . . .

Condition: New. In English.

Paperback / softback. Condition: New. New copy - Usually dispatched within 4 working days.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: Brand New. 73 pages. Spanish language. 6.00x0.17x9.00 inches. In Stock.

Hardcover. Condition: Acceptable. no dust jacket. White pictorial boards show significant gray smudging and surface soiling on the front, back, and spine. The bottom front corner is bumped and slightly frayed. The binding is firm and the hinges are intact. Internal pages are clean and unmarked, free of highlighting or marginalia. No dust jacket. Mary Bonilla de Lorenzana (illustrator).…

Taschenbuch. Condition: Neu. Neuware - Visualizing Genocide examines how creative arts and memory institutions selectively commemorate or often outright ignore stark histories of colonialism. The essays confront outdated narratives and institutional methods by investigating contemporary artistic and scholarly interventions documenting settler colonialisms including land theft, incarceration, intergenerational trauma, and genocide. Interdisciplinary approaches, including oral histories, exhibition practices, artistic critiques, archival investigations, and public arts, are among the many decolonizing methods incorporated in contemporary curatorial practices. Rather than dwelling simply in celebratory appraisals of Indigenous survival, this unprecedented volume tracks how massacres, disease, removals, abrogated treaties, religious intolerance, theft of land, and relocation are conceived by contemporary academics and artists. Contributors address indigeneity in the United States, Norway, Canada, Australia, and the Caribbean in scholarly essays, poems, and artist narratives. Missions, cemeteries, archives, exhibitions, photography, printmaking, painting, installations, performance, music, and museums are documented by fourteen authors from a variety of disciplines and illustrated with forty-three original artworks. The authors offer honest critique, but in so doing they give hopeful and concrete strategies for the future. This powerful collection of voices employs Indigenous epistemologies and decolonial strategies, providing essential perspectives on art and visual culture.- T. Christopher Aplin- Emily Arthur- Marwin Begaye- Charlene VillaseÑor Black- Yve Chavez- Iris Colburn- Ellen Fernandez-Sacco- Stephen Gilchrist- John Hitchcock- Michelle J. Lanteri- JÉrÉmie McGowan- Nancy Marie Mithlo- Anne May Olli- Emily Voelker- Richard Ray Whitman.…